السبت، 31 أكتوبر 2020

Saudi matchmakers face a modern makeover

Sun, 2020-11-01 00:08

RIYADH: The traditional skills of the Kingdom’s matchmakers have survived many changes, and they are confident that amid rapid social changes among the younger generation and a technological revolution they can continue to ply their trade.

As men and women enjoy opportunities to mingle and meet and attitudes across the country are starting to change, the once-traditional practice of matchmaking should theoretically start to decline. However, Arab News spoke to women who continue the practice, who revealed that their services are just as in-demand as ever.
When most people hear the word “matchmaker” they probably picture the austere, pinch-faced woman from Disney’s “Mulan” who struck terror in the hearts of young Chinese women looking to bring their family honor, but Saudi matchmakers want people to know that nothing could be further from the truth. Most want only one thing: A successful, happy union for anyone who seeks their services.
Um Nasser, a kindly woman in her 50s, told Arab News that after almost four decades of marriage, her experiences have given her invaluable insight into what makes a relationship work, and love does not always have everything to do with it.
“I was married when I was 16, to the son of a family friend. Though I can’t say it was love at first sight for either of us, eventually we grew into mutual respect and understanding, and our relationship blossomed,” she said. “We’ve been married for 36 years, and our affection and respect for each other is as strong as ever.”
According to Nasser, the fundamentals of marriage are not love and attraction, but understanding and compromise, something she thinks that many young people do not realize when they think about marriage.
“Everyone would like a fairytale romance, or the kind of relationship you see on social media. I want today’s youth to realize how much of what you see on Instagram and in the movies is false. Passion cools, and looks fade, but a strong base to build respect on is the only thing that lasts,” she said.
Nasser enjoys an active following of over 10,000 on Twitter, which she uses to help single Saudis locate potential matches by creating a “dating profile” of sorts.
“I ask my patrons for detailed personal information, such as their age, their height, their specific requests for what they would most like in a partner, and so on. I will then create a tweet that lists this information to the public. Potential partners can send me a private message expressing their interest, and if their requests are compatible, I can then set them up via the proper channels for further discussion,” she said.
She added: “If I receive details from one client that I think would suit another, I can also set them up directly, via whoever they have asked to ‘represent’ them in the discussion. For women, it is usually a parent or a guardian. For men, it might be their mother, sister, or aunt.”

Nasser said that in almost 20 years of matchmaking, she had married over 300 couples, almost all of whom have enjoyed successful relationships so far.

Marriage is give and take. Listening and understanding and applying what you learn about each other. Navigating around difficult situations, hearing the other person’s complaints and expectations, but also respecting the other person’s boundaries and making sacrifices.

Um Mansour, a traditional matchmaker

“It gives me a lot of joy to know that I have helped people find their life partners, and some of them are even still in contact with me to this day,” she said. However, with many of today’s youth beginning to find their own partners due to the changing attitudes across the country, and the increasing opportunities for men and women to meet each other in the workplace or at social events, how have today’s matchmakers continued to find work?
Um Mansour, another traditional matchmaker, told Arab News that her business had achieved renown purely via word of mouth. “I don’t use social media because I don’t need it. Many of my former clients recommend me to friends and family, and I’m able to work that way.” According to Mansour, a marriage is more than a relationship: It is a partnership, which means that everyone has to contribute equal work to keep things moving.

FASTFACT

When most people hear the word ‘matchmaker’ they probably picture the austere, pinch-faced woman from Disney’s ‘Mulan,’ but Saudi matchmakers want people to know that nothing could be further from the truth.

“Compromise, compromise, compromise. Marriage is give and take. Listening and understanding and applying what you learn about each other. Navigating around difficult situations, hearing the other person’s complaints and expectations, but also respecting the other person’s boundaries and making sacrifices,” she said.
Mansour said that while she does not see as many requests from people under the age of 30 nowadays, her clients come from an often forgotten different demographic of the public.
“Our society can sadly have a negative outlook towards divorced and widowed women. Many of these ladies that come to me are wonderful, loving women who have simply been the victims of unfortunate circumstances. They deserve second chances, and I want to do everything in my power to make sure they get them,” she said.
But what do today’s Saudi youth think about the practice of matchmaking? Arab News asked men and women under the age of 30 whether or not they would consider an arranged marriage, and what they want from a potential partner.
Sarah Almutairi, a 22-year-old woman from Riyadh, said she was open to the idea of an arranged marriage, provided she had the opportunity to build a connection with the person that was chosen for her.
“I think that I am still a little young to consider marriage that seriously, but I believe that what’s meant to be will happen. If my family brought forward someone they thought would be a good match for me, I wouldn’t refuse it outright, but I don’t think I would be comfortable marrying a stranger. If we could meet first for a while, even under supervision, and get to know each other, I wouldn’t be opposed,” she said.
Hussam Alajmi, a 30-year-old man from Riyadh, said that he might consider going to a matchmaker if he did not meet someone on his own in the next few years.
“I’m still holding out hope to meet someone at work or at a social event, but maybe if I don’t meet someone before I turn 35 I’ll think about it. I’m at an age where I’m seriously thinking about settling down soon,” he said.
Alajmi said that while there were a few reasons he had not got married yet, a big part of the reason was financial.
“Marriage is a big financial commitment, and I don’t know if I am currently making enough money to support a wife and a household. I want to be able to provide for my wife, even if she has her own source of income. That’s just how I was raised,” he said.
Yasmeen Alkhudair, 27, agreed that financial worries were a big part of why she had not married yet, saying that rising expenses and skyrocketing real estate prices were causing concern among many of her generation.
“I disagree with the idea that all the pressure of providing for a household and responsibility for paying rent, etc., should be placed on men. In this economy it’s an unfair expectation. When I get married, I would want us to be partners. But some men find that concept emasculating, because of the pressure society puts on them,” she said.
However, Alkhudair rejected the idea of traditional matchmaking, saying that she wanted to meet her partner in an “organic” way.
“I want to meet someone on my own and build a relationship with them before jumping into marriage. I realize that marriage is more than just being in love with someone, but to me that’s a fundamental part of the process. Dating in our society is still a bit of an alien process, granted, but I think it can be done in a respectful way in line with our traditions and our religion both,” she said. “That’s how I want to meet my life partner.”

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Saudi youth report draws flak over marriage finding30% of Saudi marriages fail https://ift.tt/2HLyWoi November 01, 2020 at 12:15AM

REVIEW: ‘The Witches’ — more comedy than horror

Author: 
Sat, 2020-10-31 16:34

DUBAI: Roald Dahl was the king of villainy when it came to conjuring up antagonists to instill fear in the hearts of the children reading his books. In “The Enormous Crocodile,” for example, a villainous creature cleverly disguises himself to get near enough to the kids he wishes to devour. And few fictional characters are as terrifying as Agatha Trunchbull in “Matilda.” 

Perhaps that’s why, when I found myself laughing in the cinema during a screening of Robert Zemeckis’ adaptation of Dahl’s book “The Witches,” I was slightly surprised.

There is nothing especially comedic about the story’s main antagonist, The Grand High Witch, a cruel and dangerous creature who rules over a coven of other witches and wants nothing more than to eradicate every child on the planet via a magical potion that has the ability to turn them to mice. 

However, watching the sadistic monster, portrayed by a delightfully campy Anne Hathaway, struggle to pronounce the word “garlic” in a German (or Slavic?) accent, one couldn’t help but let out a chuckle. Even the scenes that were intended to be scary had a comedic effect. 

The film, which is narrated by Chris Rock, tells the story of a nameless young boy (Jahzir Bruno) who, after tragically losing both his parents in a car accident, goes off to live with his grandmother (Octavia Spencer) in the deep American South. Grandma recounts stories of her own encounters with witches — demons who hate children.




‘The Witches’ is now in theaters in Dubai. Supplied

After learning that there are witches in their town, the duo seek refuge in a swanky hotel where the boy unwittingly stumbles upon a conference of witches led by the Grand High Witch. 

The boy gets transformed into a mouse, along with Bruno, a British kid staying at the hotel. And it turns out that Daisy, the hero’s pet mouse, had already been a victim of this transformation. The three CGI rodents scurry around the majestic hotel to try and save the children of the world from the evil witches’ plan to turn them all into mice. 

While Zemeckis’ version of Dahl’s story is certainly fun — mostly due to Hathaway’s fantastic performance — it lacks the menace of Nicolas Roeg’s 1990 adaptation featuring Anjelica Huston. The 2020 remake is more clearly directed towards children, but those seeking a scarier film will be pleased to know that Roeg’s version is available on Amazon Prime.

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https://ift.tt/3oGZck9 October 31, 2020 at 02:38PM

Acting legend Sean Connery dies at 90

Sat, 2020-10-31 15:35

DUBAI: Scottish acting legend Sean Connery has died at the age of 90, the BBC reported on Saturday.

Loved the world over for his portrayal of suave spy James Bond, Connery was born in the Fountainbridge area of Edinburgh on Aug. 25, 1930.

He was widely regarded as being the most popular actor to have played 007 in the long-running franchise, according to polls cited by the BBC.

Connery won an Oscar in 1988, when he was named best supporting actor for his role in “The Untouchables.”

Tributes began pouring in online when the news broke.

Former First Minister of Scotland Alex Salmond tweeted a statement calling Connery “the world’s greatest Scot, the last of the real Hollywood stars, the definitive Bond.”

Meanwhile, British TV personality Eamonn Holmes said, “No doubt he epitomized James Bond but don't forget there were so many other roles. True movie star who owned the screen.”

Connery, who was knighted at Holyrood Palace in 2000, also starred in “The Hunt for Red October,” “Indiana Jones” and the “Last Crusade and The Rock.”

 

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https://ift.tt/2HHHrkd October 31, 2020 at 01:37PM

All the winners of the 4th El Gouna Film Festival unveiled

Author: 
Sat, 2020-10-31 15:23

DUBAI: The closing ceremony of the fourth edition of the El Gouna Film Festival took place at the Gouna Center for Convention and Culture on Oct. 30. Presenter and actress Nardin Faraj presided over the ceremony, which celebrated Arab cinema and the actors and directors who make it up. 

Among the evening’s biggest winners was Palestinian director Ameen Nayfeh’ whose feature film “200 Metres” scooped up three prizes during the closing ceremony. 

Nayfeh’s first feature film, which tells the story of a Palestinian father trapped on the other side of the separation wall who is trying to reach the hospital for his son, won the Cinema For Humanity Audience award and the Fipresci award, while Ali Suliman received the El Gouna Star for Best Actor. 

Serbian director Jasmila Zbanic’s gripping feature “Quo vadis, Aida?” also proved triumphant, taking home the El Gouna Golden Star for Narrative Film, while the film’s protagonist Jasna Duricic, won the El Gouna Star for Best Actress.

Read on to discover all of the winners from the cinematic event. 

Feature Narrative Competition

El Gouna Golden Star for Narrative Film: “Quo vadis, Aida?” by Jasmila Žbanic.

El Gouna Silver Star for Narrative Film: “Bad Tales” by Damiano D’innosenzo and Fabio D’innocenzo.

El Gouna Bronze Star for Narrative Film: “In Between Dying” by Hilal Baydarov.

El Gouna Star for the Best Arab Narrative Film: “The Man Who Sold His Skin” by Kaouther Ben Hania.

El Gouna Star for the Best Actor: Ali Suliman, “200 Meters”

El Gouna Star for the Best Actress: Jasna Djuricic, “Quo vadis, Aida?”

Special Jury Mention: “Oasis” by Ivan Ikic’s.

 

Feature Documentary Competition

El Gouna Golden Star for Documentary Film: “Days of Cannibalism” by Teboho Edkins.

El Gouna Silver Star for Documentary Film: “Softie” by Sam Soko.

El Gouna Bronze Star for Documentary Film: “Truffle Hunters” by Michael Dweck and Gregory Kershaw.

El Gouna Star for the Best Arab Documentary Film: “Their Algeria” by Lina Soualem

 

Short Film Competition

El Gouna Golden Star for Short Film: “Being My Mom” by Jasmine Trinca.

El Gouna Silver Star for Short Film: “Blue Frontier” by Ivan Milosavljević.

El Gouna Bronze Star for Short Film: “Sër Bi” by Moly Kane.

El Gouna Star for the Best Arab Short Film: “I Am Afraid to Forget Your Face” by Sameh Alaa.

 

Cinema for Humanity Audience Award

“200 Meters” by Ameen Nayfeh

 

NETPAC Award for Best Asian Film

“In Between Dying” by Hilal Baydarov.

 

FIPRESCI Award

“200 Meters” by Ameen Nayfeh

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https://ift.tt/3oJsSND October 31, 2020 at 01:27PM

Amina Muaddi, Fenty partnership to be honored at ‘Shoe Oscars’

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Sat, 2020-10-31 12:31

DUBAI: It was one of the most anticipated footwear collaborations of 2020, and now Amina Muaddi and Fenty’s footwear partnership is set to be honored as Collaborator of the Year at the upcoming 34th edition of the FN Achievement Awards.

“That’s what’s up! @badgalriri’s @fenty and I will be honored with the Collaborator of the Year award at the upcoming 2020 FN Achievement Awards this December!” wrote the Jordanian-Romanian footwear designer on Instagram.

“Thank you @footwearnews for acknowledging our work and @badgalriri @illjahjah @fenty for embarking me on this journey! Looking forward to what’s next. Much love from my team and I!” she added, thanking Rihanna and her longtime stylist and Fenty creative director Jahleel Weaver, who first introduced the star to Muaddi’s designs.

According to an interview with British Vogue, Rihanna came by Muaddi’s shoes after Weaver introduced her to early prototypes. “But then she bought a few pairs herself via her personal shopper. She’s such a nice person. She sent me some Fenty clothes when she launched her own label – I feel amazing when I’m wearing them. There’s that swagger, you feel like you are channeling Rihanna,” she stated.

The limited edition Fenty x Amina Muaddi footwear capsule collection launched online in July and boasted four distinct styles: A mule, a lace up sandal with crystal, a sandal with PVC straps and a cage pump that ties all the way up the leg.

Previous recipients of the Collaborator of the Year honor at the annual FN Achievement Awards – often called the “Shoe Oscars” – have included Tommy Hilfiger and Kith’s Ronnie Fieg.

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https://ift.tt/2TMHWvr October 31, 2020 at 10:34AM

الجمعة، 30 أكتوبر 2020

Where We Are Going Today: Magnolia Bakery

Sat, 2020-10-31 00:36

If you are in Riyadh, bored with studying at home and looking for a quiet place where you can stay for hours with guaranteed good coffee and goodies, then you will certainly enjoy Magnolia Bakery and cafe.
Magnolia is a famous chain of bakeries founded in New York City in 1996. It has a cozy European vintage style, offering a wide variety of classic American desserts.
Mention Magnolia Bakery and perhaps the first thing that comes to mind is the fresh daily baked cupcakes.
The extra-fluffy vanilla cupcakes are a treat for the eyes and tastebuds — with their simply decorated pastel colors that will take you back to childhood with the first bite and which are topped with the tastiest buttercream and sprinkles.
The cafe is also known for its signature banana pudding, a tasty mix of custard, mashed banana and cake.
The bakery is more than just an ordinary cafe experience. The interior, vibes and cake display are just like Europe’s corner cafes. As you walk in the place smells of fresh cakes, and all the delicious desserts on offer will make you feel like you are in the middle of a festival.
From classic music to the comfortable chairs, this is the perfect spot on the Riyadh Front to work from. The bakery will open its first branch in Jeddah by 2021.

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Where We Are Going Today: Hamed Ya OnabWhere We Are Going Today: Sucre de Nada https://ift.tt/2JeLMeS October 30, 2020 at 07:00PM

Egyptian short film wins Cannes’ Palme d’Or

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Fri, 2020-10-30 13:30

DUBAI: Egyptian director Sameh Alaa’s movie “I Am Afraid to Forget Your Face” has won the coveted Palme d’Or in the Cannes Film Festival’s short-film competition. 

Starring Seif Eldin Hemida and Nourhan Ali Abdelazez, the 15-minute movie tells the story of a man who undertakes a difficult journey after two months of separation in the hope of a reunion. It was the only Arab film selected to compete for the prestigious prize. 

The festival congratulated the director in an online post on Thursday, writing: “Tonight he won the short-film Palme d’Or 2020. Congratulations to Egyptian director Sameh Alaa.”

“I Am Afraid to Forget Your Face” was selected along with 10 other shorts. 




The movie been selected among 10 other shorts. (Supplied)

The film was up against “Blue Fear” by Marie Jacotey and Lola Halifa-Legrand; the Evi Kalogiropoulou-directed “Motorway65”; “Sudden Light” from Sophie Littman; “Son of Sodom” by Theo Montaya; Paul Nouhet’s “Camille Contactless”; and “Benjamin, Benny, Ben” from Paul Shkordoff, among others. 

The 11 shorts were selected from a total of 3,810 films from 137 countries, the festival said on its website.

“I Am Afraid to Forget Your Face” is the first Egyptian film to be nominated and to win the award. 

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https://ift.tt/3kMHQju October 30, 2020 at 11:46AM

Hijab-wearing makeup artist Salma Rahman stars in new Adidas campaign 

Author: 
Fri, 2020-10-30 13:07

DUBAI: British-Bangladeshi makeup artist Salma Rahman has starred in a new campaign for sportswear giant Adidas.

The hijab-wearing social media star worked with Adidas Football for their “Human Race” jerseys, designed by R&B singer Pharrell Williams for five major football clubs including Bayern Munchen, Real Madrid, Manchester United, Juventus and Arsenal. Williams, music producer and singer of the hit “Happy,” has been working with Adidas since 2014.  

The brand recreated five past iconic jerseys for each club using tie-dye and hand-painting techniques to make the shirts less formal. 

Sporting Arsenal’s jersey, Rahman shared pictures of the campaign with her 22,500 Instagram followers. 

 
 
 
 
 
 
 
 
 
 
 
 
 

who remembers the great gatsby book cover? yea this is her now — edit: @niqabaechronicles

A post shared by @ urgalsal_ on

“Being a part of @adidasfootball x @pharrell human race reminds me of what I love most about being creative,” she wrote. “To me, creativity has the capacity to ground and uplift oneself and the community. Football jerseys are not just for football players and football is a game for everyone. When I work with makeup, I’m able to express myself, as a human being. To me, this jersey is a reminder that colour unifies and will always spark inspiration.”

 
 
 
 
 
 
 
 
 
 
 
 
 

4 my ugly ducklings

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Famous for her bold use of colors, Rahman topped off her look with daring makeup that incorporated the tie-dye colors of the jersey: blue, orange, yellow and mint green.  

This is not the first time Rahman has partnered with an international brand to represent the hijab-wearing community. She has previously worked with makeup brand Glossier and sportswear giants Nike and Champion.  

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https://ift.tt/31SS0rm October 30, 2020 at 11:27AM

Moroccan-British model Nora Attal announces engagement

Author: 
Fri, 2020-10-30 13:02

DUBAI: Moroccan-British model Nora Attal announced her engagement to cinematographer Victor Bastidas on Thursday.

Captioning a series of images of the proposal on Instagram, the 21-year-old model told her 45,000 followers: “Forever my life partner... @sictor.”

 
 
 
 
 
 
 
 
 
 
 
 
 

Forever my life partner... @sictor

A post shared by nora (@noraattal) on

The proposal took place on a beach in Formentera, an island in Spain. Among the pictures the bride-to-be shared, Attal showed off her engagement ring — a simple round-cut solitaire.

It is unclear when exactly the couple started dating, but Attal has worked with the UK-based cinematographer for multiple shoots, from magazine covers to brand deals.

During the lockdown, Attal and Bastidas shared pictures of themselves quarantining together.

 
 
 
 
 
 
 
 
 
 
 
 
 

QUARANTEAM

A post shared by Victor Bastidas (@sictor) on

The model was first discovered by Jonathan Anderson, founder of the JW Anderson label, and shot a campaign for the British fashion house in 2014 before she had even taken her first steps down a catwalk.

She would go on to become a runway fixture. Based in London and signed to Viva Model Management, Attal has worked with a number of renowned designers and stylists. She has walked the runway for major fashion houses including Chanel, Fendi, Burberry and Valentino, to name only a few. 

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https://ift.tt/34Fa61O October 30, 2020 at 11:06AM

Six films making waves at El Gouna Film Festival

Fri, 2020-10-30 10:43

‘200 Meters’




L-R : Mohamed Hefzy, Ameen Nayfeh, Clarens Grollmann, Kamal El Mallakh and May Odeh, team of ‘200 Meters’ walk the red carpet on 3rd day of the 4th edition of El Gouna Film Festival, in El Gouna, Egypt on October 25, 2020. (AFP)

One of the festival’s most anticipated films, “200 Meters” took seven years to bring to life and marks the directorial debut of Ameen Nayfeh. One of 16 films participating in this year’s feature narrative competition, “200 Meters” won the BNL People’s Choice Award in Venice in September and has already landed Nayfeh the Mena Massoud award in El Gouna. Producer May Odeh also picked up Variety magazine’s MENA talent of the year award for her role in the production.

Highlighting the harsh reality of Palestinian families divided by the West Bank Barrier, the film tells the story of Mustafa (played by Ali Suliman) and his wife Salwa (Lana Zreik), who come from two Palestinian villages separated by the wall. When their son is hospitalized and Mustafa is denied entry into Israel, he must undertake a dangerous 200-kilometer journey in an attempt to reach his son on the other side of the barrier.




Director Ameen Nayfeh and producer May Odeh at the screening of their film ‘200 Meters’ in El Gouna on Oct. 25. (AFP)

“Shooting the film was very difficult because we had 35 locations and the budget only allowed us to shoot for 22 days,” says Nayfeh, whose own family has been separated by the construction of the wall. “We had to move a lot, we had to be quick, but I wanted the images of the wall and the checkpoints. We were always very careful in these locations because we didn’t have permits to shoot there. But I wanted to shoot those images. Because if I want to visit my family I have to do it illegally, or I have to go through the same process as Mustafa. I have to go through the same images that you see in the film.”

‘The Man Who Sold His Skin’




“The Man Who Sold His Skin” stars Yahya Mahayni as a Syrian refugee. (Supplied)

Tunisian director Kaouther Ben Hania’s latest feature, “The Man Who Sold His Skin,” stars Yahya Mahayni as a Syrian refugee who allows his own body to be turned into a work of art. Part love story, part art-world satire, the film is a complex study of a refugee’s struggle with borders and residency permits.

Inspired by the story of a Swiss national who was tattooed by the Belgian artist Wim Delvoye, the film is participating in El Gouna’s feature narrative competition and has already won Mahayni the Orizzonti Award for Best Actor at the Venice Film Festival.

“I’m obsessed with all these topics,” says Ben Hania, whose film “Beauty and the Dogs” was screened at Cannes in 2017. “By all these human beings called refugees; their trajectory, their story. At the same time, I’m obsessed with the contemporary art world, by the market, by capitalism, liberalism… the world where we live. All these topics are mixed together but they are things that interest me and I want to talk about them.”

‘Their Algeria’




Lina Soualem is a French-Palestinian-Algerian filmmaker. (Supplied)

Lina Soualem’s emotive, contemplative and languid exploration of the pain behind her Algerian grandparents’ long journey of exile is a strong contender in the feature documentary competition. The French-Palestinian-Algerian filmmaker and actress’ first feature, “Their Algeria” is a sometimes heart-wrenching study of Aïcha and Mabrouk, who travelled together from Algeria to Thiers, a small medieval town in the middle of France, in the early 1950s.

“My dad called me one day and told me that my grandparents were separating after 62 years of marriage, and at this moment I realized that this was what I needed to film,” says Soualem, whose “Bye Bye Tiberias” is also participating in the CineGouna Platform. “It was vital for me to know their story before they disappeared, because I felt like this was a signal, this was a sign. It was really a shock because I realized that I didn’t know anything about their intimate story and also about their story as Algerians that emigrated to France in the Fifties and lived in exile all their life.”

‘The Furnace’




“The Furnace” is Egyptian actor Ahmed Malek’s first English-speaking role. (Supplied)

Featuring Egyptian actor Ahmed Malek in his first English-speaking role, “The Furnace,” directed by Roderick MacKay, has caused something of a stir since its global premiere in Venice in September. El Gouna rolled out the red carpet for its regional premiere on Oct. 24 and all eyes were on Malek, the young star with a growing international following.  

The film tells the story of Hanif, a young Afghan cameleer who befriends a bushman (played by David Wenham) on the run with some stolen gold in the Australian outback during the late 19th century. Together, they must outsmart a zealous police sergeant and his troopers in a race to reach a secret furnace.

“It was a whole new world,” says Malek of his experience shooting in the outback. “The land was red. I’ve never had my foot on red soil. Visually everything was so different, and for me, as a Middle Eastern actor, going all the way to Australia and just getting used to this massive film industry, a new culture, new people, was a very different but very pleasant experience.”

‘Shakwa’




“Shakwa” is directed by Farah Shaer. (Supplied)

A hard-hitting Lebanese short, “Shakwa” had its global premiere at El Gouna and is one of 18 productions in the short film competition. Directed by Farah Shaer and produced by Lucien Bourjeily, the film faces the subject of marital rape head on and refuses to pull any punches.

Supported by the Royal Film Commission in Jordan, the 14-minute short follows Hoda, who is faced with unexpected consequences when she reports her husband to the police. Shaer, a Lebanese director, actress and activist, says the film is based on real-life stories that occur every day.

‘I Never Cry’




“I Never Cry” is a director Piotr Domalewski’s follow up to his acclaimed debut “Silent Night.” (Supplied)

One of 17 films screening out of competition, “I Never Cry” marks the triumphant arrival of young Polish star Zofia Stafiej. Only 17 years old and still in her third year of acting school, Stafiej landed the role of Ola, a teenager who travels to Ireland to bring back the body of her construction worker father, after a five-stage audition.

Director Piotr Domalewski’s follow up to his acclaimed debut “Silent Night,” the film seeks to rebalance the often one-sided narrative concerning Polish economic migrants. Frequently viewed as unwanted foreign workers, little thought is given to the emotional heartbreak caused by the separation of families.

“I think this was the aim of the director,” says Stafiej. “To show the other side of immigration. Not only how hard it is to make money in hard conditions when you’re a construction worker, but also those poor families who are left behind without a father, without someone to help raise their children.”

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https://ift.tt/3mBqaYx October 30, 2020 at 09:16AM

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