الاثنين، 24 ديسمبر 2018

Book Review: Tales of adventure — in the Arabic tongue

Author: 
roya almously
ID: 
1545638897224234300
Mon, 2018-12-24 11:07

BEIRUT: In “All Strangers Are Kin” — winner of the 2017 Society of American Travel Writers Lowell Thomas award for best travel book — Zora O’Neill argues that the Arabic language is not only a tool to read, write and speak, but is also a connection.

The book, now available in a paperback edition, focuses on the Arab world, but ignores wars and political conflicts. Instead, it deals with Arabic, the world’s fifth most popular language, and its everyday use to tell stories, sing songs, make jokes and talk with friends.

O’Neill believes that we can communicate just by listening and nodding and saying thank you from the heart.

“My aim in this book is to bring average people in the Arab world to your attention. I want you to imagine what their lives might be like,” she writes.

Like most foreigners, O’Neill studied written Arabic, known as “Fusha.” Written Arabic is used from the Indian Ocean to the Atlantic, while spoken Arabic consists of dozens of dialects.

After O’Neill obtained a master’s degree in Arabic, she realized that she could understand a poem composed in the sixth century but was hardly able to have a conversation with her landlord in Cairo.

In 2007, after returning to Egypt to update a guidebook, she began studying Arabic again, focusing on spoken Arabic and “interacting with people, not books.”

O’Neill embarked on four successive trips to countries representing the main dialects in the Arab world — Egypt, the UAE, Lebanon and Morocco.

The fun starts the day she arrives in Cairo. On her way from the airport, she hears the taxi driver telling a pedestrian: “Ya gamoosa” (“Move it, you water buffalo”).

“All Strangers Are Kin” is a compelling and colorful memoir. O’Neill’s tales of adventure are woven with glimpses of her daily life and thoughts on the Arabic language that run through the narrative like a mantra.

Main category: 
Book Review: ‘Baghdad Noir’ tells haunting tales from a diverse cityBook Review: ‘Hookah Nights’ explores life in an ever-changing Egypt http://bit.ly/2ELWhDc December 24, 2018 at 09:15AM

The Six: Roundup of top looks by Arab designers

Author: 
roya almously
ID: 
1545637828464205500
Mon, 2018-12-24 10:39

DUBAI: 2018 has been filled with celebrities and stars dressing in glamorous Arab designs, here are some of our favorites
Izabel Goulart
Goulart wore a metallic and geometric Zuhair Murad gown at the 2018 Cannes Film Festival. The tight fitted, cut out dress was glistening throughout the night.

Aishwarya Rai
Rai turned head in a sparkling Rami Kadi gown at the 2018 Cannes Film Festival. The structured dress flattered her body and gave her a glow.

Tina Fey
Fey glowed at the 2018 Emmys in a flora, lace and velvet gown by Elie Saab. The gown featured pleats and a fitted waist in colors perfect for the cold season.

Chrissy Tiegen
Tiegen sparkled in a Zuhair Murad fall 2018 couture gown. With geometric antique silver motifs and long sleeves, the gown sparkled in all directions for the 2018 Emmys.

Lily Collins
British-American actress Collins wore a sparkling purple skirt and off-the-shoulder black bodice by Georges Chakra for the annual Governors Awards in Los Angeles.

Yvonne Orji
Orji stunned in a black, fitted, velvet gown from Georges Chakra for the 2018 Primetime Emmy Awards. With simple detailing and a tailored cut, the dress was flattering and feminine.

 

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The Six: Kuwaiti designers to keep an eye onThe Six: Festive Fashion by Dubai-based designer ASMARAÏA http://bit.ly/2EKxWfV December 24, 2018 at 08:52AM

الأحد، 23 ديسمبر 2018

’Aquaman’ makes a big splash to top N.American box office

Author: 
AFP
ID: 
1545597392270349500
Sun, 2018-12-23 19:55

LOS ANGELES: New Warner Bros. release “Aquaman” made the biggest waves in North American theaters over the weekend with $67.4 million in ticket sales, industry tracker Exhibitor Relations estimated Sunday.
That put it well ahead of two other new holiday-timed releases, as Disney’s “Mary Poppins Returns” took in $22.2 million for the three-day weekend, flying slightly higher than Paramount’s “Bumblebee” at $21 million.
Together, the three helped boost the year’s domestic box-office revenue toward a record $11.8 billion, Hollywood Reporter said.
“Aquaman” stars Jason Momoa in a title role infused with new swagger by director James Wan, with Variety calling Momoa’s Aquaman “a bare-chested Hawaiian super-stud with long, shaggy surfer hair and all-over tribal tattoos.”
The look seems to work: The film has already taken in some $410 million outside North America.
“Mary Poppins,” while lacking truly boffo opening numbers, is expected to follow past musicals in enjoying a long box-office run.
The sequel to the 1964 movie stars Emily Blunt as the stern but kind-hearted nanny (Julie Andrews in the original), backed by Lin-Manuel Miranda of “Hamilton” fame. Dick Van Dyke, Mary Poppins’ Cockney-accented friend in the original film, makes a cameo.
“Bumblebee,” a prequel to the “Transformers” movies, stars Hailee Steinfeld and John Cena. It drew a lofty 94 percent rating from Rotten Tomatoes as all three of the top grossing new movies earned strong A- ratings from CinemaScores.
In fourth was Sony’s “Spider-Man: Into the Spider-Verse,” taking in $16.7 million. It has Peter Parker making way for Miles Morales as a black, Latino Spider-Man.
And fifth spot went to “The Mule” from Warner Bros., at $9.3 million. Clint Eastwood, who at 88 says this will be his last acting part, directs and takes the lead role as a destitute 90-year-old who turns to transporting cocaine for a Mexican drug cartel.
Rounding out the weekend’s top 10 were:
“Dr. Seuss’s The Grinch” ($8.2 million)
“Second Act” ($6.5 million)
“Ralph Breaks the Internet” ($4.6 million)
“Welcome to Marwen” ($2.4 million)
“Mary Queen of Scots” ($2.2 million)

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http://bit.ly/2T5wNna December 23, 2018 at 09:41PM

السبت، 22 ديسمبر 2018

Review: Turkish Netflix drama ‘The Protector’ a let-down

Author: 
Saffiya Ansar
ID: 
1545482541241209300
Sat, 2018-12-22 15:41

CHENNAI: “The Protector,” the first ever original Turkish series by Netflix, is a bit of a let-down despite its impressive production values.
Edited with imagination and splendidly photographed, it is nonetheless weak on performances.
The dubbing in English is awful with lip-syncing going haywire, and the subtitling is quite off the mark as well.

Directed by several people, “The Protector” is a fantasy of sorts, but there is a political undertone to it given Turkey’s conflicting status that pulls it between Europe and Asia.
The protagonist of the series, Hakan Demir (played feebly by Cagatay Ulusoy), is an ordinary shopkeeper in Istanbul, where the drama unfolds.
When he realizes that he has special powers and is The Protector to save the city and its 15 million inhabitants, his life turns into a fascinating fable.
With his magical shirt and a sword, he is assigned to vanquish the lone surviving Immortal, who is out to destroy Istanbul.
Woven into this adventure are subplots. There is Zeyneb (played by an attractive Hazar Erguclu, whose performance stands out), who is bent on protecting The Protector but whose relationship with him is never defined clearly.
Is she in love with Demir, as his love interest Leyla Sancak (played by Ayca Aysin Turan) seems to suspect? The tension between the two women provides an entertaining additional storyline.
There is also Faysal Erdem (played by Okan Yalabik, who is unusually stiff), with his business empire.
His trusted lieutenant, Mazhar Dragusha (played by Mehmet Kurtulus), becomes a sworn enemy of Demir.
The series needs to work harder in its second season. But one standout feature is the wonderful, realistic portrayal of Istanbul and its many architectural wonders and quirks, from its many street cats to the endless cups of Turkish tea consumed by the show’s characters.

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http://bit.ly/2AbBMvL December 22, 2018 at 09:43AM

Influencer Ola Farahat marries in Insta-worthy beach wedding

Felicity Jones strives to do justice to Ginsburg in film

Author: 
By LINDSEY BAHR | AP
ID: 
1545465471660458400
Fri, 2018-12-21 (All day)

LOS ANGELES: The Ruth Bader Ginsburg film “On the Basis of Sex” was about to fall apart when Felicity Jones got her hands on the script. The origin story about the future Supreme Court justice written by Ginsburg’s nephew Daniel Stiepleman had been in various stages of development since 2012, looking for the right star (Natalie Portman was originally attached), the right director (Mimi Leder could only do it after finishing the third season of the HBO show “The Leftovers“) and the right time to finally hit go. But it was looking wobbly again and they needed an answer fast.
The British actress, fresh off the Star Wars film “Rogue One,” had been looking for a project about a woman and her career and had recently become familiar with Justice Ginsburg, whose celebrity has only grown of late. And Ginsburg, who had seen Jones in her Oscar-nominated role in “The Theory of Everything,” had already given her informal approval to cast Jones. (“I think the only thing she was nervous about was getting rid of that English accent,” laughed Leder.)
Jones read it in a weekend, said yes, and, finally, the stars had aligned. The film was happening.
“I didn’t take it on lightly” Jones said despite her quick answer. “It was really intimidating at first, like gosh how do I do justice to this person?“
Ginsburg didn’t have advice for Jones when they met (“She said, ‘I’ve seen your work and I know you can do it,’” Jones said.) But she did have one request for the filmmakers: That they would be absolutely precise in capturing the law. Can you blame her?
“On the Basis of Sex,” in theaters nationwide on Christmas Day, caps off a big year for Ginsburg in cinema that started with the documentary “RBG” premiering at Sundance last January and going on to become a modest box-office phenomenon.
This film is complimentary to the documentary, and focuses in on two very specific parts of Ginsburg’s early days in law long before she would go on to be confirmed as an associate justice in 1993: First as one of the few female students at Harvard Law School in the mid-1950s, and then as a professor at Rutgers in the 1960s, when she started getting involved with gender discrimination cases with the American Civil Liberties Union.
It not only shows Ginsburg’s incredible work ethic and instances of the adversity she faced from both her professors and potential employers, but also her happy home life with her children and her supportive husband Martin (or Marty) Ginsburg, who died in 2010. He is played by Armie Hammer.
“It’s very much about showing how someone becomes the icon that they are today. She didn’t come out fully formed at 85. You see the struggle it takes,” Jones said. “She was constantly put in situations where she had to battle on every front, with her faith, with her gender, where she was from.”
It helped inform how Jones, 35, would craft Ginsburg’s voice, which in those days, at least publicly, was more Mid-Atlantic than the heavier Brooklyn accent many are familiar with today.
“When she’s frustrated her more Brooklyn vowel sounds come out because she can’t help but say it in her more kind of natural voice,” Jones said. “It’s interesting to show just how her public-self had to become something that was quite separate from her private-self.”
Although she’s of a quite different generation than Ginsburg, Jones did relate in her own way to feeling like the only woman in the room, especially on film sets where most of the crew are male. (“I would love to ideally walk out on a set and see half men and half women in all of the roles behind the camera,” Jones said.)
Leder, at 66, is of yet another generation, but also found commonalities with Ginsburg, as a trailblazer in her own industry. She was the first woman to be in the cinematography track at the American Film Institute, and like her contemporary Kathryn Bigelow, would go on to direct bigger budget action films like “Deep Impact” and “The Peacemaker” at a time when very few women were making those kinds of movies.
“I never compare myself to her accomplishments, but I connected to RBG in a very personal way,” Leder said. “We’re both mothers, both Jewish, both have (had) longstanding marriages and know what that takes. And both have broken the glass ceiling in different ways and paved the way for others for generations to come.”
A master at creating tension, Leder brings urgency to staid courtroom scenes fitting of her action-film background.
Jones observed that it has elements of a sports film too with its arc of an outsider and underdog finding her voice and power.
“We wanted it to be fun and entertaining. We go to the cinema not only to think about the world in a different way but to have a nice two hours,” Jones said. “I hope that people enjoy the humor of it and enjoy the experience of it and say actually, you know what, I might be able to change the world too.”

Main category: 
Justice Ginsburg has surgery to remove cancerous growthsFelicity Jones joins ranks of classic Star Wars heroines http://bit.ly/2QQud8c December 22, 2018 at 08:59AM

الجمعة، 21 ديسمبر 2018

In Egypt, weddings get costlier as economic hardships deepen

Author: 
Reuters
ID: 
1545428694416768900
Fri, 2018-12-21 15:18

CAIRO: Nadia Mohammad Salem started saving up for her wedding long before she got engaged. But getting married proved far more stressful than she’d imagined when her husband proposed a year ago.
The number of marriages across Egypt fell by nearly 3 percent in 2017, according to official data, and a lot of that appears to be down to rising costs.
“Things were very expensive,” said Nadia, 30. “I was feeling nervous and concerned.”
Tough economic reforms including a devaluation of the country’s pound in late 2016 have led to a dramatic increase in prices, notably for the imported goods bought by many newly-weds to equip their homes.
“All of the necessities that come with getting married are going to be more expensive,” said Rania Salem, assistant professor at the University of Toronto’s sociology department. “Therefore I would expect people to stay in the single state or engagement period longer and longer.”
In 2012, the average cost of a wedding was 61,000 Egyptian pounds, Salem said. Back then the currency traded at around 6.15 to the dollar, compared with nearly 18 now.
This year, Nadia spent around 80,000 pounds ($4,500) on just her “gehaz” — the kitchen equipment and other items a bride purchases ahead of her marriage. Despite help from her family, she had to save up for years.
On their wedding day in November, she and her husband had a small celebration on the street rather than a formal party.
A week later, she put on a cheap, second-hand dress and gathered with her husband and a few relatives in a garden, where they posed for pictures.
Nadia said she hoped her children would find getting married less of a financial burden.
“If I have a daughter, I hope things will be much easier for her,” she said. “I want her to have everything she wants.”
($1 = 17.8600 Egyptian pounds)

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Tags: 
Celebrities flock to Indian business scions’ lavish weddingFrench couple tie knot in yellow-vest themed wedding http://bit.ly/2AcZDLl December 21, 2018 at 11:20PM

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