الاثنين، 2 سبتمبر 2019

What We Are Reading Today: Rework

Author: 
Tue, 2019-09-03 00:31

Authors: Jason Fried, David Heinemeier Hansson

Most business books give you the same old advice: Write a business plan, study the competition, seek investors, yadda yadda. If you are looking for a book like that, put this one back on the shelf.

Rework shows you a better, faster, easier way to succeed in business, according to a review published on goodreads.com.

With its straightforward language and easy-is-better approach, Rework is the perfect playbook for anyone who has ever dreamed of doing it on their own. Hardcore entrepreneurs, small-business owners, people stuck in day jobs they hate, victims of “downsizing,” and artists who do not want to starve anymore will all find valuable guidance in these pages. 

Read it and you will know why plans are actually harmful, why you do not need outside investors, and why you are better off ignoring the competition. The truth is, you need less than you think. You do not need to be a workaholic. You do not need to staff up. You do not need to waste time on paperwork or meetings. You do not even need an office. Those are all just excuses.

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Highlights from American photographer Barry Iverson’s ‘The Tour’ in Cairo

Mon, 2019-09-02 10:35

Here are some highlights from Barry Iverson’s “The Tour,” which runs at Tintera in Cairo until September 30. 

‘Antikhana Street Lift, Cairo’

Iverson’s solo exhibition juxtaposes found images with his own photography of historical spaces in Egypt and the Levant as they are now. “The Tour,” the catalogue suggests, “offers a vibrant commentary on past dreams and lives we have inherited in the present” and “obliges viewers to reconsider these seemingly old spaces.”

‘Bab Al Jabiya, Damascus’

This hand-colored image is typical of the American photographer’s inquiry into “the persistent image of, and desire for, the ‘Orient’ in our collective imagination.” It is one of a selection of hand-colored photographs on display, alongside more than 35 black-and-white images.

‘Ataba Square, Cairo’

This archival pigment print combines Iverson’s 1997 photograph with a found image from the 1920s and is a good example of the kind of images that have helped boost the timeless allure of Egypt as a symbol of the ‘Orient,’ even though, as the catalogue points out, often “they didn’t deserve to.”

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https://ift.tt/2kbSQwY September 02, 2019 at 08:46AM

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الأحد، 1 سبتمبر 2019

What We Are Reading Today: Expeditions Unpacked by Ed Stafford

Author: 
Mon, 2019-09-02 00:46

In this unique and enthralling book, explorer and survivalist Ed Stafford curates 25 great expeditions through the lens of the kit these remarkable explorers took with them, according to a review published on goodreads.com.

In an environment where lack of preparation could mean certain death, the equipment carried, ridden and sailed into uncharted territories could mean the success or failure of an expedition. Was it simply a case of better provisions and preparation that helped Amundsen beat Scott to the South Pole? And how has the equipment taken to Everest changed since Hillary’s first ascent?

Through carefully curated photographs and specially commissioned illustrations we can see at a glance the scale, style and complexity of the items taken into the unknown by the greatest explorers of all time, and the impact each item had on their journey — how it potentially saved a life, or was purely for comfort or entertainment, and how these objects of survival have evolved and adapted as science advances, and we plunge further into the extremes.

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Turkey’s ‘Microangelo’ turns tiny objects into artworks

Mon, 2019-09-02 00:07

ISTANBUL: For Turkey’s “Microangelo,” any tiny, discarded item could be the canvas for his next mini masterpiece, from a matchstick to a pumpkin seed.

The delicate, impeccably detailed miniature paintings of Hasan Kale often require a magnifying glass to be able to see the nuances but can take months to complete.

Some of his best-known pieces include a scene from the movie “Pulp Fiction” on the side of a piece of popcorn and the silhouette of Turkey’s founder Mustafa Kemal Ataturk on a grain of rice.

“I started this journey 25 years ago with the goal of establishing a new language in art ... by transforming the objects that we put aside or see as trash into little capsules of art,” he told AFP, at his Istanbul studio.

“It is a blend of experience and hand discipline. I can work on a single object for up to six months.”

The 60-year-old artist, who has never had a formal art teacher, began researching miniature art in the 1980s. He was stunned, he said, by how tiny details and touches can change a form of artistic expression.

But it was not until 1995 that he had the idea of doing it himself on unconventional objects.

He had been looking at an empty cup of coffee and noticed how the remains at the bottom formed what he thought were beautiful patterns in the small space.

“I started working on a bean. I sat down and engraved a picture of Istanbul on it. “I enjoyed it so much that I started trying other objects,” he said.

Kale has since used some 300 items and revels in the idea that any forgettable item — from a pebblestone in the sea, to a fish bone that gets stuck in your teeth — could become a work of art.

“Imagine the noise of hundreds of seeds as you bite into a fig. Can you dream an Istanbul view on one of them?” he said, enthusiastically.

Kale, who works just with the naked eye and “the glasses given by his doctor,” says that his greatest muse is Turkey’s historic hub, Istanbul, which he has depicted on sugar cubes, dice and sunflower seeds.

“Istanbul is a brand on its own. It is a rare city which never sleeps, which straddles two continents and harbors the traces of many cultures,” he said.

He learned his trade by studying Ottoman artists from the past, like Nakkas Osman, nicknamed “Osman the Miniaturist,” who was featured in Orhan Pamuk’s famous novel “My Name is Red.”

As it was for Osman in the 16th century, it remains painstaking work and Kale often paints for around 16 to 18 hours a day and goes without sleep.

“First of all, you must be enormously patient. Second, you must love the work, and third, you should have no economic expectations,” Kale told AFP.

That said, his work has attracted worldwide interest and his pieces have sold for thousands of dollars.

There are advantages to his chosen medium, not least that he needs very little room, and can work anywhere. He has created artworks on international flights and even in a hot-air balloon.

“While walking in the street, I come up with an idea and I sit down and work. All I need is a drop of water in a bottle cap and I take out my palette and paints.”

Kale, who also designs jewelry, said he especially liked the way people recalled his work during mundane moments of their day.

“They remember me when they eat popcorn at the movies or drink a cup of coffee or swim in the sea,” he said.

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