الأربعاء، 31 يوليو 2019

What We Are Reading Today: Britain’s Day-flying Moths

Author: 
Thu, 2019-08-01 00:02

Authors: David Newland, Robert Still & Andy Swash

This concise photographic field guide helps you to identify the day-flying moths most likely to be seen in Great Britain and Ireland. 

It combines stunning photographs, clear and authoritative text and an easy-to-use design to increase your knowledge and enjoyment of these intriguing and often colorful insects. 

Like butterflies, some moths fly regularly in sunshine, whereas others that usually fly at night are readily disturbed from their resting places during the day. 

This guide describes all of these species and features with at least one photograph of each in its natural, resting pose. 

A brief description of each moth covers the key identification features and when and where to look for it, and includes information on its status, life history, special features and caterpillar food plants. Other sections explain how to distinguish moths from butterflies, and also provide essential information on biology, classification, habitats, gardening for moths, conservation and legislation and recording and monitoring.

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What We Are Reading Today: Chaos and Dynamical Systems by David P. FeldmanWhat We Are Reading Today: The Song of Songs https://ift.tt/2Zp4tzG July 31, 2019 at 10:08PM

Homegrown fashion emerges in troubled Somalia

Wed, 2019-07-31 22:11

MOGADISHU: Every time young fashion designer Hawa Adan Hassan makes a new gown for a paying customer, she also makes her dreams come true.

“My whole life, fashion design was a dream,” says the 23-year-old university student, who last year began running a cottage business out of her family’s home in Hamarweyne, the historic heart of Somalia’s coastal capital Mogadishu.

For Hassan, it began with art, when she found herself drawn to sketching clothes rather than the animals and landscapes preferred by her peers.

Then she set to work on tailoring to turn her images into reality.

“I realized this could be my field of expertise,” she says.

For decades, war and upheaval left ordinary Somalis focused on the daily matters of life, death and survival.

Bombings by Al-Shabab militants still dog Mogadishu today.

But a creeping cosmopolitanism is challenging entrenched conservative attitudes and many Somalis are undaunted by wanting a look that stands out.

Somalia’s clothing stores traditionally adhere to a simple formula: Imported garments for the well-to-do, locally made clothes for the rest.

But Hassan and others are starting to alter that picture with locally designed, handmade attire for the high end of the market.

In such a nascent industry, Hassan is, by necessity, self-taught. “I used to watch fashion design shows on TV, and every time I watched one, I tried to grasp the ideas by drawing what I saw,” she says.

Her favorite was “Project Runway,” a US-made reality program fronted by German model Heidi Klum.

“When I started I had no one as a role model. It is just something I dreamed up,” she says, adding that she now finds inspiration in the likes of Lebanese fashion designer Elie Saab.

In her home studio, Hassan sketches and inks new designs of abaya gowns and hijab headscarves, in a variety of black or bright colors, tight and loose fittings, with plain or embroidered finishes.

Fashion has also become a family affair, with Hassan’s father — a tailor by trade — and older sister helping cut and sew the clothes.

Visitors to the workshop can hear children playing in nearby rooms and cooking smells waft in from the kitchen.

Her elder brother has been an investor, helping to buy sewing machines and other equipment.

Now the business is taking off, she says.

“In the beginning, it was my father, elder sister and brother who helped me start but now I’m self-reliant and can make a living out of my work,” she says proudly.

Like many Mogadishu residents who have become inured to violence, Hassan dismisses the city’s frequent bombings and shootouts, describing them as an “inconvenience” that can mess up her delivery schedules.

Muna Mohamed Abdulahi, another startup fashion designer, is on a mission to encourage local people to take pride in products made in Somalia.

“Some people come to my shop and, when they realize that these clothes are designed and made locally, they run away because they have a negative impression about locally made clothes,” says the 24-year-old.

Like Hassan, Abdulahi is self-taught — “I was my own role model,” she says — and insists she is more than just a tailor aping the work of others.

“A designer creates clothes with a story, but a tailor makes it without thinking, they just duplicate,” Abdulahi says.

The designers’ customers are mostly young, like them, and affluent.

“I like clothes designed by Somalis because they fit and make you look attractive,” says 22-year-old student Farhiyo Hassan Abdi. “Imported costumes are mostly out of shape and don’t look good on you.”

“I don’t go for imported clothes anymore,” she adds, pointing out that the price of local fashion is often cheaper than the imports and it is easy to have alterations done.

But these young designers and customers, seeking out unique fashion and wanting to look good, seem to live in a world apart from others in the city.

Dahir Yusuf, a 49-year-old father, is appalled by his teenage daughter’s love of designer clothes, which he considers immoral.

“These young girls are crazy about designer clothes, which are mostly fitted and reveal the features of their bodies,” he says, tutting. “Morally, it is not good to wear such things.”

As a male fashion designer, Abdishakur Abdirahman Adam faces down double-criticism in pursuit of dreams.

“In Somalia it is very difficult for a boy to become a fashion designer, because people believe this is women’s work,” says the slim 19-year-old, who was introduced to fashion by watching catwalk shows on satellite TV.

Nevertheless, he plans to continue, designing for both women and men, hoping to compete with foreign imports.

“What I do is just to create fashionable clothes with the material I have here without spending more money so that it looks like something from overseas.”

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Under siege, Somalia moves to reform its army, pay troopsSomalia cuts diplomatic ties with Guinea over Somaliland https://ift.tt/2GEkgDz July 31, 2019 at 08:21PM

MBC, Image Nation to produce long-running Arabic original TV series

Mariah Idrissi calls out US fashion brand for hijab faux pas

Author: 
Wed, 2019-07-31 13:40

DUBAI: British-Moroccan model and influencer Mariah Idrissi and Haute Hijab founder Melanie Elturk took to Instagram Tuesday to share their concerns about the misrepresentation of Muslim women in the fashion industry.

It all kicked off when Elturk, who founded accessories e-tailer Haute Hijab in 2010, shared a promotional image used by US clothing store Banana Republic on its website.

The image features a hijab-wearing woman wearing a short-sleeved t-shirt and while Elturk “(loves) that they’re representing our community,” she added that she is “personally going to let them know that… there are guidelines to hijab outside of just covering hair (sic).”

“While I love that (the) hijab is becoming more mainstream and applaud @bananarepublic for their efforts in inclusivity… I have to pause at the way it’s portrayed,” she added.

“Brands will continue to invest in this space, but without proper checks in place, you have images like this. All it would have taken was a consultation with a Muslim brand or group to advise in order to do it right and respect our values,” she said.

Idrissi echoed the need for big brands to choose the right consultants when targeting shoppers.

“I’m out here on… all these platforms to explain the importance of getting the right people to consult for brands that want to tap into the ‘Muslim dollar’ and then this happens. Why are these errors happening still?” she said, before adding that fashion brands should employ the right people to consult on or style photoshoots to avoid such issues.  

Banana Republic launched its range of four hijabs on Tuesday.

Born and raised in London, Idrissi is of Moroccan-Pakistani descent and made headlines in 2015 when she became the first model to wear a hijab in a major international fashion campaign, starring in H&M’s “Close the Loop” adverts.

Since then, she has been at the forefront of the modest fashion movement, working with major retailers including MAC cosmetics and ASOS. She also featured in Rihanna’s Fenty Beauty campaign.

Referring to the feedback from her H&M campaign in that talk, she said, “It made me realize that I’m not only a hijabi model, I’ve also had this weight placed on me as a spokeswoman for hijab, for modesty, for fashion, for Islam… And, of course, I wouldn’t change it for the world, but it shows me that we still have a long way to go in changing people’s mentalities.”

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https://ift.tt/2Yzj22y July 31, 2019 at 11:59AM

Saudi Arabian artists explore Arab identity with sculpture

The underappreciated appeal of Amman

الثلاثاء، 30 يوليو 2019

What We Are Reading Today: Chaos and Dynamical Systems by David P. Feldman

Author: 
Tue, 2019-07-30 23:20

Chaos and Dynamical Systems presents an accessible, clear introduction to dynamical systems and chaos theory, important and exciting areas that have shaped many scientific fields. While the rules governing dynamical systems are well-specified and simple, the behavior of many dynamical systems is remarkably complex, says a review on the Princeton University Press website. Of particular note, simple deterministic dynamical systems produce output that appears random and for which long-term prediction is impossible. Using little math beyond basic algebra, David Feldman gives readers a grounded, concrete, and concise overview.

In initial chapters, Feldman introduces iterated functions and differential equations. He then surveys the key concepts and results to emerge from dynamical systems: Chaos and the butterfly effect, deterministic randomness, bifurcations, universality, phase space, and strange attractors. Throughout, Feldman examines possible scientific implications of these phenomena for the study of complex systems.

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What We are Reading Today: The Escape Room by Megan GoldinWhat We Are Reading Today: Scale and the Incas by Andrew James Hamilton https://ift.tt/2GClv6d July 30, 2019 at 09:27PM

Baby on board: Woman gives birth mid-flight on Middle East Airlines

Huda Kattan unveils collaboration with influencer Lottie Tomlinson

British Museum explores roots of Orientalism in upcoming show

Tue, 2019-07-30 15:03

DUBAI: A new exhibition that explores how Western artists have been inspired by the Islamic world is to open in October at the British Museum in London.

“Inspired by the East: How the Islamic World Influenced Western Art” will explore the complex cultural interactions between Europe and North America in the “West” and North Africa and the Middle East in the “East.”

The curators will explore the concept of Orientalism, the representation of the East in Western artistic depictions, where fantasy and reality were often blurred.

 “We are not only showing typical 19th-century paintings which most people think of when they think of Orientalism. You can find the roots of exchange in Orientalism as far back as the 15th century. We want to trace these early roots and show how they can still be found,” Julia Tugwell, the exhibition’s co-curator, told Arab News.

The exhibition will also feature four contemporary reactions to Orientalist imagery by Middle Eastern and North African female artists, including Lalla Essaydi’s “Women of Morocco” triptych and Inci Eviner’s 2009 video work “Harem.”

 “By finishing with four contemporary female artists they are in a sense critiquing some of these stereotypical representations, particularly of women in the 19th century, and it is important to show that this is still something that we can talk about and not something we can push aside to the past,” she said.

Orientalism reinforced a range of stereotypes associated with Eastern cultures, but the exhibition is exploring this form of art as more than a naive depiction or as dealing in stereotypes.

“Of course, there were times where this definition existed, as some people were painting just for a market to sell to, but it is more complex than that. Western artists were inspired by the Islamic ceramics that were very popular in the 19th century in London, for example decorating buildings that are still there today,” Tugwell said.

Exploring art from the Eastern world that depicts the West in a stereotyped way is a reverse form of Orientalism that is also explored in the exhibition through one example from Iran.

“It is a manuscript and it is a portrait of a European. It is interesting because it is done in a traditional kind of miniature painting style from that period,” Tugwell said. 

The exhibition will run from Oct. 10 to Jan. 26.

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https://ift.tt/2MsqCJO July 30, 2019 at 01:22PM

Highlights from ‘Made in Tashkeel 2019’

Tue, 2019-07-30 08:58

Here are some selected works from Arab artists being shown in the Dubai art space’s annual exhibition. 

‘Come Fly With Me’

Badr Abbas

The self-taught Emirati artist uses much of his Cubist-style work to explore his country’s heritage. Of this piece, he writes, “We are inheriting a culture of eating in the UAE that is bypassing our traditional recipes and laying on some serious calories. Even in-flight, the menu options are deliciously varied … Indulgence has become more accessible than ever before.” The “Food for Thought” series, Abbas says, is “a satirical representation of modern culture.”

‘Relations’

Ibraheem Khamayseh

Khamayseh, who was born in Riyadh, and whose father is a calligrapher, contributes this piece, which he describes as “an experiment in letterforms.” He built it up from a collection of “daily sketches, experimental studies and graphic elements” and says that it is an attempt to break the rules of lettering by looking at the letters “as shapes and forms, rather than their functionality.”

‘State of Mind: The Struggle To Create’

Ichraq Bouzidi

The Dubai-based Moroccan artist is described by Tashkeel as “an admirer of both surrealism and minimalism” whose work “taps into the duality between real and surreal in a theatrical but minimalist way.” This mixed-media triptych, she says, represents “the struggle to create, the first phase in the process of shaping an artistic work — often inevitable, always consuming.”

‘Abandoned Places’

Jassim Al-Awadhi

One of the UAE’s premier photographers, Al-Awadhi has worked in the crime-scene field for over 20 years, which has had a significant influence on his photography, which, Tashkeel says, combines “documentation and nature, adopting an integrated approach of science and philosophy.” His “Abandoned Places” series, Al-Awadhi says, reveals locations where “silence has become the master, and repeated this scene every day without boredom.”

‘Entanglement’ 

Joanna Barakat

Barakat, a UAE-based Palestinian artist, uses painting, photography and tatreez (Palestinian embroidery) in her work “to question collective ideas and stereotypes using a reimagined Palestinian aesthetic.  In this work, two identical motifs are joined. The four squares in each motif “resemble the four chambers of the heart,” while their connection “removes the illusion of separateness.”

‘Sheep’

Khaled Al-Shaer

The young Emirati artist’s “Sheep” is a humorous look at “connotations that the Emirati community has used in identifying certain characteristics of individuals in the dating scene,” he says. Specifically, it’s a portrayal of men who continue to pursue women whom it’s clear have no interest in them. “He continuously follows her around as though called upon by a shepherd,” Al-Shaer says.

‘Temporary Memory’

Ruba Al-Araji

Al-Araji was born and raised in Baghdad, and is a trained architect whose artwork varies from realistic portraits to comic-book art. This piece, she says, depicts a “living station” with “cells that form to control the objects that we see around us,” as well as the effect that words play on our behavior, “changing the way we feel on a day-to-day basis.”

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https://ift.tt/2Znh7zs July 30, 2019 at 07:21AM

Bling it on: KAGE introduces costume jewelry line

Author: 
Tue, 2019-07-30 08:27

DUBAI: Fall/Winter 2019 will be a special time for KAGE the UAE’s homegrown contemporary luxe label. It will not only celebrate its tenth anniversary in September, but will also launch a costume-jewelry line.

It has been quite a journey for KAGE founder Basma Abu Ghazaleh. In 2009, she and her childhood friend, Arwa Abdelhadi, decided to design a capsule collection for a trunk show with 35 pieces to test the market. Every piece sold out. At that time there were virtually no homegrown labels that created ready-to-wear clothes — most labels from the Middle East were all about couture.

“But that was not me, and I always believe in doing what you know,” says Abu Ghazaleh. At the time, she had worked in public relations and for her family’s business — but had not found her passion. It was the same story for Abdelhadi, a buyer at Chalhoub. They decided to come together and start KAGE. The duo’s first full collection was picked by Boutique 1.

 

For the last four years, though, Abu Ghazaleh has been running KAGE by herself. “We have really matured in the last three years or so. The tailoring is much more precise, our styling is better on every level and we now do a resort collection. Plus we have run our own e-commerce destination and now we have our own jewelry line,” says Basma in her studio in Dubai Design District (D3).

When Abu Ghazaleh was eight, she created some clothes from black bin bags. She and her cousin modeled them. Perhaps she should have known then that fashion was going to be her calling.

The KAGE girl, Abu Ghazaleh explains, is someone who just likes to have fun with her fashion, which is why the expansion into costume jewelry makes sense. While KAGE’s clothes are made in the UAE, all the jewelry is produced in Lebanon. Abu Ghazaleh wears every piece herself to test out that it is comfortable. She is not from the “No pain, no gain” school of fashion.

She may have no formal training, but her clothing line has stood the test of time. “I am happy when I see someone wearing a KAGE pieces that is three years old,” she says. “That’s my aim: To make fashion that lasts.” That is why she uses mainly French fabrics, while all samples are made in her D3 Studio so she can check every detail.

KAGE’s Fall 2019 line has a very Art Deco feel. That is a style that Abu Ghazaleh has always been drawn to. While the 1920s are the muse, it is still very modern; with blazers, cocktail dresses, pants and tops that can be worn together or with other staples from your wardrobe.

There is heavy use of metallic colors, and brocade fabrics lend these easy silhouettes a very plush feel. And her debut costume jewelry collection is linked to the clothes — the shell-like geometric motif that recurs is taken from one of the fabrics in her Fall/Winter line.

There are 12 styles available in both gold and silver in the collection, which focuses on earrings and hairpins. In keeping with Abu Ghazaleh’s love of functionality, the heavier earrings have clip-on versions. It is all about luxury that is long-lasting and practical; the silk pouches used to store the jewelry are lined with velvet.

The statement-making pieces have already been worn by UAE-based social-media stars Karen Wazen Bakhazi and Dana Hourani. And while its official launch is in the fall, she has already started selling the line for the summer, as it is so travel-friendly. It seems that Abu Ghazaleh’s first jewelry collection will likely enjoy the same success as KAGE’s first efforts.

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https://ift.tt/2GDCYLv July 30, 2019 at 06:57AM

الاثنين، 29 يوليو 2019

What We Are Reading Today: Scale and the Incas by Andrew James Hamilton

Mon, 2019-07-29 22:18

Although questions of form and style are fundamental to art history, the issue of scale has been surprisingly neglected. Yet, scale and scaled relationships are essential to the visual cultures of many societies from around the world, especially in the Andes. In Scale and the Incas, Andrew Hamilton presents a groundbreaking theoretical framework for analyzing scale, and then applies this approach to Inca art, architecture, and belief systems.

The Incas were one of humanity’s great civilizations, but their lack of a written language has prevented widespread appreciation of their sophisticated intellectual tradition. Expansive in scope, this book examines many famous works of Inca art including Machu Picchu and the Dumbarton Oaks tunic, more enigmatic artifacts like the Sayhuite Stone and Capacocha offerings, and a range of relatively unknown objects in diverse media including fiber, wood, feathers, stone, and metalwork. Ultimately, Hamilton demonstrates how the Incas used scale as an effective mode of expression in their vast multilingual and multiethnic empire.

Lavishly illustrated with stunning color plates created by the author, the book’s pages depict artifacts alongside scale markers and silhouettes of hands and bodies, allowing readers to gauge scale in multiple ways. The pioneering visual and theoretical arguments of Scale and the Incas not only rewrite understandings of Inca art, but also provide a benchmark for future studies of scale in art from other cultures.

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What We Are Reading Today: The Song of SongsWhat We Are Reading Today: Just Mercy by Bryan Stevenson https://ift.tt/2YfpTmz July 29, 2019 at 08:24PM

What We are Reading Today: The Escape Room by Megan Goldin

Mon, 2019-07-29 21:15

The Escape Room is a psychological thriller about four co-workers locked in an elevator in order to complete a team-building exercise. Vincent, Jules, Sylvie, and Sam are ruthlessly ambitious high-flyers working in the lucrative world of Wall Street finance.

Critic Rene Denfeld said in a review for The New York Times: “As a light thriller, The Escape Room delivers all that it promises. It is a sleek, well-crafted ride to a surprisingly twisty conclusion.”

Author Megan Goldin worked as a journalist before writing her debut thriller The Girl In Kellers Way. 

 

 

Main category: 
What We Are Reading Today: The Weil Conjectures What We Are Reading Today: The Song of Songs https://ift.tt/2OpAh6F July 29, 2019 at 07:17PM

‘The Great Hack’: Manipulating people with their own data

Author: 
Mon, 2019-07-29 16:12

CHENNAI: One of the greatest concerns of this century is the growing threat to privacy. They may not admit it, but many countries — not just those run by dictatorial regimes — are now making it their business to snoop into individuals’ lives. “The Great Hack,” now streaming on Netflix, brilliantly documents this in feature length.

Made by Karim Amer and Jehane Noujaim (known for “Control Room” and “The Square,” which fetched an Academy nod), “The Great Hack” tells the story of British data-driven political consulting firm Cambridge Analytica, which used the Facebook data of millions of users to push Brexit and help Donald Trump win the US presidential election.

The documentary is no less thrilling than a political spy story with unforgettable characters. The company got hold of personal messages, photographs and more to shortlist those who were seen as “persuadable,” and they were bombarded with communication to nudge them toward Trump and Brexit. The movie calls this a psychological war.

“The Great Hack” begins with an American professor, David Carroll, who decides after it was revealed that Facebook data were being misused that he will ask Cambridge Analytica to hand over his personal information.

The take on Brittany Kaiser is even more gripping. An ex-intern who worked for former US President Barack Obama, she landed a job with Cambridge Analytica writing contracts for Trump and helping Brexit deals.

Pink-haired whistleblower Christopher Wylie makes up the trio that shook the world out of its Facebook fallacy. 

Will “The Great Hack” lead to a mass exodus from Facebook? Hardly, one would think, because people are so besotted with sharing their most personal moments on the platform that they ignore how vulnerable they can be.

And mobile phones, which just about everybody uses today, often track their users’ every move.

But it is time to seriously ponder how we are naively bartering away our precious privacy for self-promotion among our friends, real and not so real.

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https://ift.tt/2OqEB5E July 29, 2019 at 02:22PM

Exploring the Arab world’s influence on Paris

Meghan Markle’s Vogue edit spotlights changemakers

السبت، 27 يوليو 2019

Saudi cinema in spotlight at global film festival

Sat, 2019-07-27 00:11

The Venice International Film Festival announced on Thursday that Saudi film “The Perfect Candidate” will compete with 14 international films for the Golden Lion prize, one of the industry’s most prestigious awards.

“The Perfect Candidate,” directed by Haifaa Al-Mansour, is the first Saudi film to feature in the competition. 

Al-Mansour will be competing with international directors such as Canada’s Atom Egoyan, Sweden’s Roy Andersson and Japan’s Hirokazu Kore-eda.

The film’s story focuses on a young Saudi female who runs in her local municipal elections.

Al-Mansour previously took part in the Venice Horizons Award in 2012 with the film “Oujda,” where she won three prizes. 

The festival is due to take place from Aug. 28 to Sept. 9. SPA Riyadh

Main category: 
Saudi Arabia’s government invites investors to open more cinema theaters Saudi filmmaker Haifaa Al-Mansour: Arab women are ‘sassy’ and strong, not victims https://ift.tt/2MjmFHf July 26, 2019 at 10:14PM

Where We Are Going Today: The Hot Spot, a spice fan’s dream in Jeddah

Fri, 2019-07-26 23:46

For fans of spice, there is a shop in Jeddah dedicated to hot chili sauces from all over the world. 

From Tabasco and Sriracha sauce to rare brands high on the Scoville Heat Scale, the Hot Spot has options to suit all robust tastebuds.

They even have sauces from a company called Pain, which puts as much effort into creating discomfort as it does taste.

And not just salsas and hot sauces — they also sell snacks known for their heat, like fiery Takis chips and chili-coated peanuts.

The trend for the extra spicy sauces has caught on in the Kingdom because of the popular TV show “Hot Ones” where different celebrities eat hot sauce coated wings and try and endure the pain. 

The shop is located on Mohammed Saleh Nassif Road in Al-Safa district, Jeddah.

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Where We Are Going Today: Cloud 9Where We Are Going Today: Dose cafe https://ift.tt/2yjYMr3 July 26, 2019 at 09:52PM

Huda Kattan shines bright on Instagram Rich List 2019

Sat, 2019-07-27 08:45

DUBAI: US-Iraqi makeup mogul Huda Kattan has topped the beauty section of 2019’s Instagram Rich List, it was revealed late last week.

Edging out James Charles, Jefree Star, Nikki de Jager and Zoe Sugg — who, with Kattan, form the top 5 on the list — the Dubai-based influencer came in at the number one spot with her Instagram account @hudabeauty.

According to the list, compiled by Hopper HQ, the social media star is able to charge up to a reported $91,300 per sponsored post.

With 38.3 million followers on her main account — she has a more personal account, @huda, with 1.2 million followers — the makeup maven’s advertising power seems to have caught the eye of many industry leaders.

It is the second time Kattan has topped the list created by Instagram scheduling tool Hopper HQ.

Using internal data, influencer rate cards and public information, the company ranks who is making the most cash through the social media platform.

Another famous face topped the overall rankings for the second year in a row — the so-called queen of social media, Kylie Jenner, beat out the likes of Ariana Grande, Beyonce, Taylor Swift and her sister Kim Kardashian for the top spot. 

The 21-year-old entrepreneur nabbed the top spot for her reported ability to earn a staggering $1,266,000 per sponsored post. It’s not the first time her earnings have made headlines, however — earlier this year, she was named the youngest self-made billionaire by Forbes magazine due to the success of her company Kylie Cosmetics, which she started in 2015. 

Founder and CEO of Hopper HQ Mike Bandar spoke about Jenner’s achievements in an interview published by UK-based Metro news.

“Kylie Jenner has had an incredible year, so it’s no surprise that she’s topped the list again. It’s incredible how much influence these professionals have over their followers, so from a brand’s point of view, these paid ads are often worth every penny,” he said.

Ariana Grande, Cristiano Ronaldo, Kim Kardashian and Selena Gomez — who was just voted Saudi Arabia’s sixth “most admired” woman in a poll by British firm YouGov — form the top five of the overall Instagram Rich List this year.

US-Palestinian model Bella Hadid tops the fashion-dedicated section of the list, earning up to a reported $86,300 per sponsored post.

Main category: 
Huda Beauty set to launch its first-ever fragrance ‘Women power,’ Huda Kattan says as she meets Victoria Beckham in London https://ift.tt/2Y6oLBz July 27, 2019 at 06:48AM

الخميس، 25 يوليو 2019

TheFace: Somaya Badr, founder and GM of Saudi Arabia’s Art of Heritage group

Fri, 2019-07-26 02:03

I grew up in a family of academics and scientists. My father and mother are university professors in hydrology and analytical chemistry respectively, and my siblings all come from scientific backgrounds. I was the odd one out with my passion for culture, society and art, and ended up studying economics and political science.

While I did not share the specific interests of my family, I learned from them the love of hard work and constant self-improvement, as well as a passion to excel and innovate in my specialization. When I started to work, I was lucky to be able to engage in the field that was closest to my heart: Culture and handicrafts.

After years of experience in both for-profit and nonprofit institutions, I was able to establish and direct Art of Heritage (AOH), which replaced Al-Nahda Heritage Center as the public marketing and retail arm of Saudi Arabia’s oldest women’s philanthropic organization when the charity shifted its focus to core educational values and women’s issues.

I realized that not only could I educate future generations about their heritage, but that I could also support marginalized groups to transform from being totally dependent to being confident and productive members of society.

My passion for using cultural heritage to improve the lives of marginalized women, and my belief in the importance of conservation, are linked to my strong belief in the need for further advanced study and inquiry in the cultural field.

 

AOH trains disabled Saudi women as handicraft artisans, enabling them to acquire unique and valuable skills and become independent. Every day when I see these girls overcoming their challenges to produce high-quality work, my hope is renewed and my motivation is strengthened to give my absolute best.

I have always believed in the importance of having a purpose and a career, and in continuing to broaden my horizons and knowledge. I have proudly raised my children to value these principles, and to be independent and open to different cultures. My husband has strongly supported me and our children and encouraged me to work, travel and continue my education.

My daughter just graduated from medical school, and my son is studying in the US. I taught my children the importance of working in a field they love, because this is what will enable them to innovate and excel.

From the scale of my small family to the scale of the country as a whole, I strongly believe that we have to learn how to listen to young people and support their out-of-the-box thinking in creating their future. Doing this will instil the capacity in each member of society to be an ambassador for their country through their confidence in their heritage and their engagement with the wider world.

I have brought these same principles to my work at AOH. For example, AOH cooperates with well-known international fashion designers in order to create a fashion line inspired by traditional Saudi dress. Furthermore, we are working to conserve and share the rich Saudi material cultural heritage by establishing an extensive collection of artifacts, jewelry and clothing.

There is an enthusiasm in Saudi Arabia for progressive thinking, and for meeting the challenges and opportunities of globalization with a modern and authentic self.

 

Recently, we have been able to bring our work to both local and international audiences through collaborative exhibitions such as “Hajj: Journey to the Heart of Islam” with the British Museum, “Design Crossroads: Jewelry from the Kingdom of Saudi Arabia” with the Bahrain National Museum, and “Hidden Treasures: Jewelry from the Kingdom of Saudi Arabia” with L’Ecole Van Cleef and Arpels in Dubai’s Design District.

My passion for using cultural heritage to improve the lives of marginalized women, and my belief in the importance of conservation, are linked to my strong belief in the need for further advanced study and inquiry in the cultural field. To that end, I have personally worked with the School of Oriental and African Studies in London to organize a two-year pre-Ph.D. program on Saudi tribal embroidery and dress patterns.

I am very optimistic about the Kingdom’s future, and I believe that what is to come will only be better and better. There is an enthusiasm in Saudi Arabia for progressive thinking, and for meeting the challenges and opportunities of globalization with a modern and authentic self. Not only are we challenging outside stereotypes about our culture and region, but women and youth truly have more of a voice, and have been invited to participate in all areas of life.

With the Vision 2030 reform plan supported by increased opportunities for women, and with a newly established Ministry of Culture, new groups will be able to understand their cultural heritage and participate in enriching it. Through the values I have instilled within my family and the ones I demonstrate in my professional life, I hope to continue to support this hopeful vision for our shared future. 

TheFace: Aghareed Abduljawad, supply chain director at Globe GroupTheFace: Munirah Alsanani — from reluctant gift recipient to ardent collector of Arabian artefacts  https://ift.tt/2YlxOK0 July 26, 2019 at 12:19AM

What We Are Eating Today: House of Cupcakes

Author: 
Fri, 2019-07-26 00:08

House of Cupcakes is my favorite cake shop because it caters to everyone’s needs with its wide variety of options.

As someone who is trying to make more health-conscious decisions, I can enjoy a delicious cupcake that is gluten-free, sugar-free or even vegan.

Having that option to enjoy a treat and cut down on sugar at the same time makes this shop a unique experience.

The shop has an interesting variety of cake flavors such as black forest, peanut butter cup, tiramisu, chocolate chip cookie dough, toasted coconut and much more.

Aside from the flavors that will make your taste buds dance, the pastry chefs are true artists with their detailed designs.

Children can enjoy seeing their favorite cartoon character cake model for their birthdays.

The staff members are very polite and helpful, which adds to the experience. The shop is located on Al-Kayyal Street in Al-Rawdah district, Jeddah. 

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What We Are Eating Today: Chef’s, a popular burger spot in JeddahWhat We Are Eating Today: Alkhobar’s Nine Soft Serve https://ift.tt/2JPSINo July 25, 2019 at 10:13PM

What We Are Reading Today: Just Mercy by Bryan Stevenson

Thu, 2019-07-25 23:29

Bryan Stevenson has written a compelling memoir with Just Mercy: A Story of Justice and Redemption. 

“This is an important work which should be read by any individual who is concerned with the concept of Justice and incidents of Injustice that merit compassion and mercy,” said a review in goodreads.com.

It said Just Mercy “is an unforgettable account of an idealistic, gifted young lawyer’s coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice.”

Stevenson first began helping death row prisoners, mostly black, who had had no legal defense of any kind. 

He discovered there were thousands who were completely innocent. This led him to start an organization called the Equal Justice Initiative

The review added: “While this book looks at the historical doggedness of injustice and specific court rulings, it also includes deeply personal accounts of those who have lived, and not lived through it.”

Stevenson grew up poor in Delaware, US.

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What We Are Reading Today: My Friend Anna by Rachel DeLoache WilliamsWhat We Are Reading Today: Running to The Edge https://ift.tt/2Yltt9I July 25, 2019 at 09:38PM

Appetite for veganism has added bite among Saudi youth

Author: 
Thu, 2019-07-25 23:31

RIYADH: The Saudi appetite for veganism as a lifestyle choice is taking off among the Kingdom’s youth, fed by prominent advocates of the practice.

Concerns for health, animal rights and the environment are all proving to be key factors in motivating Saudis to change their diets and stop using animal products.

Among the most notable influencers is Khaled bin Al-Waleed, son of billionaire Prince Al-Waleed bin Talal, who in January last year pledged to open at least 10 vegan restaurants in the Middle East by 2020.

With increasing numbers of shops and restaurants in the Kingdom now offering a wider range of vegan and vegetarian products, the shift from meat is becoming all the more palatable for many young Saudis.

Health is the first of three main drivers, with publicity about the growing problem of obesity in the country encouraging many people to make better food choices.

Cutting out meat and animal products in protest over unethical practices in the livestock trade is another reason for the rise in veganism, along with fears about damage to the environment, with livestock farming seen as contributing to greenhouse gas emissions, water and land degradation.

However, being vegan, or even vegetarian, can still be a difficult move to make for some.

Banan Al-Sultan, an optometrist and yoga enthusiast, has just got back into veganism after an aborted attempt to switch eight years ago.

“I was vegan for six months back in 2011, but I just couldn’t do it any longer than that. There were no options for me at any restaurant I went to except maybe for French fries or a side salad,” she told Arab News.

“Non-dairy milk was more like non-existent milk in any supermarket, and veggie burgers or vegan sausages were things I’d only heard about but never seen, like unicorns or mermaids.”

As the larger supermarket chains in Saudi started stocking vegan and vegetarian items, Al-Sultan began to muster up her old enthusiasm and has now successfully maintained a vegan diet for three months.

Loulwa Almarshad, a 28-year-old translator in Riyadh, told Arab News that being vegan was nowhere near as difficult as people might think.

“It might have been hard at first, but not so much now. There’s a lot more awareness these days, and the number of vegans worldwide is increasing, which creates more demand for vegan products both in restaurants and supermarkets.”

Most Saudi food stores now stock a wide variety of veggie options, including non-dairy milks such as almond, soy, and coconut, vegan butter and cheese, meatless burgers and sausages, and even treats like cookies, gummy candies, and ice cream.

Restaurants in the Kingdom are getting on board too, with burger outlets such as Johnny Rockets and Burgerfuel offering meatless patties, Jeddah superfood chain Boga introducing vegan salads and tofu sandwiches, and famous vegan-friendly places like Urth Caffe opening up branches throughout the Kingdom.

Yet Almarshad and Al-Sultan still believe that many Saudis remain skeptical about veganism.

“As a society, we Saudis love meat, which is understandable as meat has throughout history been a symbol of wealth and shows that someone can feed themselves and their family,” Al-Sultan said. “But times are changing, and if you can’t adopt our lifestyle, you can at least respect it.”

Almarshad said that the most difficult part of being vegan in Saudi Arabia was the attitude of society toward them. “I don’t mind answering people’s questions if they ask nicely, but at the end of the day, we’re just normal people. When the questions get invasive or offensive, it’s only natural that we won’t want to answer them.”

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Vegetarian diet: The green way of lifeStudy: Vegetarians live longer as men get best results https://ift.tt/2K3Ad77 July 25, 2019 at 09:40PM

Swedish prosecutor says US rapper ASAP Rocky to be tried for assault

Author: 
Thu, 2019-07-25 16:19

STOCKHOLM: A Swedish prosecutor said Thursday that US rapper ASAP Rocky will be tried for assault over a June street brawl in a development likely to infuriate fans already indignant over his three weeks in custody.

"Today I have pressed charges against the three suspects for assault, because in my judgement what has happened amounts to a crime, despite the objections about self-defence and provocations," prosecutor Daniel Suneson said in a statement.

The 30-year-old rapper, whose real name is Rakim Mayers, was arrested on July 3 along with three other people, following a street brawl in Stockholm on June 30. One of them, the rapper's bodyguard, was later released. 

Part of the brawl was captured in an amateur video published by US celebrity news outlet TMZ. The rapper himself later published videos of his own to Instagram purporting to show the lead up to the fight.

Mayers has claimed he was acting in self-defence, saying he was responding to harassment and provocations by the plaintiff.

But Suneson said in his statement that "I have had more material to consider than what has been available on the internet. In addition to the videotaped material there is support for the plaintiff's account through witness interrogations."

Since ASAP Rocky's arrest, fans, fellow artists and US Congress members have campaigned for the artist to be freed. President Donald Trump also spoke to Swedish Prime Minister Stefan Lofven last week about the case.

An online petition called #JusticeForRocky has garnered more than 620,000 signatures, and posters emblazoned with "Free A$AP Rocky ASAP" have been put up around Stockholm.

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https://ift.tt/2JQSJRm July 25, 2019 at 02:27PM

BelSodfa: Finding a new Middle Eastern sound

Author: 
Thu, 2019-07-25 12:16

DUBAI: “Music is all about energy and coming into contact with another artist’s vibe can only make you evolve,” says Swerte, one third of hip-hop trio The Recipe. “It’s great to have control and do things on your own, but if you’re ever stuck and need a jolt to get you going, working with another artist usually gets you inspired again.”

Swerte is discussing collaboration and, in particular, BelSodfa, an original series from Red Bull that saw 20 regional artists embark on a series of musical blind dates. That meant two artists who didn’t know each other creating and recording a track in just eight hours.

“Each collaboration had its standout moment,” says Reiner Erlings, the Dutch producer and composer who helmed the series’ nine tracks. “Usually it’s the moment where, seemingly out of nowhere, the foundation of a new song is created. That moment where both the artists and myself knew we had something we could develop into a finished song. It’s a magical moment in the songwriting process, where the melody and lyrics begin to come together.”

Erlings says Shaun Warner — Red Bull’s marketing manager for music and content across the GCC — paired artists together to create “the most unexpected collaborations.” For example, the Syrian-Armenian English-language singer-songwriter Ibby VK was paired with Nubian folk singer Abayazied on the track “Who I Am,” while the Tunisian neo hip-hop advocate Aeli collaborated with Dubai-based US rapper Zenden Lavon on “Gemini.” 

“One of the best examples, in my opinion, is the track with Molham and Hasan Malik (“Find My Way”), where a rapper from Saudi collaborated with a UAE-based English-language pianist and singer,” says Erlings. “The result is a modern pop track with Arabic and English lyrics. It kind of sums up the musical culture of this region.”

For Aeli, whose musical style is centered on beats and trap, his collaboration with Lavon provided an opportunity to not only explore new creative ideas, but to change the way he approaches composition and writing. “It’s like a gulp of fresh air,” he says. “Like cleaning the surface of your reflexes by bringing in something new.”

“We started jamming with a framed vision in mind,” he says of the session. “We were just bouncing ideas off each other; he would add his signature and I would add mine. I would guide him with the flow, and he would direct me with his ideas for the track. This is why we have such different parts in the track. It’s a representation of Zenden’s and my different backgrounds and the common ground we played in. It was very smooth and natural. It wasn’t forced in any way.”

The collaboration also provided an opportunity for Aeli to learn more about himself as an artist. “I learned that I tend to overthink a lot when creating music,” he says. “And sometimes a spontaneous approach helps you create and gives you better results. I am used to expressing myself in certain ways musically. It’s a way that represents me only — something that I have to say. When you work with somebody else you have to find that middle ground — that one thing that makes both of us speak, makes both of us express ourselves, and both of us proud of the results.”

Finding a workable middle ground was initially a worry for The Recipe, who found themselves collaborating with the Lebanese pop singer Anthony Touma to create a track called “Always Want More.” 

“We decided to break the ice by showing each others’ music videos so that we could really see and hear what our creative directions were,” says Swerte, who represented The Recipe with P. Storm. “I think everyone in the room was thinking the same thing when that happened, which was ‘These two couldn’t be more different than each other and how in the world is this going to work?’”

Then the three began to jam. Anthony on piano, Swerte on drums, P.Storm on lyrics. Within 10 minutes they had clicked.

“That jam was really special,” says Swerte. “It was a lot of fun and when we kind of locked into this groove and melody I think everyone in the room got excited and felt that we had something. I think it was a bit of a relief as well because of how different we were as artists and there was an unspoken feeling that this might not work at all.”

“This was the first time The Recipe made a commercial ‘pop’ record and I think it really opened our creative horizons,” adds Swerte. “Since its release we’ve been getting a lot of positive comments from our fans — that they didn’t expect this from us — and that’s really given us confidence to explore other lanes. It goes to show that no matter how long you’ve been doing this and how much you think you know yourself, you may still have a few surprises within you that have yet to come to fruition.”

Importantly, BelSodfa has highlighted the diversity of musical talent operating in the Gulf and the wider region. It has also proved that collaboration can yield amazing results, despite the apparent disparity between artists. The end results have now been released by Universal Music.

“We have amazing talent here in this region,” says Swerte. “I think it’s time for the powers that be to realize that, and to help create a thriving industry that’s self-sustaining by implementing publishing laws so that these great artists can get their royalties and create more for the region. That one thing could change things in such a big way and propel the talent that we have into a whole other level. Look at what we’re doing now as it is. It’s amazing.”

Erlings agrees. He also believes that the BelSodfa project was “an important milestone towards finding the ‘sound’ of this region,” with collaboration an important form of cultural exchange — an exchange that he says is vital for the development of the region’s music scene.

“Musicians in this region are not only at a world-class level, they are also firmly rooted in their own style and pushing the envelope when it comes to developing a regional sound,” says Erlings. “No longer are artists trying to emulate the music coming from the West, instead the scene has matured and artists are now making music that is relevant to this region and this music is now being exported to the rest of the world.”

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https://ift.tt/2YdGORy July 25, 2019 at 11:33AM

Egyptian actor Farouk Al-Fishawi dies at 67

Thu, 2019-07-25 09:11

Renowned Egyptian actor, Farouk Al-Fishawi, died in the early hours of Thursday at a local hospital in Cairo. 

The star, who died at the age of 67, went into a coma on Wednesday night due to liver failure, according to local media.

Last October, Al-Fishawi announced he was diagnosed with cancer at the Alexandria Film Festival.

“After some tests and radiation, my doctor told me I have cancer…I will defeat it and I will attend the next session of the Alexandria Festival to be with you,” he said.

The acting legend starred in dozens of films and TV shows, but was most famous for his roles in “Al-Hanakeesh” and “Laylat El-Katl.”  

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https://ift.tt/2LGVvKW July 25, 2019 at 07:19AM

Blade Runner actor Rutger Hauer dies aged 75

Author: 
AFP
ID: 
1563989143362182700
Wed, 2019-07-24 17:19

THE HAGUE: Hollywood actor Rutger Hauer, best known for his role in Blade Runner, has died after a brief illness, his official website said on Wednesday.
Hauer’s non-profit HIV/AIDS charity, the Rutger Hauer Starfish Association, said on its website that it was announcing “with infinite sadness that after a very short illness, on Friday, July 19, 2019, Rutger passed away peacefully at his Dutch home.”
Dutch media said Hauer was buried at a private ceremony.
His family was not immediately available for comment.
The much-admired Dutch actor got his first break in 1969 when he was cast in a historical Dutch television series called “Floris” directed by the then little known Paul Verhoeven. It triggered a years-long collaboration between the two, although it was said they fell out in the mid-80s.
Verhoeven cast Hauer in his first major film role in “Turkish Delight” in 1973.
But it was when Hauer was teamed up with Hollywood star Sylvester Stallone in the 1981 thriller “Nighthawks” that he first came to the attention of US audiences.
The following year he appeared as Batty, model number N6MAA10816, the leader of the renegade Nexus-6 replicants in “Blade Runner” which made him one of Hollywood’s film icons.
Speaking about Hauer’s death, Verhoeven told the Dutch ANP news wire: “I have lost my alter ego.
“I am extremely sad that he’s not with us any more. I am going to miss him terribly,” Verhoeven said.

 

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Bahraini TV star Sabrin Burshaid dies after battling cancerMusic icon Aretha Franklin dies at 76 https://ift.tt/30TAtMH July 24, 2019 at 06:34PM

الأربعاء، 24 يوليو 2019

What We Are Reading Today: My Friend Anna by Rachel DeLoache Williams

Author: 
Wed, 2019-07-24 23:52

A former friend of fake heiress Anna Sorokin says she has wondered how she missed all the red flags from the convicted con-woman, who she now calls a “sociopath.”

Rachel Williams recounts her experience in her new book, My Friend Anna: The True Story of a Fake Heiress.

Williams wishes she never met Sorokin, she was quoted saying by ABC News.

Williams was among many others who Sorokin — a globe-trotting, high-life scammer — betrayed for over a year.

Now, Sorokin is in prison, convicted of several counts of grand larceny. Prosecutors said she defrauded luxury hotels, banks and even a private jet company out of more than a quarter-million dollars.

Williams said she helped authorities apprehend Sorokin not only because of the money she had lost but also because “what was really upsetting to me was sort of this riddle that needed to be solved.”

The first half of the book reminisces on their friendship; the second is devoted to exhaustive accounts of their text exchanges, Sorokin’s fraudulent banking practices and, ultimately, the trial.

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What We Are Reading Today: Grace Will Lead Us HomeWhat We Are Reading Today: Places and Names https://ift.tt/2OelY4B July 24, 2019 at 09:58PM

Red Hot Chili Peppers to make their UAE debut in September

Wed, 2019-07-24 16:13

DUBAI: The Red Hot Chili Peppers will make their long-awaited UAE debut on Sept. 4 at The Arena, a new indoor venue on Yas Island, during Abu Dhabi Showdown Week.

The band behind such hits as “Can’t Stop” and “By the Way” will headline Abu Dhabi Showdown Week, a seven-day series of events set to run alongside UFC 242, which will take place in the UAE capital on Sept. 7.

Prices start at $69 and rise to $271 for platinum tickets.

UFC fans will also be able to experience the inner workings of the UFC during the week through open workouts, weigh-ins, autograph signings and meet-and-greet sessions with UFC stars.

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https://ift.tt/2M9DCE5 July 24, 2019 at 02:14PM

Syrian-Canadian composer takes a trip to outer space

Author: 
Wed, 2019-07-24 14:13

DUBAI: Syrian-Canadian guitarist, composer, producer and lyricist Rawad A. Massih released his new album earlier this month, giving fans of trippy, other-worldly music something new to enjoy.

Aptly named “Away from Planet Earth,” the gloriously eerie new album features tracks such as “Vacant Planet,” marked by its synth-filled melodic landscape, and “Out of the Black Hole.”

Conjuring up imagery of pot marked swathes of rusty-red land on Mars and serene, slightly sinister scenes from outer space, the album features transitional silences cut through with overwhelming bursts of 1980s-style synthesizers.

“I wanted to do a record that has this 1980s synthesizer feeling, but (in) a modern context,” Massih said in a released statement, “like the dark soundtracks that are used in films today. That's why I added orchestral and industrial elements to some tracks.”

Keen listeners will be able to spot one thing in common with all seven tracks — each is split into two musically distinct phases, there is always a transition point.

With a background in heavy metal music, Massih sought to create something new for listeners with this album, a mix of a dark retro-futurism with classical elements that seeks to take his audience on a trip “between the stars,” according to the musician.

Music videos, or “visualizers,” for all seven tracks were released online on July 20, with the titular track featuring a space-themed story in written form emblazoned across the screen.

The “Away from Planet Earth” clip features a narrative about mankind being forced to seek refuge on other planets after the “Great Extinction War” —a wry comment on the future of humanity perhaps?

Previously part of the now-dissolved band, The Hourglass, Massih is considered one of the pioneers of heavy metal music in the region and now experiments with a variety of genres.

Massih built his own production studio in Lebanon in 2017 and started recording and producing music unilaterally. His first solo album, “Ancient Hope” was released in 2017, before he eventually signed with Universal Music MENA in March 2019.

The multi-talented artist is also set to release his first original music score for a TV series before the end of 2019.

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https://ift.tt/2GspORt July 24, 2019 at 12:34PM

Book Review: An enlightening look into the birth of Egyptology

Wed, 2019-07-24 12:18

BEIRUT: Alessandro Ricci’s travels to Egypt and Sudan took place a few years before the birth of Egyptology in 1822, the year Jean-Francois Champollion deciphered the hieroglyphs. His work, a detailed account of his journeys enriched with beautiful drawings of ancient monuments, was never published in his lifetime. Ricci is little known today yet his contemporaries, including Champollion, unanimously acknowledged the artistic qualities of his work, essentially epigraphic copies of reliefs, temple decorations and inscriptions.

In 2009, the author unexpectedly found a typescript of Ricci’s lost travel account in the Dar Al-Watha’iq al Qawmiya (National Archives of Egypt in Cairo). This was a great find: “The importance of Ricci’s Travels did not allow waiting for the discovery of the original manuscript for its publication,” Daniele Salvoldi wrote. AUC Press has once again published an exquisite book, a must-read for anyone interested in Egyptology.

In the captivating introduction to “From Siena to Nubia: Alessandro Ricci in Egypt and Sudan, 1817-1822,” released earlier this year, author Daniele Salvoldi sheds light on how easy it was in the time of Ricci to remove antiquities from Egypt and ship them abroad with the simple approval of local authorities in exchange for money. This explains Champollion’s decision to travel to Italy in 1825 to buy hieroglyphic inscriptions. The decipherer chose Tuscany for obvious reasons. “Egyptian antiquities for sale filled the dockside warehouse of Livorno; in the Gardens of Boboli, Florence, he could admire the obelisk of Ramesses II; while in the grand ducal galleries there were many Egyptian antiquities,” Salvoldi wrote. It was only in 1835 that Muhammad Ali issued a law forbidding the destruction of ancient buildings and the export of antiquities. He also established the first antiquities museum in Egypt.

“From Siena to Nubia” abounds with botanical and geographical remarks as well as historical and ethnographic observations. This travelogue also reveals the stark reality awaiting the traveler in the 19th century.

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https://ift.tt/2MbMnO7 July 24, 2019 at 10:22AM

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