السبت، 29 فبراير 2020

Lionel Richie’s Saudi debut enchants audience

Sun, 2020-03-01 00:14

ALULA: Lionel Richie performed to a sold-out crowd at the Maraya Concert Hall on Friday during AlUla’s second Winter at Tantora festival.

The artist and “American Idol” judge played his greatest solo hits as well as songs from his time with the Commodores as part of his first Saudi performance.
“Let me just say first how beautiful that place is,” Richie told Arab News as he reflected on his experience in AlUla, which is in northwestern Saudi Arabia. “I’ve admired that area for the longest time and the Kingdom is just one of those places where you can have a fabulous concert. And now that the doors are open it is opening up.”
AlUla, a UNESCO world heritage site, is known for its natural beauty and archaeological diversity. It is also becoming famous for hosting major cultural events, including a site-responsive outdoor art installation featuring the work of Saudi and international artists, and the Winter at Tantora Festival, which attracts top-notch singers and musicians.  

HIGHLIGHTS

The mirrored Maraya Concert Hall at AlUla, where Richie performed to a weekend sold-out crowd at the Winter at Tantora festival, had him stumped.

Richie, 70, said AlUla was so beautiful he couldn’t decide whether he was more excited about singing there, or sightseeing.

The Winter at Tantora festival runs until March 7. It was launched in Dec. 2018 with shows by Andrea Bocelli and Yanni.

Richie was especially taken with the mirrored Maraya Concert Hall which, he said, had him fooled with its clever design. “When they kept saying there is the concert hall, I said I see the mountains and they said no, that is the concert hall and for the longest time I thought they were playing a joke on me and then they showed me the side angle from it and I said what a clever piece of architecture. It’s not intrusive to the natural surroundings. Even though they built a fabulous concert hall it is not messing up the environment around it at all.”
It was the perfect setting for a concert, he said, explaining why acoustics were so important to singers and performing artists.
“For example, if I play in a very large arena, the problem with that is if it’s not acoustically put together right, you will get a bouncing back of sound, so it is almost like an echo chamber, which means by the time it reaches the wall and comes back to you, it sounds like you get vibrations. In a perfect acoustics hall, it is as if you’re playing the record. It is just like you’re singing the record because the sound is acoustically perfect, the highs, the lows and the midrange are just absolutely accommodating.”

A lot of my fans show up to me every single day and tell me how much they love my music.

Lionel Richie

His fans were delighted with his Friday night performance, getting off their seats and moving to the front of the stage, proof of how popular Richie is in the region.
“As you know, Motown Records was a very small label. We have no offices in Saudi Arabia, the Middle East or Africa. Still this music found its way all the way around the world. I’m being played now in places where Western music is not really accepted,” he added. “When I played in China, I thought Western music had been here forever and that people listened to all types of Western music until someone told me: ‘Western music came with you, Michael Jackson and Madonna. We heard you for the first time.’”
Richie said he was humbled by the love his fans showed him at concerts.
“A lot of my fans come up to me every single day and tell me how much they love my music. I’ve been a part of their families for years and now coming to Saudi Arabia I finally get to be in the place where a lot of those wonderful fans come from. I’m so excited to be here.”
The festival runs until March 7. It was first launched in Dec. 2018 with performances from stars such as Andrea Bocelli and Yanni.

Lebanese art pioneer hails Jeddah as a leading force in Arab artPop legend Lionel Richie shut down the Dubai Jazz Festival https://ift.tt/2TpURmF February 29, 2020 at 08:02PM

Lebanese art pioneer hails Jeddah as a leading force in Arab art

Sun, 2020-03-01 00:04

PARIS: Jeddah is now at the forefront of the contemporary art scene in the Arab world, according to Nora Jumblatt, the president and founder of Lebanon’s Beiteddine Art Festival.
She recently visited Jeddah and AlUla to attend a number of art-related events, including an invitation by the Saudi Arts Council, and its president, Princess Jawaher bint Majid bin Abdul Aziz, to attend the opening of the seventh edition of 21,39 Jeddah Arts.
“This very fine exhibition was curated by Maya El-Khalil, a promising young up-and-coming curator,” said Jumblatt, who is married to Lebanese Druze leader, Walid Jumblatt. “Maya has been involved in the arts in Saudi Arabia for many years — and she also happens to be my husband’s niece.”
Commissioned by the Saudi Arts Council, the theme of this year’s event, which continues until April 18, is a call to action in response to the global environmental emergency, with a particular focus on the local context. In addition to the main exhibition, it also includes a number of panel discussions about the environment and sustainability.
Jumblatt was impressed by the quality of the works by local artists on display in Jeddah, and women in particular.
“There was a good number of Saudi and Arab women artists participating in the exhibition,” she said. “Among them was Zahra Al-Ghamdi, who was showcased at the Venice Biennale in 2019. I was thrilled to discover other artists such as Dania Al-Saleh, Maha Nasrallah and Muhannad Shono, to name but a few.”
She said that Jeddah was the perfect setting for the exhibition.
“The beautiful old town of Jeddah was part of the event and featured international artworks at Rubat Al-Khunji, an old house in Al-Balad, along with the Athr Gallery, which included a number of works by video artists,” said Jumblatt.
“The Jeddah exhibition has attracted a great deal of attention and was extremely well-attended, with more than 300 international visitors. I believe Jeddah has come to the forefront of the contemporary art scene in the Arab world, thanks to the outstanding commitment of Princess Jawaher and her exceptional board and team.”
Jumblatt also had time to see some of the other wonderful locations and attractions that Saudi Arabia offers visitors.

FASTFACTS

• Nora Jumblatt is the president and founder of Lebanon’s Beiteddine Art Festival.

• Jumblatt visited Saudi Arabia recently and attended several art-related events in Jeddah and AlUla.

“Our three-day visit included a day at AlUla, the extraordinary desert landscape with very impressive rock formations,” she said. “The visit included stops at the Maraya Theater, the historical Hejaz train station, and the remarkable Nabataean site of Hegra, with its monumental rock tombs.”
She also had a chance to attend the opening of Desert X AlUla, the first international collaboration with Desert X in Coachella, California, an event that aims to connect desert communities and their cultures through contemporary art.
“The exhibition in AlUla was curated by Saudis Raneem Farsi and Aya Alireza, and artistic director Neville Wakefield,” said Jumblatt. “They brought together artists from Saudi Arabia and the region, featuring large-scale installations that merged perfectly with the spectacular landscape.”
“Desert X AlUla aims to create a sustainable dialogue between desert cultures and their respective environments. It was a truly unique experience which I had the privilege of attending with many friends from the art world and the film industry.”
The next Beiteddine Art Festival is due to be held this summer in Lebanon, and Jumblatt is hopeful it can go ahead despite the economic and political crisis gripping the country, and the resultant unrest.
“The Beiteddine Festival was established during the Lebanese Civil War in 1985,” she said. “Against all odds, it prospered and hosted some of the art world’s biggest names. It drew huge crowds of more than 30,000 people each summer to the magnificent Beiteddine Palace.
“We hope we can hold the festival this year despite the very difficult political and economic situation. We may have to settle for an abridged edition.”
Jumblatt was also open to the possibility of a collaboration between the Beiteddine Festival and an event in Saudi Arabia.
“We have a long experience in the performing arts and have collaborated with numerous international festivals,” she said. “Of course, it would be a new challenge to collaborate with Saudi festivals.”

 

French-Algerian star Lyna Khoudri wins big at French Oscars From royals to roundabouts: The German architect who made his mark on Saudi Arabia https://ift.tt/2PAKFGC February 29, 2020 at 07:02PM

A day at the races: Stylish guests wow at the Saudi Cup

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Sat, 2020-02-29 16:47

RIYADH: All eyes were on Saudi Arabia as the world’s most valuable horse race kicked off over the weekend — and there was something for everyone, including fashion fans.

Style-lovers descended on the Saudi Cup in Riyadh wearing their race day best, with women giving Audrey Hepburn’s character in Hollywood classic “My Fair Lady” a run for her money with their chic abayas and colorful dresses.

Stylish racing gear was on full display in the form of an array of creative headpieces flaunted by some women in the Red Sea Pavilion.

Arab News caught up with Evelyn McDermott, founder of the Evelyn McDermott Millinery, which was the exclusive milliner for the Saudi Cup and had a dedicated booth for those who wanted to pick up a last-minute headpiece.

“My brand is a Dubai-born brand and I’ve been making the hats for about seven to eight years now, she said, before adding, “it’s been the most phenomenal thing ever to be invited here to Saudi Arabia (and) to be the exclusive milliner to the Saudi Cup has just been so wonderful. I mean the first ever Saudi Cup makes it an experience that can never be repeated so it’s been fantastic.”

For her part, McDermott capitalized on one of the style trends of the day — wearing green.

The designer donned a jade green jumpsuit with dramatic tulip sleeves in translucent chiffon and finished off her out-there outfit with a matching head wrap — a fresh take on typical race day headpieces and the feathered looks preferred by many other women at the event.

Green seemed to be a popular color, with many style conscious race goers donning various shades of the hue.

Michele Fischer, who flew into the Kingdom from the US, showed off an embroidered blue abaya, complete with tribal designs in white threadwork. Underneath, she boasted a fern green cocktail dress by Ralph Lauren and topped off the look with an ash-and-ebony feathered headpiece by Australian milliner Sonlia Fashion.

Fischer told Arab News she handpicked the dark green dress in order to pay tribute to Saudi Arabia.

Meanwhile, entrepreneur and influencer Pierette Yammine showed off a regal, ice blue number by Dubai-based label Baruni Fashion, which is helmed by former petroleum engineer-turned-designer Fadwa Baruni.

Yammine accessorized the floor-grazing gown, with it’s textured cuffed sleeves and sash at the waist, with a demure white Longines watch and an attention-grabbing caramel-colored floral headpiece with wispy filaments that played in the breeze.

Attendee Liz Price followed suit and opted for a gorgeous, crinkled headpiece that resembled piled up gardenias atop her sleek hairdo. The cream-colored piece was designed by London-based milliner Rachel Trevor Morgan, whose hats are favored by Queen Elizabeth II.

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https://ift.tt/2TaWqpA February 29, 2020 at 02:53PM

French-Algerian star Lyna Khoudri wins big at French Oscars

Sat, 2020-02-29 14:01

DUBAI: “Papicha,” a touching story of Algerian women fighting for their freedom by Mounia Meddour won both best first film and best female newcomer for actress Lyna Khoudri at the French Oscars on Friday.

The 27-year-old French-Algerian star won big at the Cesars for her portrayal of 18-year-old university student Nedjma, who finds herself struggling to continue her passion for fun and fashion as conservative forces sweep Algeria.




Lyna Khoudri won the best female newcomer award at the ceremony. (Getty Images)

Meanwhile, director Roman Polanski won best director for “An Officer and a Spy” at the fractious ceremony that ended in walkouts and recrimination in Paris, AFP reported.

The entire French academy had been forced to resign earlier this month amid fury that the veteran — wanted in the US for the statutory rape of a 13-year-old girl in 1977 — had topped the list of nominations.

Protesters chanting “Lock up Polanski!” tried to storm the theater where the ceremony was being held before being pushed back by police firing tear gas.

And France’s Culture Minister Franck Riester had warned that giving the maker of “Rosemary’s Baby” a Cesar would be “symbolically bad given the stance we must take against sexual and sexist violence.”

But Polanski won two awards, best adapted screenplay and best director — with the latter prompting Adele Haenel, who was nominated for best actress for “Portrait of a Lady on Fire,” to storm out, crying “shame!“

The French press had dubbed the event “The Cesars of Anguish,” with Le Parisien daily mocking up a movie poster of Hitchcock’s “Vertigo.”

And the ceremony lived up to its billing.

It was the absent figure of Polanski which caused most unease, with a presenter only daring to mumble his name when he opened the envelope for his first win.

The publicity campaign for Polanski’s movie was halted last year after another woman, photographer Valentine Monnier, claimed that she had also been raped by the director in 1975.

But that did not stop it becoming a box office hit in France.

Polanski had told AFP that he had decided to stay away from the ceremony to protect his family and his team from abuse.

“The activists brandish the figure of 12 women who I am supposed to have molested half a century ago,” he said.

“These fantasies of sick minds are treated as established fact,” he complained.

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https://ift.tt/32Dc6oF February 29, 2020 at 12:02PM

الجمعة، 28 فبراير 2020

Yolanda Hadid, Gigi and Bella Hadid’s mother, returns to the runway at Off-White

Fri, 2020-02-28 15:22

DUBAI: Virgil Abloh’s fall 2020 show for Off-White was a family affair, with Bella Hadid opening the show, Gigi Hadid closing it, and their mother, Yolanda Hadid, walking mid-runway during Paris Fashion Week on Thursday night.

While the former “Real Housewives of Beverly Hills” star has spent the past several weeks traveling between London, Milan, and Paris with her daughters, she is always sat on the front row to support them while they strut down the catwalk. However, at Off-White, Yolanda decided to dust off her old modeling hat and join her daughters in what would be her first runway in almost 35-years. Wearing a white, graffiti-print blazer and black trousers, the 56-year-old was more than prepared to return to the catwalk at Off-White’s show.

Of course, Yolanda has plenty of experience in the modeling world. She was discovered at the age of 14 when Dutch designer Frans Molenaar asked her to replace a model in one of his collections. She would go on to become a fashion week fixture during the ‘80s and ‘90s, and appear in the pages of high profile fashion publications.

“I grew up in a really small town in Holland called Papendrecht, and I’d never seen a fashion magazine when I became a model,” Yolanda told W Magazine back in 2018. “I was not educated at all, and I was kind of thrown into it by accident — or maybe because it was my destiny, but at the time it felt like an accident.”

Though she no longer models, the mother of Gigi and Bella is a best-selling author, former “Real Housewives of Beverly Hills” cast member and a TV host.

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https://ift.tt/2wXggft February 28, 2020 at 01:29PM

Inmates serve their sentences in this collection of personal essays written by UAE prisoners

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Fri, 2020-02-28 12:17

DUBAI: A new book released at the Emirates Literature Festival last month gives voice to 27 inmates of Dubai Central Prison. “Tomorrow, I Will Fly” is a first-of-its-kind initiative in the region, and saw British novelists Annabel Kantaria and Clare Mackintosh host a one-week writers program for 12 male and 15 female prisoners in a project organized by Dubai Police and the Emirates Literature Foundation.

The results of the workshop — a series of short personal, often poignant essays — were compiled and edited by Kantaria and Mackintosh and have now been published in the book, which was initially launched at the prison and will be available in digital format, as well as being distributed to other English-speaking prisons.

Its title is taken from one of the essays — written by a Ugandan housemaid named Cathy. The only time she has been on an airplane was to come to Dubai — “the city of opportunities.” The inmates were not allowed to write about why they are in prison, but Cathy wrote, “I made a bad choice of girlfriend and she put me behind bars. Because of her I had to bury the dreams of my husband and me.”




Its title is taken from one of the essays — written by a Ugandan housemaid named Cathy. (Supplied)

Still, her spirit remains strong. “I know we can’t turn back time, but we can create new memories,” she wrote. “It’s never too late to sit down at the same table with my family and share a meal and laugh together. That’s what I’m looking forward to. My next flight will be back home to my country, my motherland, the pearl of Africa… Today I am here. Tomorrow, I will fly.”

According to Kantaria and Mackintosh, the workshops taught the participants how to come up with ideas, mind map, structure and plan their work, assess newspaper articles and improve their use of language. It was an emotionally charged project for them both.

“It was very humbling being there with them,” Dubai-based Kantaria told Arab News. “It was lovely that they put their trust in me to tell me their stories. It’s a very unique thing to be able to go into a prison and help people who really need and appreciate it.”

Mackintosh’s former profession as a police officer helped her to engage in the project without any prejudices about the inmates. “We perhaps like to think of ourselves as being morally correct and that we would never do anything that would land us in prison,” she said. “But things happen in life — people make mistakes. I went into the prison just thinking about these people as people, and I have the same amount of respect for them as I have for anyone else.”  

Kantaria was especially struck by the female inmates’ eagerness to learn. And she said she was surprised by the prison’s fairly cordial atmosphere.

“I’ve never been in a prison before and I suppose you imagine people (just) locked up in cells. But, it was more like being inside a school; they were milling about, talking to each other, and there were grassy, open spaces,” she said.

In spite of the prisoners’ difficult circumstances and understandable fear of what might happen to them, it was their hopeful and philosophical attitude that left an impression on Kantaria: “I think if you haven’t been to prison, you imagine it would be the end of your life — you’d be absolutely devastated and destroyed. But they didn’t see it like that. They were sort of reassessing their life, counting their blessings, planning the future. One of them said to me: ‘It’s not that my life is over — my life is on hold. And when I come out, it will start again.’”

Mackintosh noted that one of the major challenges that arose during the sessions was convincing the inmates to open up emotionally.

“When you’re in a difficult situation, there’s a tendency to shut down your emotions because it’s too hard to cope,” she said. “You build up a protective wall around you and that’s something that is very common in prison inmates, who are in self-defense mode and are quite numb. We had to chip away at that wall in order to allow them to write freely.”

Their approach appears to have worked. After the project had finished, one of the inmates wrote: “If you ask me to pick one good patch of comfort (from) my entire prison term, I’d say it was your workshop.”

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https://ift.tt/3886C6H February 28, 2020 at 10:24AM

Pop legend Lionel Richie shut down the Dubai Jazz Festival

Fri, 2020-02-28 11:27

DUBAI: On the second night of the Dubai Jazz Festival, acclaimed US singer Lionel Richie took to the stage of Dubai Media City’s amphitheater to dazzle audiences with a live energetic performance of some of his biggest hits as a solo artist and the frontman of the Commodores.

The funk, soul and R&B legend proved to be the hottest ticket of the three-night event, kicking off his disco-infused set with an upbeat performance of “Running with the Night.”

Following “Dancing on the Ceiling,” the award-winning artist introduced a young couple on the stage. “She has no idea what’s about to happen,” Richie told the jam-packed crowd as the woman’s partner dropped down to one knee. After she said yes to the proposal, the newly-engaged couple remained on stage where Richie serenaded them with “Three Times a Lady.”

After the guests left the stage, Richie got the crowd pumped up again with a performance of “Brick House” by his band, the Commodores.

The 70-year-old singer also performed his hits “We Are the World” and “All Night Long,” which had the entire crowd singing along. 

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https://ift.tt/3cfXEHv February 28, 2020 at 09:29AM

Legendary film director Spike Lee returns to Saudi Arabia

Author: 
Fri, 2020-02-28 09:58

DUBAI: On March 13, as part of the inaugural Red Sea International Film Festival, acclaimed US film director Spike Lee’s iconic “Malcolm X” will be shown in Saudi cinemas for the first time. The screening honors a milestone in Saudi Arabia’s film history, as — nearly 30 years ago — the film was the first non-documentary, and the first American movie, to be given permission to film in the holy city of Makkah.

Lee, who won an Academy Award in 2019 for his film “Blackkklansman,” will be attending the screening, and is immensely proud to be a part of the Kingdom’s artistic legacy.

“No 35mm camera was ever brought into Makkah before,” Lee said at a recent panel talk I hosted in Dubai. “It was a long talk with the high Islamic court, but they realized and recognized who Malcolm X was. We got in. We had to hire a Muslim crew to shoot the footage for us.”




Lee filmed his masterpiece about the life of the legendary religious and cultural figure across the Middle East and Africa. (Getty)

Lee filmed his masterpiece about the life of the legendary religious and cultural figure across the Middle East and Africa, something he remains proud of, adding that he would like to return to the region to shoot future work.

“For ‘Malcolm X,’ we were in Makkah, shot in Cairo, and then we finished the film in South Africa, where the late great Nelson Mandela ends the film. I definitely have an interest in coming back to do a film. What that film is going to be, I don’t know, but I’m looking forward to it,” said Lee.

Lee fought hard to be involved in the ‘Malcolm X’ project, convincing the original director — a white Canadia — to step aside. He and Denzel Washington, who had been cast as Malcolm X before Lee was involved, dug even deeper into the life and times of the spiritual leader. Washington, with whom he was already friends, stunned Lee with his commitment to the role.




Denzel Washington stunned Lee with his commitment to the role. (Getty)

“What Denzel did rarely happens. Every time I see that film, I get shook,” Lee told Arab News. “Denzel prepared for that role for one year. He stopped eating pork. No alcohol. He learned to pray in Arabic, and was reading the Qur’an. Why? Because Denzel is the most intelligent actor on this earth, in my opinion. There are many biopics, but just because you speak like the individual, just because with makeup and clothes you look like the individual, that’s all on the surface. Denzel knew that if he did the work, which he did for a year, that somehow, with this vessel — and when you’re an actor your body is your vessel — he knew that the spirit of Malcolm X would come into his body.”

In one memorable moment during filming, Washington was delivering a speech on a large stage. Even after he had run out of script, Washington kept going, and Lee told his camera crew to keep going until they ran out of film.

“The film ran out, I called cut, and I walked up to Denzel. I said, ‘Are you alright?’ He said ‘I’m alright.’ I said ‘What was that stuff? Those words? Where did that performance come from?’ He said, ‘Spike, I don’t know.’ I said, ‘You don’t remember what you just said?’ He said, ‘I don’t know.’ He was in a daze! The spirit of Malcolm came in him, but he had to do the work, because that doesn’t just happen,” Lee said.




“What Denzel did rarely happens. Every time I see that film, I get shook,” Lee told Arab News. (Getty)

During the Red Sea Film Festival, Lee will also be giving a masterclass to young, aspiring Saudi filmmakers. For Lee — a professor at New York University’s Tisch School of the Arts — it will not be the first time that he’s taught a rising Saudi filmmaker, as he recently mentored Riyadh-born Raed Alsemari, director of the award-winning short film “Dunya’s Day.”

“It was surreal to have Spike Lee watching a short that you made in his office and telling you what he thinks. He laughed! He enjoyed it. He asked me what I’m working on next and gave me feedback on some ideas. It was great to share the film with him,” Alsemari told Arab News earlier this year.

In addition to discussing his love of film and his technical mastery of the artform, Lee is set to reveal some of his favorite life lessons to the young attendees of the upcoming session in Jeddah. One of the major ones being that there is no such thing as an overnight success.

“You’ve got to work,” Lee said. “Half-stepping, backsliding, no. That’s the most important thing that I tell my students when they come in my class: If you think that you’re going to be the next (success story), you have to put the work in. You have to roll up your sleeves. You’re not just going to float in there, profiling and styling. You might get a glimpse, but you’re not going to last. “




During the Red Sea Film Festival, Lee will also be giving a masterclass to young, aspiring Saudi filmmakers. (Getty)

Lee has made a career out of tackling prejudice and discrimination head on, both onscreen and off. An outspoken activist, Lee encourages Arab filmmakers and people from marginalized communities to do the same.

“How did (African Americans) deal with slavery? How did women deal when they couldn’t vote? There are always obstacles, you just get through it. It’s understanding that this stuff is not set up for people of color to win. You know that going in. Once you’re conscious, or as they say now, ‘woke,’ you know that it’s not going to be easy. You know there are forces against you that don’t want this out. Use that negativity as a positive,” said Lee.

Aspiring filmmakers in Saudi Arabia need to use film as a way to share their lives, culture and history with the world, in order to bridge divides, Lee says. In his opinion, this is the best way to combat stereotypes and misconceptions.

“Tell your story. The truth is how you see it. It’s not going to be one film that puts those images in the coffin, but you have to start. You have to be dedicated and committed to tell that story. People want to hear it. People are expecting it,” he said. “People are depending on you. Your community is depending on you to tell that story.”

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https://ift.tt/2HZNwVF February 28, 2020 at 08:15AM

Where We Are Going Today: Sanbok Restaurant

Fri, 2020-02-28 04:55

If you’re not a vegan or a vegetarian, then your first instinct when visiting a coastal city is probably to grab some seafood, right? If you’re a fish fan and you find yourself in the Eastern Province, you simply can’t miss Al-Sanbok Restaurant.

Located on the Dughaither Leisure Island in Alkhobar, Al-Sanbok remains, in their own words, “a pilgrimage of seafood committed to giving the ultimate dining experience.” 

The extensive menu features a staggering 19 different ways of cooking any seafood of your choice from the fresh catch of the day selection, with waiters ready to suggest the best way of having the chef prepare your choice.

We went with our host’s selection of lobster prepared two ways: One was a creamy, decadent traditional thermidor, with generous chunks of tail meat in a rich cream sauce and topped with a crunchy layer of broiled cheese. The other was prepared in the restaurant’s Thai style, which consisted of breaded and fried pieces of lobster in a delicate brown sauce flavored with lemongrass and coconut. 

As for fish, we chose a fat seabass from the display case, which was filleted, lightly grilled with a bit of olive oil and sprinkled with olives, capers and chilies. The fish was cooked to absolute perfection: Tender, flaky and perfectly spiced, with the capers providing a particularly nice touch.

If you’re not a fan of seafood, the restaurant offers a traditional Middle Eastern mixed grill platter as well as steaks, chicken and vegetarian-friendly pastas and sides. 

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Where We Are Going Today: St. 56Where We Are Going Today: Black Cardamom Cafe https://ift.tt/2w9oYXF February 28, 2020 at 03:06AM

What We Are Reading Today: Reptiles and Amphibians of New Zealand

Author: 
Fri, 2020-02-28 05:01

Authors: Dylan Van Winkel, Marleen Baling, and Rod Hitchmough

With more than 400 extraordinary color photographs and richly informative text, Reptiles and Amphibians of New Zealand is the definitive field guide to all of the country’s tuatara, geckos, skinks, frogs, marine turtles, and marine snakes.

From the ancient tuatara, the sole surviving member of its order, to the world’s largest collection of long-lived and live-bearing lizards, New Zealand’s reptiles and amphibians represent an extraordinary part of the country’s biodiversity. 

The only field guide to cover all of New Zealand’s 123 currently recognized species, the book features authoritative and up-to-date species accounts, including names and description, as well as information on distribution, variation and similar species, habitat, and natural history.

The book also provides a general introduction to these species, offering an overview of evolution, conservation, observing and collecting, ecosystems, and geographic history.

It contains more than 400 stunning new color photographs.

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What We Are Reading Today: Steadfast DemocratsWhat We Are Reading Today: The Boys In The Boat by Daniel James Brown https://ift.tt/32wzAvM February 28, 2020 at 03:04AM

الخميس، 27 فبراير 2020

Fast food fashion: Saudi designer Arwa Al-Banawi collaborates with KFC

Thu, 2020-02-27 12:38

DUBAI: Fashion’s fixation with food is no secret. In recent years, we’ve seen a number of brands cook up edible-themed accessories, including McDonalds cups crafted into shoulder bags from Moschino and lait de coco clutches by Chanel. Meanwhile, other designers took it a step further by joining forces with popular eateries, such as Alber Elbaz for Ladurée.

Now the latest designer to team up with a restaurant is Saudi contemporary womenswear designer Arwa Al-Banawi, who recently collaborated with fast food fried chicken joint, KFC.



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 The Jeddah-born creative teamed up with the popular fast food chain on an exclusive streetwear capsule collection that will boast gender-neutral pieces for famous fans of the label— that includes the likes of Jayden Smith and Elisa Sednaoui— to eat up.

Although the designer has kept the collaboration under wraps for now, fans can probably expect signature tailored suits with KFC-inspired prints or hoodies emblazoned with the emblematic Colonel Sanders portrait to satiate wardrobes throughout the season.

While the capsule collection will most likely not have the drive-through price tag, it’s bound to sell like hot cakes when it hits shelves soon.

The unexpected partnership is the latest in a string of collaborations for the contemporary Dubai Design District-based label. In the past, the womenswear designer has teamed up with Pepsi, Adidas Originals and Levi’s. 

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https://ift.tt/2PtWDSA February 27, 2020 at 10:45AM

eL Seed: ‘I want my art to spark a dialogue between cultures’

Thu, 2020-02-27 11:28

DUBAI: In his studio in studio in Dubai’s Alserkal Avenue, Tunisian-French artist eL Seed, 38, wears a smock filled with colorful smudges — remnants of a recent painting session. Working here is actually a rarity for eL Seed these days. He has become known — and in demand — the world over for his unique method of incorporating the aesthetic traditions of Arabic calligraphy into his large-scale outdoor graffiti works. He merges a variety of influences: from the graffiti culture of Paris (he was born and raised in France) and New York to French hip-hop and Arabic poetry. And, crucially, there is always a message. “I want my art to spark a dialogue between cultures,” he says.

A search for his identity was at the heart of his early artistic practice. “Every summer we would go to Tunisia, but in Tunisia people made me feel like I was not fully Tunisian and in France they made me feel like I was not fully French,” he recalls. “Because of my name and how I looked, I decided to learn to speak, read and write Arabic. This was how I discovered calligraphy and it led me to the art that I create today.”

     eL Seed became known as a “calligraffiti” artist. “Calligraffiti became a tool for me to reconcile my French and my Tunisian identity,” he says. “Today I don’t need to decide whether I am French or Tunisian — it is not in my head anymore.” He adds that he no longer associates himself with the term. “I used to define myself by it and now I wish to be known simply as an artist,” he says.

Here, he talks us through some of his most significant works. Just as his art allowed him to bridge his Tunisian and French heritage, it now allows him to forge bridges across cultures and generations.

‘The Bridge’

This was created along the security fences of the demilitarized zone between North and South Korea. It is unfinished. I was asked to create the work by South Korea’s Gyeonggi Museum of Modern Art in order to celebrate the reunification of the two nations; I was given the freedom to do whatever I wished. It was created during a time when tensions were mounting as North Korea had launched several ballistic missiles and conducted nuclear tests. The UN, by December 2017, had issued new sanctions against the country. ‘The Bridge’ was supposed to start in South Korea and end up in North Korea but the military then told me that the only place I could put it was on the border fence. Two months later we saw the two Korean leaders talking together for the first time in more than 60 years. I believe that art gives hope. It’s always good to be part of something that is bigger than you, and this project was one of the most relevant ones that I’ve worked on.

‘The Vidigal Favela’

Using my favorite color — fuchsia pink — my aim for this wall in the Vidigal Favela in Rio de Janeiro was to attract the attention of the international community to raise the status of the people inside the favelas and to remind us of our common humanity. Later, I discovered that the rooftop I had painted on was that of an art school — Escola Do Vidigal built by the Brazilian artist Vik Muniz. A few days after I left Brazil, I received notifications of a post by the artist saying, ‘This morning, the roof of the school was painted with this huge tag by an unidentified artist, and I must say, it's quite beautiful [...] Thanks, awesome tagger.’ I was thrilled at this coincidence.

‘Mirrors of Babel’

We installed this 3.5-meter sculpture in a square in Toronto, and the idea was to play on the Biblical tale of the Tower of Babel. Toronto is (reportedly) the most diverse city in the world, and in the Bible the Tower of Babel tells the story of a human trying to reach God and God scares them by making them speak different languages, so the people find themselves in a position where they cannot understand each other. Toronto is actually the opposite; people who come from different places and around the world and speak different languages come to Toronto and speak English — not to build a tower but to build a society. I used the words of a Canadian-Mohawk Indian poet called Emily Pauline Johnson from an homage she wrote to Canada and I translated it into Arabic.

‘Mirage’

I created this for Desert X Alula, based on the 7th-century love story of Jameel Bin Ma'mar and Buthayna, from neighboring tribes. Buthayna’s people turned down Jameel’s marriage proposal because they felt Jameel’s verses praising the couple’s love had compromised her honor. Buthayna was forced to marry another man, but she and Jameel continued to be in love, even though their love was never consummated. Even after Buthayna was married, Jameel continued to visit her at Wadi ‘I-Kura, now present day Alula, and spoke in verse of his longing to be with her. His verses are not only an ode to his love but also to the natural surroundings.

‘Perception’

This was one of my most ambitious projects: A mural of Arabic calligraphy in the Cairo neighborhood of Manshiyat Nasr — a Christian Coptic community where the people call themselves Zaraeeb or ‘pig breeders’ because, for years, they have been collecting and sorting Cairo’s garbage. With the help of my team and locals from the neighborhood, we created this work across 50 buildings in order to illustrate the changing image of the Coptic community. I feel it was a project that really affected our lives. The painting could only be viewed in its entirety from the Muqattam Mountain, and reveals a powerful quote (from a Coptic bishop) that we should all think before we judge somebody: “Anyone who wants to see the sunlight clearly needs to wipe his eyes first.”

‘Temoula’

This is the wall of my grandfather’s house in the town of Temoula. My father was born and raised in this little house. But in 1986 my grandfather passed away and so my grandmother moved into the city where my uncle lives, so this house was abandoned for around 27 years until I came back in 2013 and painted the wall as part of my “Lost Walls” project. I wrote, “Temoula, there is no one like you.” I came back with my family and we found some tools and other items that used to below to my grandmother there. My uncle also showed me under which palm tree my father was born. I had a very beautiful time there.

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https://ift.tt/32uRU8q February 27, 2020 at 09:37AM

Lauryn Hill kicks off Dubai Jazz Festival with soulful concert

Thu, 2020-02-27 10:17

DUBAI: The Dubai Jazz Festival kicked off on Wednesday with a soulful and dynamic performance from the evening’s headliner Lauryn Hill. The singer and rapper who gave us the “The Miseducation of Lauryn Hill,” rocked the crowd at Dubai’s Media City Amphitheater with live renditions of some of her most popular hits such as “Everything is Everything,” “Ex-Factor,” and “Killing Me Softly,” which had the entire crowd singing along.

The Fugees singer has quite the packed schedule. Hot on the heels of her Dubai concert, the Grammy award winner is set to perform at Bahrain’s Spring of Culture Festival 2020 on Friday, before she jets back to the US to headline the inaugural Lovers & Friends festival alongside a myriad of R&B and hip-hop heavyweights, new and old, who will also be performing at the music extravaganza, including Summer Walker, Megan Thee Stallion, Nelly, Sean Paul, T-Pain and Lil Kim among many others.

https://ift.tt/2VCplET February 27, 2020 at 08:22AM

Bahrain rock trio The Relocators return with new EP ‘Part of Me’

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Thu, 2020-02-27 09:52

AMMAN: Bahrain-based alt-rock trio launched their new record with a gig in Manama’s Water Garden City on February 22. Frontman Faisal Amin describes the six-track EP — “Part of Me” — as having a “warmer” and “more lustrous” sound than their 2013 self-titled debut EP.

“We are still focusing on the strength of melodies,” he told Arab News. “Nothing fancy  — just good solid performance of good alternative rock melodies.”

The long gap between records was mainly down to Amin suffering from muscle tension dysphonia, which affected his voice. “I could pull off singing live, but I didn’t want to depend on technology to get that perfect studio delivery. I’m in a much better place now with the vocal condition,” he said.

Having performed in Saudi Arabia, Kuwait and Dubai in the last year, The Relocators hope to return to those places to promote the EP. Drummer Ali Alqaseer added that they’re also keen to play outside of the region.

“Part of Me” was recorded at Bahrain’s Sandman Studios with co-producer Abdulla Jamal. “We learned to let of our attachments to certain elements of the songs to (better) serve the song as a whole, using his ear as well as our good friend Amin Fari, who was also co-producer,” Amin said. “Our goal was to have it sound as close as possible to our live sound, but with added textural elements. I’m really happy with the result.”

Bassist Romeriko ‘Jojo’ Canlas said: “There’s a good mix of vibes — from funky to ambient and atmospheric. I really love the texture and tones.” He adds that the record has passed its toughest critical test too. “I always use my daughter as a gauge; if she’s singing the choruses on our car rides, the songs are approved.”

“The EP has a little bit of everything I enjoy in terms of dynamics and vibe,” Alqaseer said. “And it’s giving us some good direction on where to go next with our sound.”

Lyrically, Amin said, “There’s a lot of introspection — a lot of inner world meeting outer world. There’s an implicit message of focusing on the bigger picture.”

The title track is a good example of what Amin is talking about. “It’s about understanding the integration of our differences as part of a bigger harmonious system, which we always resist by using our differences as reasons not to connect in a pure, loving way,” he said.

“The songs explore all kinds of connections and relationships,” said Canlas. “They open the doors for reflection and realization.”

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https://ift.tt/3a1nIEy February 27, 2020 at 07:55AM

Meet Wafaa Debs, the ‘beauty gypsy’ breaking the rules

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Thu, 2020-02-27 09:40

NEW YORK: Social media has revolutionized the beauty industry: Take Huda Beauty, Kylie Cosmetics or even Rihanna’s Fenty Beauty — without Instagram they would probably not exist. It has also meant that many traditional players have had to be open to change.


One professional who has been able to adapt while staying true to her own beauty philosophy is New York-based mother of two Wafaa Debs — better known as “Beauty Gypsy.” Her account has well over 50,000 followers and though Debs (who is of Lebanese descent) is based in the US, many Arab women look to her for advice. 


Debs, a native of Texas, studied at New York’s Fashion Institute of Technology, and it was her love of fashion that ignited her passion for beauty. “I would do side work for extra money, dressing models backstage. I knew right away that I was more interested in watching make-up artist Kevyn Aucoin and hair stylist Oribe transform the models than I was in the clothes,” she tells Arab News.


Back home in Austin she opened her beauty concept store Beaux Visage — which closed in 2000 when Debs moved to Japan with her husband (closing the store was a “painful decision” she says). “But it was then that I discovered my success was due to my knowledge and the relationships I formed with my clients (rather than the store itself,” she says. She started a blog, which eventually evolved into an Instagram account. “I realized that women really wanted to hear what I had to say and the fact that I am here still doing it says it all,” Debs says. The name ‘Beauty Gypsy’ stems from the fact she loves to travel — “Beauty is never found in one place,” she explains. “It can be found anywhere and everywhere. She travels to the Middle East often (usually to Beirut or Dubai) and says her regional roots have been a guiding factor in her career.


“I appreciate how Lebanese women will wake up and wear makeup even if they are only going to the grocery store,” she says. “The effort is something I admire and relate to.”

One of the reasons for her loyal following, Debs believes, is her integrity. She is not all about sponsored posts, unlike many in her field. This means she can be very candid in her reviews.

“Women who follow me realize quickly I am not in this to make a quick sale or to kiss up to brands, and they admire and value that,” she says. She adds that she sticks to luxury brands, as she believes you get what you pay for. Japanese brands are very much her “go-to” — be it Decorte or Addiction. “I fell in love with Japanese products while I was living there for nine years,” she says. “It is very advanced and the quality is impressive. I saw how my skin improved with their skin care products and foundations. The shades, however, can be very limited and pose a challenge for non-Asians to match. I can see that they are trying to expand their range to cater to the Western market, but they still have a way to go.” 

Debs, 51, is not looking to appeal to Millennials either. “My audience is mature, educated and savvy. They want credibility, consistency and honesty and that is where I come in,” she says. “I hope that Middle Eastern women can progress and realize they do not need heavy makeup to look good.”


She says the secret behind her own glow is retinol (Vitamin A). “I have been using it religiously for over 30 years and it is the best anti-wrinkle, anti-ageing product I have ever used,” she says, adding that she has never injected any beauty product and does not like the fact that social media has glorified cosmetic surgery. “It makes me sad,” she says. “I believe that imperfections give you character. I hope that message eventually makes its way back to the young generation.”


Don’t be surprised if this Middle Eastern beauty follows Huda Kattan and Kylie Jenner by releasing her own product line soon. But you can rest assured that it will be based on her own unique and refreshing philosophy.

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https://ift.tt/3ci3bh5 February 27, 2020 at 07:51AM

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