الأربعاء، 7 يوليو 2021

Secrets of alidades revealed in latest 21,39 Jeddah Arts exhibition

Thu, 2021-07-08 01:05

JEDDAH: The Saudi Art Council has launched its eighth edition of the 21,39 Jeddah Arts exhibition, taking visitors on a new interstellar adventure into “The Secrets of Alidades.”

The new 21,39 exhibition — referring to the coordinates of Jeddah — opened to the public on Thursday.

Curated by French academic Fabien Danesi, a doctor of philosophy in art history and university professor, “The Secrets of Alidades” alludes to the pointers found on astrolabes and other astronomical instruments that help us to observe distant objects and guide travellers. 

An alidade or a turning board is a device used since ancient times to sight a distant object. It was also used by surveyors as a pointer to determine directions or measuring angles.




Drawing of several alidade types. (Wikimedia Commons/Michael Daly)

In the exhibit, the ancient alidades guide you through the 33 artworks across a journey that reveals a world of new dimensions and systems, earthly or otherwise.

Danesi’s exhibition reflects the spirit of sailors using the stars to guide their journeys across uncharted waters. Amid the travel-limiting era of the coronavirus pandemic, 21,39 invites you on a mental voyage through the artworks.

“This allegorical perspective means that the show attempts to produce a representation with the potentiality of a journey. Just as sailors used the stars to navigate the seas, artwork can help us drift in our cultural field with the contrary winds and ocean currents,” Danesi told Arab News in a previous interview.

The exhibit is showing artworks by a huge range of artists, including Qamar Abdulmalik, Sarah Abu Abdullah and Alia Ahmad to name just a few.




A US Navy sailor using a telescopic alidade. (Wikimedia Commons/Navy Petty Officer 2nd Class Anaid Banuelos Rodriguez)

“For this year’s exhibition, Fabian has drawn on his inspiration, interest and passion for the stars, the planets and everything else that forms part of our great expanse in light of the tragic pandemic that has changed our lives forever,” Nada Sheikh, director of the Saudi Arts Council, told Arab News.

The 21, 39 Jeddah Arts is a non-profit initiative organized by the Saudi Arts Council to highlight and maintain the city’s position at the forefront of Saudi Arabia’s contemporary art scene.

The 21, 39 Jeddah Arts is a pivotal opportunity for aspiring artists to engage in an internationally recognized platform that helps emerging artists to leap into professional work, Sheikh said.

A simple alidade for use with a ceiling projector. (Cambridge Bay Weather/Wikimedia Commons)
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Saudi art, music collide in exhibitionSaudi artists keep the dialogue going about Palestine https://ift.tt/3AEd1pz July 08, 2021 at 02:28AM

Dilip Kumar, Bollywood’s ‘tragedy king’, dies aged 98

Author: 
Nivrita GANGULY | AFP
ID: 
1625670283500866300
Wed, 2021-07-07 14:29

MUMBAI: Dilip Kumar, one of Bollywood’s most accomplished and respected film stars, died on Wednesday aged 98, sparking tributes from across Indian and Pakistani cinema, politics, sport and even animal rights.
Alongside Dev Anand and Raj Kapoor, Kumar was one of three names who dominated Indian cinema’s golden age from the 1940s to the 1960s, enjoying a career spanning more than 50 years and nearly 60 films.
Nicknamed “The Tragedy King” — with brooding good looks, tousled hair, and a deep voice — he played the lead in some of India’s most commercially successful films of the period.
But he missed out on international fame after turning down the chance to play Sherif Ali in David Lean’s 1962 classic “Lawrence of Arabia.” The part went to then little-known Egyptian actor Omar Sharif.


Kumar was born Mohammed Yusuf Khan on December 11, 1922, in Peshawar, Pakistan, then part of British-ruled India. His father was a fruit merchant who took his family to India’s entertainment capital Bombay in the 1930s.
Actress Devika Rani spotted him on his father’s fruit stall, leading to a part in his first film, “Jwar Bhata,” in 1944.
Rani persuaded him to change his name, so he chose Dilip Kumar, allowing him to hide what he was doing from his disapproving father.
Although “Jwar Bhata” flopped and leading film magazines criticized his performance, Kumar was undeterred and broke through with the 1946 film “Milan.”
One of his most memorable roles came in the lavish historical romance “Mughal-e-Azam,” based on the life of a great Mughal prince. It became one of Bollywood’s biggest-grossing films of all time.
Kumar, who cited Hollywood greats Marlon Brando, Gary Cooper and Spencer Tracy as influences, later won acclaim in 1964 for the nationalistic “Leader,” screened against a backdrop of recent wars against China and Pakistan.
The 1970s brought fewer roles, as younger actors such as Amitabh Bachchan, now the biggest star in India’s hugely prolific Hindi-language cinema industry, took center stage.
Kumar even took a five-year break after a run of flops, returning in 1981 with the hit “Kranti” (Revolution) and a part alongside Bachchan in “Shakti” (Strength) the following year, plus a string of character roles.


Later he took up a more active role in politics, and in 1998 he worked to end the feuding between India and Pakistan.
The same year saw him receive the highest civilian honor in Pakistan, angering Hindu nationalists. Two years later he became an Indian lawmaker for the Congress party.
Kumar credited his success to his early days in Peshawar’s fabled Qissa Khwani (“Storytellers“) Bazaar where travelers would relate their adventures.
Former Pakistan cricket captain Shahid Afridi called his death a “great loss” while the country’s Prime Minister Imran Khan said he was “the greatest and most versatile actor” of his generation. Funeral prayers were held outside his ancestral house in Peshawar.
Unlike many actors, who appeared in hundreds of films, Kumar carefully selected roles — which by Indian standards only increased his stature in the fiercely competitive industry.
In 2006 he accepted a lifetime achievement award at India’s National Film Awards in recognition of his contribution to Indian cinema.
Yet he still admitted that he was baffled at his success.
“Honestly, I’ve still to figure out how an intensely shy young man called Yusuf Khan became the actor Dilip Kumar,” he told The Hindustan Times in an interview to mark his 85th birthday.
Kumar also filed a case in the Supreme Court in the 1990s in support of lesbian love story “Fire” after cinemas were vandalized by Hindu fundamentalist groups.
Prime Minister Narendra Modi called Kumar a “cinematic legend.”
“He was blessed with unparalleled brilliance... His passing away is a loss to our cultural world,” Modi tweeted.
Bachchan called him his “idol” while Anil Kapoor said he “was and will always be the finest & greatest actor of our industry for me.”
Salman Khan called him the “best actor Indian cinema has ever seen and will ever see” and animal rights group PETA India said “animals everywhere have lost a great friend.”
Several stars including Shah Rukh Khan and Anupam Kher visited his actress widow Saira Banu on Wednesday to pay their respects.

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Bollywood star Akshay Kumar tests positive as India virus surge worsensBollywood’s go-to designer Manish Malhotra talks Mideast inspiration https://ift.tt/3wmLoOw July 07, 2021 at 04:26PM

Film AlUla joins as Saudi Arabia unveils pavilion at Cannes Film Festival 

Wed, 2021-07-07 14:45

CANNES: The Saudi Film Commission has unveiled its pavilion at this year’s Cannes Film Festival. 

Saudi Arabia’s National Pavilion will shed light on the Kingdom’s burgeoning film industry and the opportunities it has to offer.

The booth will feature film agencies, filmmakers and other industry experts.  




Saudi Arabia’s National Pavilion will shed light on the Kingdom’s burgeoning film industry and the opportunities it has to offer. (Supplied)

According to the organization, the aim of the pavilion is to create a space for dialogue and discussion with film industry leaders from around the world, and to enable Saudi filmmaking companies to meet and exchange ideas with global filmmakers. 

The Saudi Film Commission’s objectives are to also introduce the Kingdom’s film locations and investment opportunities, and to highlight the organization’s programs and initiatives. 




According to the organization, the aim of the pavilion is to create a space for dialogue and discussion with film industry leaders from around the world. (Supplied)

The pavilion also has a delegation from Film AlUla, the Royal Commission for AlUla’s newly established film agency, to promote international film and TV production in AlUla, a region in northwest Saudi Arabia of outstanding natural and cultural significance.

Having launched at the Berlinale earlier this year, this is the first appearance for the agency at Cannes. Film AlUla also announced its new facilities, which will accommodate 150 film crew and include production offices, recreational facilities and an outdoor cinema.




The booth will feature film agencies, filmmakers and other industry experts. (Supplied)

Film AlUla will showcase the mostly unexplored destination, which presents filmmakers and the world at large with some of Earth’s most sensational scenery.

The pavilion, No. 120, at the festival, will also include representatives from the Ministry of Investment, Red Sea International Film Festival, NEOM, MBC, Ithra, Nebras Films, Cinewave, Telfaz 11 and Arabian Pictures.

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https://ift.tt/3wqjIbr July 07, 2021 at 12:55PM

Saudi Arabia’s Red Sea Film Festival appoints Mohammed Al-Turki as chairman of the committee 

Author: 
Wed, 2021-07-07 13:00

DUBAI: Saudi Arabia’s Red Sea International Film Festival announced on Wednesday that it appointed Mohammed Al-Turki as Chairman of the Festival Committee ahead of the next edition in December 2021. 

Al-Turki is a renowned producer from the Kingdom who carved a career that spans over 10 years in both Hollywood and the Arab world.

The filmmaker said in a released statement: “I’m honored to be joining the Red Sea International Film Festival to support this exciting new festival and bring people together through the universal language of film.

“It’s wonderful time to witness the cultural shift in Saudi (Arabia) with extraordinary plans underway for vision 2030,” he added. The festival is the perfect opportunity to develop our flourishing industry, champion and support young Saudi and Arab talent, and share authentic compelling stories with global audiences.”  

Al-Turki is currently at the 2021 Cannes Film Festival. 

He shared a picture of himself on Instagram and wrote: “Happy to be at my favorite festival at the Cote D’azure representing my country. Cinema is back and alive.”

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https://ift.tt/3xjh9ct July 07, 2021 at 11:06AM

Fashion stars grace the red carpet on Cannes Film Festival’s opening night 

Wed, 2021-07-07 09:34

DUBAI: The Cannes Film Festival rolled out the red carpet for the first time in more than two years on Tuesday, launching the French Riviera spectacular with the premiere of Leos Carax’s “Annette,” the introduction of Spike Lee’s jury, and with high hopes for shrugging off a punishing pandemic year for cinema.




Maggie Gyllenhaal worre a gown by French fashion house Celine. (AFP)

The occasion drew a wide spectrum of film luminaries back to Cannes to celebrate the festival, canceled last year due to the COVID-19 virus. Pedro Almodovar, Jessica Chastain, Helen Mirren and Bella Hadid walked the red carpet, which was again lined with tuxedoed photographers and surrounded by eager onlookers.




US actress Jessica Chastain poses as she arrives for the opening ceremony and the screening of the film “Annette.” (AFP)

Hadid, 24, stepped out in a vintage white Jean Paul Gaultier column gown with a black sheer train and halter-neck for the French festival’s opening ceremony.

She wore her hair up in a bun and accessorized with glittering Chopard jewelry, including white gold earrings with two pear-shaped diamonds.




Carla Bruni worre a gown by French fashion house Celine. (AFP)

Meanwhile, French fashion house Celine, which is led by French-Tunisian designer Hedi Slimane, had a big night at the opening ceremony, dressing jury member Maggie Gyllenhaal and French singer Carla Bruni. 




US actress and director Jodie Foster smiles as she arrives on stage during the opening ceremony of the 74th edition of the Cannes Film Festival in Cannes. (AFP)

Gyllenhaal showed off two looks by Celine on the opening day, including a chic black jumpsuit at a photocall earlier in the day, before she changed into a show-stopping silver gown for the evening’s red carpet. 

The dazzling, floor-grazing number featured sharp pleating on the skirt, as well as a mid-length cape secured at the neck.




Dubai-based influencer Farhana Body showed off a larger-than-life canary yellow ballgown by Omani label Atelier Zuhra. (AFP)

There was also a smattering of offerings from the Middle East when it came to the show-stopping red carpet gowns, with Melita Toscon du Plantier in a sea green, sequined look by Lebanon’s Elie Saab and Dubai-based influencer Farhana Body showing off a larger-than-life canary yellow ballgown by Omani label Atelier Zuhra. 

Other standout fashion moments from the opening night included French star Marion Cotillard in a body-hugging, silver gown by Chanel Haute Couture, featuring a delicate fish scale pattern, as well as Jury President Spike Lee in a hot pink Louis Vuitton suit, which he paired with Nike sneakers.

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https://ift.tt/3hHL1bR July 07, 2021 at 07:40AM

Review: Cannes Film Festival offers look at ‘The Rebellious Olivia de Havilland’

Wed, 2021-07-07 09:23

CHENNAI: Cinema-lovers are in for a treat this year as the 74th Cannes Film Festival looks to reinvent itself.

And one of the ways the event – that kicked off on Tuesday – aims to do so is by making a biographical documentary on British-American actress Olivia de Havilland available to all on the streaming platform Cine+Dailymotion and the festival’s website.

“The Rebellious Olivia de Havilland,” helmed by Daphne Baiwir, packs the actress’ amazing life story into 56 minutes.




“The Rebellious Olivia de Havilland” is helmed by Daphne Baiwir. (Supplied)

Born in Japan, the star carved out a magnificent career in Hollywood before settling in France. She was 104 years old when she died last year, after a life of hope and disappointment, joy and sorrow, and romance and rancor.

She had enormous grit that she displayed in her breakthrough role as Melanie Hamilton, fiancee and then wife of Leslie Howard’s Ashley Wilkes character in the 1939 American Civil War epic, “Gone With the Wind,” and was the epitome of grace and forgiveness in contrast to the fiery Vivien Leigh, who played Scarlett O’Hara.

The documentary follows the actress’ battles during the golden era of Hollywood, as she fought studio heads and directors in a bid to create a niche for herself.




British and US actresses Jacqueline Bisset (R) and Olivia de Havilland (L) chat after they were awarded chevalier of the Legion of Honour by French President Nicolas Sarkozy on September 9, 2010. (AFP)

Most of the material in the documentary comes from De Havilland herself, and it is quite gripping. However, it fails to explore her personal life, such as the notorious spat with her younger sister, Joan Fontaine, that fed Hollywood’s gossip mills at the time.

It was rumored that Fontaine may have been an important reason why De Havilland left America for Paris, and the three Oscars the sisters shared between them may not have been enough to broker peace.

Baiwar’s work could have been that much more engrossing had she detailed the sibling rivalry (often called the greatest family feud in Hollywood) or De Havilland’s personal highs and lows. Regardless, the work is still a great tribute to one of America’s most alluring divas, and perhaps it was a conscious choice to focus on her body of work, rather than her private life.

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https://ift.tt/3dST0St July 07, 2021 at 07:28AM

الثلاثاء، 6 يوليو 2021

French-Algerian actor Tahar Rahim on hand as stars arrive at Cannes Film Festival

Author: 
Tue, 2021-07-06 16:08

DUBAI: As stars get ready to grace the Cannes Film Festival’s red carpet, French-Algerian actor Tahar Rahim has made first his appearance at the awaited event. 

“The Serpent” star will be part of this year’s jury led by director Spike Lee. 

Rahim has already been spotted along with other jury members including Lee, Brazilian film director Kleber Mendonça Filho and South Korean actor Song Kang-ho as they attended a photocall during the 74th edition of the festival, running until July 17.

Rahim is not the only Arab star set to play a major role at Cannes.  

Last month, the festival announced that Tunisian filmmaker Kaouther Ben Hania and Egyptian director Sameh Alaa will be part of the short film jury.

Despite social distancing subduing some of the event’s signature glamour, excitement is rife for the first fully fledged film festival since the start of the coronavirus pandemic.

Last year’s edition was cancelled over the health crisis, and although stars will be allowed to go maskless on the red carpet this year, a health pass is required for entrance and many of the glitzy after-parties that are the festival’s calling card have been postponed because of distancing measures.

https://ift.tt/2TyHgh6 July 06, 2021 at 02:21PM

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