الأربعاء، 19 يونيو 2019

What We Are Reading Today: Infinite Powers by Steven H. Strogatz

Wed, 2019-06-19 22:36

Without calculus, we would not have cellphones, TV, GPS, or ultrasound. We would not have unraveled DNA or discovered Neptune or figured out how to put 5,000 songs in your pocket. 

Though many of us were scared away from this essential, engrossing subject in high school and college, Steven Strogatz’s brilliantly creative, down‑to‑earth history shows that calculus is not about complexity; it is about simplicity. It harnesses an unreal number — infinity — to tackle real‑world problems, breaking them down into easier ones and then reassembling the answers into solutions that feel miraculous. 

Infinite Powers recounts how calculus tantalized and thrilled its inventors, starting with its first glimmers in ancient Greece and bringing us right up to the discovery of gravitational waves (a phenomenon predicted by calculus), says a review published on goodreads.com.

Strogatz reveals how this form of math rose to the challenges of each age: How to determine the area of a circle with only sand and a stick; how to explain why Mars goes “backward” sometimes; how to make electricity with magnets and how to ensure your rocket does not miss the moon.

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What We Are Reading Today: The Dreamt Land by Mark AraxWhat We Are Reading Today: The Way of Nature by C. C. Tsai http://bit.ly/2Flk5wi June 19, 2019 at 08:39PM

Netflix Review: ‘Leila’ offers a frightening fictional glimpse into India under draconian rule

Wed, 2019-06-19 16:40

CHENNAI: Netflix’s original six-episode series, “Leila,” is an unflinching look at a fictional futuristic India run under a draconian political, social and cultural structure.

Adapted from Prayaag Akbar’s novel of the same title, and directed by Deepa Mehta (known for bold films such as “Fire,” “Earth” and “Water”), Shanker Raman and Pawan Kumar, “Leila” is set in 2047, a century after the country had gained independence from the British Empire, and is a daring take on what India could become if authoritarianism and radical forces had their way.

India, in “Leila,” is called Aryavarta, a dictatorial state ruled by Joshi (Sanjay Suri) with the help of a ruthless police force, where painful segregation of people on the basis of religion, caste and economic status is routine. They are separated by formidably tall walls to ensure purity of race.

Children of mixed parentage are whisked away from parents, and women who marry outside their religion are sent to places resembling concentration camps, where they are reformed and re-educated.

One of them is Shalini (Huma Qureshi), whose marriage to Rizwan (Rahul Khanna) outside her community is branded a crime. Her little daughter, Leila, is taken away, and her husband murdered.

The series follows the distraught mother as she goes looking for the girl. Hurt and humiliated by a draconian administration which relies on thugs and a highly intrusive surveillance system to maintain order, Shalini befriends a state-appointed minder, Bhanu (Siddharth).

Penned by Urmi Juvekar, Suhani Kawar and Patrick Graham, the series is slightly different from the book, and runs like a thriller showing chases, brawls for water (“Bandit Queen” director Shekhar Kapur had once wanted to make a movie on water wars, but could not) and torturous living conditions in filthy slums.

Qureshi portrays flashes of brilliance as a deeply troubled woman who pines for her child, but her character is often roadblocked in her quest by an unfeeling regime with a zero-tolerance approach to dissent.

Order is enforced through inhuman forms of punishment, and at one point Shalini has to roll over plates of half-eaten food.

With Netflix outside the purview of sometimes rigid Indian censorship rules, Mehta and the other directors have been able to present most graphically a scenario that is well within the realms of possibility.

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http://bit.ly/2ZzraAR June 19, 2019 at 02:43PM

Film fans get cutting-edge view of Middle East life at Arab movie fest in Michigan

Author: 
Wed, 2019-06-19 16:03

MICHIGAN: Movie fans were given a cutting-edge view of life in the Middle East at the 14th annual Arab Film Festival (AFF) in the US.

Held in Detroit, the event introduced a series of films, movie shorts and documentaries focusing on marginalized voices in communities, including gender, identity, social justice, activism and community building.

Showcasing movies from Arab countries in North Africa and the Middle East, including Saudi Arabia, the festival ran for nine days, from June 7 to 16, and featured Michigan premieres and prizewinners from several film festivals, including Sundance and Cannes.

This year’s festival offered more than 15 premieres, four programs of short films, free workshops, an opening reception and a curated selection of the best Arab and Arab-American films of various genres.

Movies spanned various subjects, including stories about a Tunisian son running away from his parents, a man in an Israeli prison who must deal with his ordeal, and a 17-year old Arab and Muslim girl in Arkansas who deals with being an outsider.

The AFF showed a block of seven shorts from the Arab World, including the comedy “Dunya’s Day,” which is a 2018 Saudi movie about Dunya who, on the day of her college soiree, is abandoned by her domestic help but must still throw the perfect party.

Rita Khalifah, from the US city of Melvindale, attended the festival and saw the block of Arab World shorts. She feels that the festival was important for “everyone, not just metro-Detroit,” and gave “a different outlook and perspective on what’s really happening” and “a more personal understanding of people as individuals and what they are going through. I look forward to (the festival) every year and enjoying the creative side of it all.”

The festival ended by showcasing seven shorts that involved Arab-American producers, directors, and/or actors. The films portrayed a broad array of images and messages and were specially selected for screening as they were unlikely to be seen in larger or commercial theaters.

“Generation One” told the tale of Arab-Americans attempting to gain independence while living in the heavily Arab and Muslim community of Bridgeview, Illinois.

 “Yallah Habibi” seemed like an Arab version of “My Big Fat Greek Wedding,” telling a humorous story of an Arab-American family which owned a restaurant specializing in falafel.

One of the most moving shorts was “Bodega,” which centered on a lovable Arab- and Muslim-American grocery store owner whose daughter was getting married.

All AFF films were subtitled in English and screened in three venues: the Aliya Hassan Auditorium at the Arab American National Museum, in Dearborn; the Michigan Theater, in Ann Arbor; and the State Theater, also Ann Arbor.

Throughout the film festival, the art and paintings of Mayssa Fakih, a local teenage artist whose works touch on some of the topics, were on display for attendees.

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http://bit.ly/2XnLtDY June 19, 2019 at 02:06PM

Rihanna opens New York pop-up shop for her Fenty label

Author: 
AFP
ID: 
1560924237473480400
Wed, 2019-06-19 05:54

NEW YORK: Rolling out her concept of fashion that is not a slave to the seasons or the shackles of Fashion Week, Rihanna opened the second pop-up shop of her Fenty brand in New York Tuesday, a month after the launch of the new fashion house in Paris.
Fenty, which the Barbados-born diva launched with French luxury powerhouse LVMH, has set up shop in fashionable Soho store The Webster and officially opens to the public from Wednesday until June 30.
It provided an occasion for the young fashion house to unveil a new mini-collection, called “6-19” after its launch date, following on from the inaugural “5-19” collection in Paris last month.
Some pieces from the first collection are back, alongside some new items, including a series of dresses and skirts in bold colors like orange or yellow but also some very dense prints.
The cuts are figure-hugging with plunging necklines and the label has chosen soft materials such as satin or mesh.
Most of the pieces are available online from Wednesday, with the exception of a set of T-shirts, at $230 each, which are only available in the store before being marketed online in July.
The prices of the collection are similar to the Paris offerings, which ranged from $250 for a T-shirt to more than $1,000 for a denim jacket or pantsuit.
Rihanna, the world’s richest female musician, is the first black woman to head up a fashion house for Paris-based LVMH, which owns Dior, Louis Vuitton, Fendi and Givenchy among others.
Fenty, named for the 31-year-old singer, born Robyn Rihanna Fenty, is LVMH’s first new luxury brand from scratch since the launch of Christian Lacroix in 1987.

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UAE gift helps French palace reopen ‘forgotten theater’‘I love the Arab side of my family’: Bella Hadid apologizes to Saudi, UAE fans after online backlash http://bit.ly/2L1eBKL June 19, 2019 at 07:23AM

الثلاثاء، 18 يونيو 2019

What We Are Reading Today: The Way of Nature by C. C. Tsai

Author: 
Tue, 2019-06-18 21:33

C. C. Tsai is one of Asia’s most popular cartoonists, and his editions of the Chinese classics have sold more than 40 million copies in over 20 languages. This volume presents Tsai’s delightful graphic adaptation of the profound and humorous Daoist writings of Zhuangzi, some of the most popular and influential in the history of Asian philosophy and culture.

The Way of Nature brings together all of Tsai’s beguiling cartoon illustrations of the Zhuangzi, which takes its name from its author. The result is a uniquely accessible and entertaining adaptation of a pillar of classical Daoism, which has deeply influenced Chinese poetry, landscape painting, martial arts, and Chan (Zen) Buddhism.

The Way of Nature presents the memorable characters, fables, and thought experiments of Zhuangzi like no other edition, challenging readers to dig beneath conventional assumptions about self, society, and nature, and pointing to a more natural way of life. Through practical insights, Zhuangzi shows why returning to the spontaneity of nature is the only sane response to a world of conflict.

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What We Are Reading Today: Underland by Robert MacfarlaneWhat We Are Reading Today: The Dreamt Land by Mark Arax http://bit.ly/2IQFjD7 June 18, 2019 at 07:36PM

UAE gift helps French palace reopen ‘forgotten theater’

Author: 
AFP
ID: 
1560868286447041700
Tue, 2019-06-18 13:30

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.

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Abu Dhabi Crown Prince Mohamed bin Zayed heads to GermanyAbu Dhabi fund takes full ownership of New York office block http://bit.ly/2KoqXgD June 18, 2019 at 03:38PM

Duchess of Cambridge stuns in Elie Saab number for first day of Royal Ascot

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