الثلاثاء، 30 أبريل 2019

What We Are Reading Today: Adaptive Markets by Andrew W. Lo

Author: 
Tue, 2019-04-30 23:59

Half of all Americans have money in the stock market, yet economists can’t agree on whether investors and markets are rational and efficient, as modern financial theory assumes, or irrational and inefficient, as behavioral economists believe. 

The debate is one of the biggest in economics, and the value or futility of investment management and financial regulation hangs on the answer. In this groundbreaking book, Andrew Lo transforms the debate with a powerful new framework in which rationality and irrationality coexist — the Adaptive Markets Hypothesis, says a review on the Princeton University Press website. Drawing on psychology, evolutionary biology, neuroscience, artificial intelligence, and other fields, Adaptive Markets shows that the theory of market efficiency is incomplete. 

When markets are unstable, investors react instinctively, creating inefficiencies for others to exploit. Lo’s new paradigm explains how financial evolution shapes behavior and markets at the speed of thought — a fact revealed by swings between stability and crisis, profit and loss, and innovation and regulation.

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What We Are Reading Today: Biased by Jennifer L. EberhardtWhat We Are Reading Today: The Matriarch by Susan Page http://bit.ly/2GSHvKs April 30, 2019 at 10:03PM

The delights of Dubrovnik

Tue, 2019-04-30 16:30

While the Italian Adriatic coast has long been a byword for sophisticated holidaying, Croatia’s Dalmatian coast has only been discovered by global tourists relatively recently.

It’s not hard to see why it has become so popular: the Adriatic waters lap up against some of Europe’s most beautiful coastline, punctuated by picture-perfect villages, stark cliffs, and hidden beaches.

Dubrovnik is the undoubted jewel in the Dalmatian crown, an ancient city that has seen more than its fair share of conflict over the years.

Indeed, it has weathered countless wars, multiple occupations (by the Byzantines, the Venetians and the Romans) and survived a seven-month siege during the Balkans War, but still it stands, as beautiful as ever.

The city of 45,000 stretches along the coast, but the focal point is the Old Town, housed inside 1.2 miles of walls, built to protect the inhabitants from the marauding Saracens in the 9th century.

The main function of the walls these days is to provide a backdrop to countless tourists’ photographs, but it’s within the walls that the real beauty of Dubrovnik is revealed. From the cloisters of a Franciscan monastery and the third-oldest pharmacy in the world, to the 19 churches spread around the town, this is a place that wears its past on its sleeve. Most tourists start at the Stradun — the main thoroughfare that cuts the Old City in two — which is dotted with cafes and restaurants.

Head to Luza Square first and marvel at the incredible Gothic-Renaissance architecture of Sponza Palace and The Rector’s Palace.

The white limestone paths are slick from millions of footsteps and we recommend heading to the west side of the Old Town to get a glimpse of how the locals live. It’s filled with narrow alleyways, tiny grocery stores, hole-in-the-wall cafés and lots and lots of steps. Oh, and lots and lots of tourists.

Ah yes, the tourists. In some ways Dubrovnik has become a victim of its own success — its narrow lanes are increasingly thronged by tour groups, multiplied by the countless cruise ships that dock here every year.

Wandering through the Old Town can, at times, be a frustrating experience, particularly when held up by a horde of selfie-stick wielding visitors.

Its popularity has only increased since HBO’s hit show “Game of Thrones” first aired (the Old Town being used is the setting for King’s Landing). There are plenty of locals taking advantage of that fact, from Game of Thrones-themed shops (Jon Snow pillowcase anyone?) to Game of Thrones-themed tours. Despite the crowds and the occasional tackiness, the Old Town is undeniably beautiful.

Wander along the city walls just before sunset or take the cable car up to Mount Srdj which overlooks the city, and prepare to be amazed by the views.

There are not many places that combine heritage and beauty quite like Dubrovnik does.

And, if the crowds get too much, it’s not hard to find somewhere slightly more peaceful, whether that be a café tucked down a side street, or a tiny fishing village a few miles away. Cavtat is one such place — a small, seaside town where red-rooved houses slope down towards a pretty harbor. Cafés and restaurants line a small promenade, while pleasure boats bob in the azure waters. It’s hard to think of a better place in which to do nothing.

There are multiple daily sailings from Dubrovnik’s Old Town port, although we recommend staying at least a night.

If you are feeling adventurous, head even further south and cross into Montenegro, which is filled with tiny, picturesque villages, endless wooded hillsides and spectacular fjords.

If you do decide to stay in Dubrovnik however, we recommend Villa Dubrovnik, a five-star hotel that juts out over the Adriatic, each room offering spectacular sea views.

With a minimal design and white color palette, it’s reminiscent of a Miami beach club. It’s about a 20-minute walk south of the Old Town and is a lovely respite from the crowds further north.

It’s easy to overstate the crowds however, and in the early morning, or after dark, you can walk the narrow, silent streets of the Old Town completely alone.

It’s moments like this, with the Adriatic crashing against the shore, the town’s lights twinkling on the hillside, when you realize just how special Dubrovnik is.

Main category: 
Influencer invasion as Pakistan launches tourism pushTake a break in Kuwait http://bit.ly/2J3SXVi April 30, 2019 at 03:00PM

Back in Black: On the set of ‘MiB International’

الاثنين، 29 أبريل 2019

What We Are Reading Today: Biased by Jennifer L. Eberhardt

Author: 
Mon, 2019-04-29 22:18

Biased is a timely and important book. Jennifer L. Eberhardt, a psychologist, takes a complicated and difficult subject and explains both the science and historical/sociological background behind issues of racism and implicit bias in a way that a person with little technical knowledge of either psychology or sociology can readily understand. 

Eberhardt gives striking examples from her research of how racial categories and stereotypes affect perception,” Neil Gross said in a review in The New York Times.

“In one study, she and her colleagues found that people’s brains were more active when they were looking at a face from someone of their own racial group. This, Eberhardt says, helps to explain why people sometimes do poorly at recognizing individuals from other groups — a finding that matters for criminal justice, where mistaken identification is common,” said the review.

“As Eberhardt describes it, the human brain is a categorization machine. Our cognitive systems continuously sort the elements of our perception into categories and subcategories so that we can function effectively in the world,” Gross said.

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What We Are Reading Today: The Uninhabitable Earth by David Wallace-WellsWhat We Are Reading Today: The Matriarch by Susan Page http://bit.ly/2J4UUkn April 29, 2019 at 08:27PM

Art Jameel issues open call for Saudi Arabia’s eager artists

Mon, 2019-04-29 16:17

DUBAI: Creative organization Art Jameel has issued an open call for Saudi Arabia-based artists for the chance to take part in an intensive learning program to take place between September-December, 2019.

The learning program, called “Navigating the Contemporary Art Scene,” will be led by international curators, museum directors and regional artists, who will teach workshops, deliver lectures, set readings and guide exhibition and studio tours. According to Art Jameel, it designed to be a transformative opportunity for artists who wish to attempt a full-time career in the arts.

The program includes lectures, seminars, workshops and readings, which collectively familiarize artists with the cultural landscapes of Saudi Arabia and the region. Topics covered range from understanding regional art histories, the art market and marketing arts practices, to application writing, legal matters and staying up-to-date with global trends in contemporary art concepts and curation practices.

The course will take place in advance of the launch of the Hayy: Creative Hub in 2020 at partner venues in Jeddah.

The deadline for applications is July 5, 2019.

A four-month-long program, the course is structured so that three modules are delivered over a combination of private and public lectures, seminars, workshops, focus groups and field trips. Three intensive, week-long sessions in September, October and December are accompanied by digital resources and assignments.

According to Art Jameel, “Navigating the Contemporary Art Scene” is open to artists based in Saudi Arabia who are over the age of 24 and are looking to develop a full-time career in the field. Applicants should if possible have a university degree and strong, bilingual communication skills.

For more information visit www.artjameel.org.

Main category: 
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Brazilian fashion blogger Camila Coelho touches down in Marrakesh

الأحد، 28 أبريل 2019

Lebanese designer Elie Saab leaves Lily Collins ‘lovestruck’

Author: 
daniel fountain
ID: 
1556457297565820600
Sun, 2019-04-28 16:30

PARIS: British-American actress Lily Collins took to the red carpet for the European premiere of her latest film, “Extremely Wicked, Shockingly Evil and Vile,” wearing a dress from Lebanese designer Elie Saab’s “Lovestruck” collection late last week.
The 30-year-old actress, whose father is musician Phil Collins, plays the role of Elizabeth Kloepfer, serial killer Ted Bundy’s longtime girlfriend.
The film, which will be released in US cinemas on May 3, chronicles Bundy’s crimes from the perspective of his girlfriend, who refused to believe the truth about him for years.
Collins’ dreamy dress hails from Saab’s ready-to-wear Autumn/Winter 2019-20 collection and featured a sheer black tulle skirt embroidered with sequined hearts. The bodice featured a quirky design of two hands curled around black heart and also boasted panels of azure and turquoise beadwork. Embroidered tulle bell sleeves completed the ethereal dress.
Saab dubbed his collection “Lovestruck” and showed it for the first time during Paris Fashion Week in March.
For her part, Collins shared a collection of photos from the blue carpet in London.
“We’re still working on this whole posing thing. At least our outfits coordinated with the carpet!” she captioned a snap in which she is seen posing with US actor Zac Efron, who plays the role of Ted Bundy.
The actor, who shot to fame for his light-hearted role in the “High School Musical” series of films, admitted that taking on this dark role was easier said than done.
“I’ve never played a role in which I really have to separate myself from when I go home at night, and it was almost impossible. I’d like to say that I did it successfully but I couldn’t,” Zac told a group of re carpet reporters in London, according to the Daily Mail.
“I really wasn’t interested in playing a serial killer. I’m not in the business of glamorizing a horrendous person or his acts, but there is something unique about the way we went into the psyche of Ted and his longtime girlfriend Liz,” Zac added.
“It’s a different perspective and not your run-of-the-mill serial killer cliché, body count gets higher and higher, and oh the guy you always knew did it, did it. This is what it was like to be there on the day, we didn’t know if he was innocent or guilty, we just saw Ted Bundy through their eyes.”

Main category: 
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السبت، 27 أبريل 2019

What We Are Reading Today: The Matriarch by Susan Page

Author: 
Sun, 2019-04-28 01:58

The Matriarch is a vivid biography of former US First Lady Barbara Bush, one of the most influential and under-appreciated women in American political history.

It tells the riveting tale of a woman who helped define two American presidencies and an entire political era. 

Written by USA Today’s Washington Bureau chief Susan Page, The Matriarch examines not only Barbara Bush’s public persona but also less well-known aspects of her remarkable life.

Page has covered six White House administrations and ten presidential elections. 

Page interviewed Barbara Bush five times before she died in April 2018 at age 92, and had exclusive access to her diary.

“The primary value of this book to me is that it is based on newly available information from Barbara Bush and those who knew her best. It is not a linear accounting of her life, but rather a presentation of new information about the parts of her life of highest interest to inquiring minds,” said a review published in goodreads.com.

“The excellent reporting far outshines the packaging and presentation of the information,” the review added.

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Tags: 
What We Are Reading Today: Greek To MeWhat We Are Reading Today: The Uninhabitable Earth by David Wallace-Wells http://bit.ly/2J2amxl April 28, 2019 at 12:00AM

Are our children becoming addicted to spending money on ‘loot box’ trend?

Author: 
Lojien Ben Gassem
ID: 
1556396904169982000
Sat, 2019-04-27 23:27

RIYADH: Concerns are growing in the Kingdom, as in many other countries, about the increasing prevalence of so-called microtransactions in video games.
These are real-money purchases a player makes within a game, either to progress or to improve the playing experience, for example by gaining new equipment or abilities. Despite the name, these purchases can range in price from a few cents to $100 or more.
A particular concern is the introduction of paid-for “loot boxes,” which add a random element to the purchase that has been likened to a form of gambling and is being investigated by authorities in a number of countries.
Video games are increasingly expensive to develop and support, and in an attempt to boost profits, many producers introduced microtransactions, both in paid-for games and those that can be downloaded for free on mobile devices and consoles such as the Xbox and PlayStation. In some games, the purchases provide bonus content, speed up progress or make the player more powerful, but in others it can become impossible to advance without purchasing items from the in-game store.
The loot box takes the idea a step further by offering players a chance to buy a random mystery item, sight unseen. When they open the virtual “box” they might be lucky and receive a rare item that will be a big help in the game, or they might receive a relatively common item that does not provide much of a benefit. Sometimes loot boxes are free gifts for players but in many cases, they have to pay real money for a chance to win a useful prize.
Lucky players who get a valuable loot box prize often share their good fortune on social media, which is a form of free advertising for the game that encourages other players to pay money and try their luck.
The use of loot boxes is controversial, with complaints from gamers and the media that it offers wealthier players an unfair advantage, and could lead to addiction. Console game “Star Wars Battlefront 2,” for example, faced a huge backlash when it was released in November 2017. To unlock certain features of the game, the player had to pay real money, on top of the $60 for the game itself. One website estimated that the total cost of buying all of these features to be $2,100.

Virtual currency
The game does offer a chance to earn a virtual currency that can be used instead of real money, but it was estimated that a player would have to spend 40 hours playing the game to earn enough to unlock just one additional character. The makers of the game eventually revised the system and reduced the costs and time required.
Parents are becoming increasingly concerned about microtransactions and loot boxes, because of the amount of money and time their children are spending on games, which they fear is a form of addiction.
Malak Al-Harbi, a mother of a teenage boy, said her son became addicted and spent all his money on video game microtransactions.
“Ahmed used to get excited about these prizes so he used to only request microtransaction gift cards from me and his father; no other gift would satisfy him,” she said.
She did not realize her son was becoming addicted until his grades began to slip. At that point, she and her husband set strict ground rules for when and for how long their son could play video games, which resolved the problem.
Al-Harbi believes that, used in moderation, video games can be a good way to relieve stress but that it is easy for the situation to spiral out of control.
“My son at that time might have preferred virtual reality to the real world and that might be the reason why he was so addicted to these games, which led him to spend all of his savings on them,” she added. “I hope that the country will recognize this issue and enforce some rules and regulations for these games.”
A number of European countries have started to investigate whether loot boxes in video games are a form of gambling. Authorities in Saudi Arabia have yet to address the issue.
Dr. Aisha Karman, a psychologist, is concerned about the luck factor involved in loot boxes, and the effect the use of them in video games is having on children.
“This will create a sense of laziness in the kids’ personalities and will reduce their efforts to build their futures,” she said.
“This issue is affecting our children; they are not mature enough and their personalities are still evolving, so when they adopt such an idea at an early age it will impact them negatively. These games are targeting individuals that need care and protection, and as a result, the influence on them is stronger.
“I expect that there will be government action against these games here in Saudi Arabia, especially because they are considered harmful in some cases.”

Main category: 
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الخميس، 25 أبريل 2019

Where We Are Going Today: Cat Chic, where cats get their hair done

Author: 
Thu, 2019-04-25 23:07

It is never easy to entrust your beloved cat to strangers, yet grooming is important for feline health and looks, and is best done by professionals.

There are none so professional as the staff at Jeddah’s Cat Chic. The staff are helpful and accommodating, and the exclusive salon provides vital services such as bathing, flea treatments, hair trimming and shaving.

My cat had badly matted hair. It was impossible to detangle, but after a session at Cat Chic my cat came back looking smarter than ever.

The interior of the salon is beautiful and it features a cat playground, which gives the cats a chance to socialize.

Cat Chic also sells amazing products that allow you to take care of your cat at home and dress them up with funky collars and adorable clothes.

Located in Al-Rawdah district, Cat Chic is a cat-grooming salon you can trust. If you have any grooming needs for your cat, you should definitely visit.

Main category: 
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Where We Are Going Today: Anastna for traditional Hijazi sweetsWhere We Are Going Today: Pulse Fitness Studio in Jeddah http://bit.ly/2GyifYP April 25, 2019 at 09:23PM

What We Are Reading Today: The Uninhabitable Earth by David Wallace-Wells

Author: 
Thu, 2019-04-25 22:02

The Uninhabitable Earth reveals the true pace and severity of climate change. 

Author David Wallace-Wells talks about humanity’s existential threats, but also how humans respond to this really urgent news. Some don’t want to know, others lapse into despair. 

“The author does a good job of pointing out that our future is really unknown. Most importantly, how will humans behave to try and save the biosphere. If somehow we all pull together we may be able to mute the worst of our possible futures. Also, he acknowledges that future technology is a possible game-changer, although he is not optimistic,” said a review published in goodreads.com.

“The author’s own career focuses on climate change, and he has all the sources and resources at his command. It shows clearly in the breath of data he draws on. And they are all connected, with feedback loops and knock-on effects that can magnify a bad situation into a disaster. Wallace makes those connections clear,” it added. 

Main category: 
What We Are Reading Today: Jefferson’s Legal Commonplace Book by Thomas JeffersonWhat We Are Reading Today: Red Meat Republic by Joshua Specht http://bit.ly/2UVdLpd April 25, 2019 at 08:06PM

Disney’s ‘Avengers: Endgame’ smashes China opening day record

Author: 
Reuters
ID: 
1556190528950696700
Thu, 2019-04-25 10:58

LOS ANGELES/BEIJING: Marvel superhero movie “Avengers: Endgame” set an opening-day record in China with an estimated $107.2 million in ticket sales, distributor Walt Disney Co. said.
The movie, the final chapter of a story told across 22 Marvel films featuring popular characters such as Iron Man, Thor and Black Widow, smashed many records to become China’s highest grossing foreign movie on first day when it was released on Wednesday, two days before its US screening.
The movie, also the fastest to hit the 500 million-yuan mark in ticket sales, dominated cinemas across China on Wednesday, totaling more than 80 percent of all screenings.
Some premiere tickets were so coveted that they were being sold on the gray market for more than 500 yuan ($74.14), versus an average of 60 yuan across cinemas nationwide.
“Ticket sales in China are estimated to reach 3 billion yuan,” said Wu Jian, an analyst with Alibaba Pictures
“The success can be attributable to the nearly 20 Marvel movies over the past 11 years. From that, the Marvel franchise has built up and retained a lot of Chinese fans.”
Brokerage Great Wall Securities said in a research note that the final ticketing sales of “Avengers: Endgame” could be as high as 4.8 billion yuan, which would make it the second best-performing movie in China after Wolf Warrior 2.
It would also be double of what its last sequel, “Avengers: Infinity War,” made in the country — 2.4 billion yuan in 2018.
In addition, the movie could be a boost to China’s motion pictures market amid Chinese consumers’ waning interest in going to cinemas this year, analysts said.
Total first-quarter box office takings in China is currently down 8 percent on year, despite strong performance from Chinese-made sci-fi movie “The Wandering Earth” and help from the recent Chinese New Year holiday.
Movie box office revenue in China rose 9 percent last year to 61 billion yuan, slower versus the previous year, as the government cracked down on tax evasion in the industry and tightened rules on content.
The early screening has also created a lot of buzz on Chinese social media, which some fans cautioning others against posting spoilers.
“But with people paying more than 200 yuan to watch the movie at midnight, what do you expect them to do if they don’t post spoilers to show off?” joked one commentator on Weibo, China’s version of Twitter.

Main category: 
Avengers assemble for final battle in ‘Endgame’‘Avengers: Infinity War’ sets Marvel record on opening night http://bit.ly/2XFXZvd April 25, 2019 at 12:27PM

الأربعاء، 24 أبريل 2019

What We Are Reading Today: Jefferson’s Legal Commonplace Book by Thomas Jefferson

Author: 
Wed, 2019-04-24 21:46

As a law student and young lawyer in the 1760s, Thomas Jefferson began writing abstracts of English common law reports. Even after abandoning his law practice, he continued to rely on his legal commonplace book to document the legal, historical, and philosophical reading that helped shape his new role as a statesman. Indeed, he made entries in the notebook in preparation for his mission to France, as president of the US, and near the end of his life. 

This authoritative volume is the first to contain the complete text of Jefferson’s notebook, says a review on the Princeton University Press review. With more than 900 entries on such thinkers as Beccaria, Montesquieu, and Lord Kames, Jefferson’s Legal Commonplace Book is a fascinating chronicle of the evolution of Jefferson’s searching mind.

Unlike the only previous edition of Jefferson’s notebook, published in 1926, this edition features a verified text of Jefferson’s entries and full annotation, including essential information on the authors and books he documents. 

In addition, the volume includes a substantial introduction that places Jefferson’s text in a legal, historical and biographical context.

Main category: 
What We Are Reading Today: Air Traffic by Gregory PardloWhat We Are Reading Today: Red Meat Republic by Joshua Specht http://bit.ly/2IPc7hw April 24, 2019 at 07:51PM

Gwyneth Paltrow, Karen Gillan wear Arab jewelry to LA premiere

Influencer invasion as Pakistan launches tourism push

Author: 
AFP
ID: 
1556100512991340700
Wed, 2019-04-24 10:07

ISLAMABAD: They are young, Western, and full of praise for Pakistan: Travel influencers have moved in on the “land of the pure,” but critics warn their rose-tinted filters are irresponsible and sell an inaccurate picture of the conservative, militancy-scarred country.
As security improves, cricketer-turned-prime-minister Imran Khan is keen to promote the nation’s tourism potential, with the government claiming it has eased visa restrictions for many foreign visitors.
The push has resulted in an influx of foreign travel bloggers extolling the virtues of its mountains and beaches, as well as its rich heritage and history, from ancient Indus civilizations to Buddhist shrines and Islamic monuments.
“Pakistan, it was the trip of a lifetime,” food and travel YouTuber Mark Wiens told his four million subscribers.
Polish blogger Eva zu Beck informed her followers it could “become the number one tourist destination in the world,” while Canadian social media influencer Rosie Gabrielle said she wanted her stories to “tell the truth” about the country.
But there are concerns influencer content does not reflect the major challenges, from infrastructure to extremism, that Pakistan is facing as it embraces modern tourism.
Zu Beck, whose clip was even shared by officials, cites government commerce initiative Emerging Pakistan, as well as Pakistan International Airlines as partners she’s worked with, while Wiens credits tourism expo Pakistan Travel Mart for “making the amazing trip happen.”
Gabrielle says her 3,500-kilometer motorcycle trip across the nation was facilitated by a Pakistani association in Oman.
Once seen as an essential stop on the hippie trail, visitor numbers have slumped since the 1970s when the country first underwent sweeping Islamization then descended into a bloody battle with militancy.
Deadly attacks still occur but security concerns are easing, so authorities and businesses are keen to shake the perception it is a hostile and dangerous place.
They are enthusiastic that so-called social media “influencer” advertising, which generally provides glossy snapshots rather than in-depth investigation, can present an alternative vision of Pakistan to a new generation of young and adventurous travelers.
“People believe them,” says Pakistan Travel Mart CEO Ali Hamdani, who helped set up Wiens trip, adding that bloggers’ impressions are regarded as “authentic.”
Yet Pakistanis and seasoned foreign travelers warn such posts on social media do not paint a full and honest picture of Pakistan.
Tourism infrastructure is severely underdeveloped, there are opaque government restrictions on places foreigners can visit, and travelers are often harassed — whether by men bothering women in a patriarchal society; or suspicious intelligence officials detaining curious sight-seers or insisting on security escorts.
“All this ‘Everything is wonderful in Pakistan’ is just irresponsible,” reveals June, an indignant 51-year-old Briton who declined to give her last name, she had been harassed by a police officer during a visit to the northwestern Swat valley.
Influencers are shielded from many issues that ordinary visitors face, adds Zara Zaman, an attendee at a recent tourism summit in Islamabad.
“All of these travelers are also traveling with crews and are protected by more powerful people,” she argues.
Hamdani, for example, acted as a driver for both Wiens and another influencer, Trevor James, during their visits, smoothing out any issues.
Zu Beck and Gabrielle, were able to visit the southwestern province of Balochistan — famed for its spectacular scenery, but also for violent insurgencies, which means few foreigners are able to visit without the blessing of intelligence agencies.
What influencers publish “doesn’t represent the real experience,” warns Alexandra Reynolds, an American blogger on her fifth trip to Pakistan, adding that there is a risk that less experienced travelers will be misled by such content and potentially end up in trouble.
“In a time when Pakistan’s international reputation is so fragile, it is not something that should be risked,” the 27-year-old explains, revealing that she too experienced harassment from security forces during a previous trip.
Another tourist Sebastiaan, 30, says he was detained for 14 hours and questioned by suspicious government agents in the southern city of Mithi last September.
There is also frustration from Pakistanis that Western bloggers have been feted by authorities, while locals with better cultural understanding — especially of sensitive issues such as gender or blasphemy — are sidelined.
“It kinds of makes me angry to have white people represent us. We are not completely done with our post-colonial hangover,” says Zaman.
At the tourism summit a group of the Western bloggers were widely photographed meeting Imran Khan, with no local travel influencers in sight, prompting a backlash on social media.
Despite concerns, the bloggers remain enthusiastic.
Zu Beck, 27, has gained a huge following in Pakistan, where a local phone company has sponsored some of her videos.
She insists: “My job is not to love Pakistan. My job is to make content. But I love Pakistan.”

Main category: 
Pakistan eases visa rules to ‘heaven for tourists’Pakistan plans to relax visa policy in bid to revive tourism http://bit.ly/2IYXoAq April 24, 2019 at 11:58AM

Hoda Barakat wins Arab Booker for ‘The Night Mail’

Author: 
AFP
ID: 
1556099845701305900
Wed, 2019-04-24 09:44

ABU DHABI: Lebanese author Hoda Barakat has won the Booker international prize for Arabic fiction for her novel “The Night Mail.”
She will receive $50,000 and the five other authors who reached the final short-list will each receive $10,000, the organizers revealed late Tuesday.
Conceived in Abu Dhabi in 2007, the prize is supported by the Booker Prize Foundation in London and financed by Abu Dhabi’s Department of Culture and Tourism.
Born in Beirut, Hoda Barakat lives in Paris and has published several novels including “The Stone of Laughter” and “My Master and My Lover.”
“The Night Mail” is her sixth novel and has been translated into French.
Alongside the prize money, funds will also be provided for translating the book into English.
The novel consists of a series of letters by individuals “facing social misery and their own demons,” according to publisher Actes Sud.
Abu Dhabi, capital of the emirate of the same name, has become an increasingly significant cultural hub.
The city hosts the Louvre Abu Dhabi — the first museum to take the name “Louvre” outside France — which houses nearly 600 works in a futuristic building designed by French architect Jean Nouvel.

Main category: 
Second OIC festival in Abu Dhabi celebrates Islam to form new bondsSaudi Culture Ministry launches new fund to support local talent http://bit.ly/2GDdbDv April 24, 2019 at 11:07AM

الثلاثاء، 23 أبريل 2019

What We Are Reading Today: Red Meat Republic by Joshua Specht

Author: 
Tue, 2019-04-23 21:07

By the late 19th century, Americans rich and poor had come to expect high-quality fresh beef with almost every meal. 

Beef production in the US had gone from small-scale, localized operations to a highly centralized industry spanning the country, with cattle bred on ranches in the rural West, slaughtered in Chicago, and consumed in the nation’s rapidly growing cities. 

Red Meat Republic tells the remarkable story of the violent conflict over who would reap the benefits of this new industry and who would bear its heavy costs, says a review on the University Press website.

Joshua Specht puts people at the heart of his story — the big cattle ranchers who helped to drive the nation’s westward expansion, the meatpackers who created a radically new kind of industrialized slaughterhouse, and the stockyard workers who were subjected to the shocking and unsanitary conditions described by Upton Sinclair in his novel The Jungle. 

Specht brings to life a turbulent era marked by Indian wars, Chicago labor unrest, and food riots in the streets of New York.

Main category: 
What We Are Reading Today: Air Traffic by Gregory PardloWhat We Are Reading Today: Maybe You Should Talk to Someone by Lori Gottlieb http://bit.ly/2PpHsIQ April 23, 2019 at 07:11PM

Kate Beckinsale flaunts Lebanese look in New York

Tue, 2019-04-23 16:15

DUBAI: British actress Kate Beckinsale appeared on “The Tonight Show Starring Jimmy Fallon” last week wearing a flirty cocktail dress by Lebanese designer Georges Chakra.

The one-shouldered, form-fitting black dress featured white ruffles on the neckline and shoulder and was styled with simple black Louboutin pumps and loose, wavy hair.  

“Stunner @katebeckinsale (on) ‘The Tonight Show with Jimmy Fallon’ in a #GeorgesChakra black-and-white ruffled mini cocktail dress from the 2018 Spring/Summer couture collection,” the fashion house posted on Instagram.

While on the late-night talk show, Beckinsale threw caution to wind and played one of Fallon’s long-running games, “Can You Feel It?”

The segment involves Fallon and his guest having to guess what an item is by feeling it inside a box.

The audience was in hysterics as both Beckinsale and Fallon were forced to caress a human foot in the final round of the game.

Beckinsale was on the show to promote her new show, “The Widow,” which is airing on Amazon Prime.

The series stars Beckinsale as Georgia Wells, a troubled woman whose life is turned upside down when she suspects that her husband, who she previously believed had died in a plane crash in Africa, may actually be alive.

She travels to Africa to find him and encounters countless dangers along the way.

“Georgia Wells is a really complicated character. I think of her as the unluckiest person in the whole world. She either has everything bad happen to her or nearly bad happen to her,” Beckinsale told the Los Angeles Times in a recent interview.

“It was a very emotionally intense role, a grueling six-month shoot in South Africa. People that you’re working with are seeing you sobbing and suffering hours and hours a day,” she added about the experience.

Beckinsale isn’t the only celebrity to appear on “The Tonight Show Starring Jimmy Fallon” wearing an outfit by a Lebanese designer this week.

Canadian model Winnie Harlow was spotted wearing a deep blue mini dress by Elie Saab when she visited the show over the weekend.

The model showed off a richly hued dress, complete with an asymmetrical ruffle, from the designers ready-to-wear Autumn/Winter 2019-20 collection. She paired the dress with matching over-the-knee boots.

 

 

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http://bit.ly/2Py7qdr April 23, 2019 at 02:17PM

Film review: Ghost story falls frightfully short on scare factor

Tue, 2019-04-23 15:26

CHENNAI: Cinema has long had a strange fascination for ghost stories, particularly since the blockbuster horror movie “The Exorcist” in 1973.

But try as they might, writers and directors have consistently failed to come up with anything fresh other than the standard jump-scares and hideous female spirits with blood-red eyes and disheveled hair.

Director Michael Chaves – known for shorts such as “The Maiden” and the TV mini-series “Chase Champion” – has now transitioned to fiction features with “The Curse of La Llorona,” a fright film that offers very little in the way of novelty.

A quick opening scene of a young woman drowning her two sons to punish her straying husband, establishes a 17th century Mexican folktale.

Viewers are then transported to 1973 Los Angeles, where recently widowed child protection worker Anna (Linda Cardellini) gets involved in the case of a mother, Patricia Alvarez (Patricia Velasquez), who keeps her two boys locked up.

Anna rescues them but then finds them dead before the next dawn. They have been drowned, and Anna recalls Alvarez ranting about the supernatural La Llorona.

Anna herself has a boy and a girl, and she remembers Alvarez’s fear about the tale of La Llorona who, consumed by guilt, roamed the land in search of children to take the place of her own dead sons.

Screenwriters Mikki Daughtry and Tobias Iaconis take the easy way out by peppering the plot with coincidences and unconvincing situations.

Even the film’s 93-minute run time seems stretched with flickering bulbs, creaking doors and howling winds adding little to the scare factor.

And then there is the movie’s conflicts between science and superstition, and the church and sorcery. The link is clumsy and the film pales in comparison to some others in the genre such as “The Woman in Black,” which had a similar theme but was executed with much greater perfection.

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Movie review: Netflix retells story of Bonnie and Clyde in ‘The Highwaymen’Film Review: ‘Capernaum’ justifies the hype on its GCC debut http://bit.ly/2vhoVVR April 23, 2019 at 01:29PM

Russian ‘calligrafitti’ artist seeks to merge the world’s languages

الاثنين، 22 أبريل 2019

What We Are Reading Today: Air Traffic by Gregory Pardlo

Author: 
Mon, 2019-04-22 22:12

Air Traffic is a courageously written book that chronicles among other things Gregory Pardlo’s complex relationship with members of his family, particularly his father and younger brother.

Gregory Pardlo’s father was one of the thousands of air traffic controllers fired in 1981 by President Ronald Reagan. The author examines the ramifications of the episode on his family’s legacy, then expands to consider questions of race, addiction and fatherhood.

Pardlo “is a talented writer and he examines so many issues in this memoir — race, economics, manhood, addiction, family and sibling relationships, marriage and parenthood,” says a review published in goodreads.com. A review published in The New York Times, Janet Maslin said: “The book is centered on the troubled relationship between the author and his father, although it roams freely in many other directions ... Simple description does not do Pardlo’s story justice; only his own sublime words can achieve that.” The review added: “When Pardlo won the Pulitzer in 2015 for his collection Digest, the citation praised his ‘clear-voiced poems that bring readers the news from 21st-century America, rich with thought, ideas and histories public and private.’ Replace the word ‘poems’ with the word “essays,” and you have an apt description of the second part of Air Traffic.”

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What We Are Reading Today: Democracy and Dictatorship in Europe by Sheri BermanWhat We Are Reading Today: Racial Migrations by Jesse Hoffnung-Garskof http://bit.ly/2GAC171 April 22, 2019 at 08:17PM

Inside Marvel’s biggest movie yet

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Mon, 2019-04-22 12:16

DUBAI: For the stars of what could well become the biggest movie ever made — “Avengers: Endgame,” the culmination of 11 years of Marvel storytelling, which opens in GCC cinemas April 24 — there is one rule: You do not talk about “Avengers: Endgame.”

The walls of secrecy surrounding the project are impenetrable. After the last installment of the series, “Avengers: Infinity War,” ended with a shocking twist, leaving half of the Avengers — and the universe at large — dead, fans were anxious to find out what happens next. On their latest world tour to support the film, Scarlett Johansson (Black Widow) and Paul Rudd (Ant-Man) have turned volleying “Endgame” questions back into a sport.

“I’ve gotten real jaded about it. Now I’m really mean about it. I’m just like, ‘Next!’” Johansson tells Arab News.

“In the beginning of this press tour, we would try to skirt around it in these cute ways.” she continues.

“We’d be apologetic about it,” says Rudd.

“We’ve gotten really rough around the edges,” says Johansson.

“We all know the story. We can’t say anything! It’s hard for us but it’s harder for you. It’s tricky. I feel like early on I decided, what should we talk about?” says Rudd.

“We can talk about other stuff, like manscaping,” says Johansson.

“I’ll never not talk about that!” adds Rudd.

Since the Marvel Cinematic Universe (MCU) kicked off in 2008 with the release of the first “Iron Man “with Robert Downey Jr., it has evolved, turning characters from footnotes to phenomena. Johansson joined Downey in 2010’s “Iron Man 2” to play Natasha Romanoff, aka the Black Widow, a deadly assassin turned S.H.I.E.L.D. agent. “Avengers: Endgame” will mark her eighth film as the character.

“It’s unprecedented (in cinema) to get the opportunity you really only get working on a very successful TV show — to be able to play a character for a decade of time. We’ve had this luxury of going away and doing other work, and then coming back to these movies, so we’ve all kind of grown,” Johansson tells Arab News.

“I can only speak for my experience, but I feel I’ve grown very much as an actor. I don’t believe I could have played this character in its current state, and certainly as you see her in ‘Avengers: Endgame.’ This is just the right time in my life to be able to play a character that’s fully realized like this, and it very much echoes my own journey as an actor or as a person. Who could have ever imagined that this would be so explosive? It’s crazy. It’s mind-blowing.”

Chris Hemsworth, who first played Thor, a character rooted in Norse mythology, in 2011 and is also about to reach his eighth film, began, as much of the cast did, as a fan.

“The first time that the Marvel universe came into my universe back in Australia, I was sitting there, straight out of high school, watching ‘Iron Man,’ thinking, ‘Oh my god, imagine. I wish I could be a part of that world.’ And then a few years on, getting cast in it as Thor, having the opportunity to embark on it. At the time I was wondering if this film even going to make it past DVD into the cinemas? Was I going to be recast?”

Like Johansson, Hemsworth also feels his portrayal of his character has improved with each film. With 2017’s “Thor: Ragnarok,” Hemsworth believes he found his voice as the Norse god of thunder, finally able to put his own stamp on it, working with director Taika Waititi in a looser, more improvisational style. The film — a hit with both critics and audiences worldwide — revitalized the character. With “Endgame,” that tone is likely to continue, Hemsworth tells Arab News.

“There was more improvisation in this than the previous one (“Avengers: Infinity War”). The stakes were as high as they could be, but we found a great way to have another version, or more growth in the character, and found something unexpected again. That was so much fun. I’m very thankful that it happened this way, to finish strong, as opposed to the other way around,” says Hemsworth.

Paul Rudd joined the MCU with 2015’s “Ant-Man,” playing Scott Lang, a petty criminal who finds a suit that allows him to grow and shrink at will. Rudd has been the same reliable comic presence he has been since “Clueless” (1995) and “Anchorman” (2004), and if trailers can be trusted, his inclusion in “Avengers: Endgame” will add levity to the serious emotional weight the film promises.

Rudd has enjoyed digging deeper into Lang in each subsequent MCU appearance, also citing Hemsworth’s evolution as Thor as one that he admires.

“Sometimes you finish a movie and when you’re done filming it, you think ‘Oh, now I’d like to start it, because I finally have a sense of the character.’ In this one, there’s several chances,” he says. “Characters morph and grow, as we do as people. I’m different from who I was three years ago or four years ago. You get to know the character more, you get to know the world more, the other actors better, and as a result you get to go even deeper with the character.

“I look at Thor in the first movie and then in ‘Thor: Ragnarok,’ and what a crazy amazing journey that character has been on,” he continues. “These films provide the opportunity to explore many different facets of the character.”

As much as the respective performances have evolved during 11 years of the MCU, the cultural landscape and conversation around gender has also moved forward, with audiences much less likely to tolerate female characters who are token or one dimensional. Johansson’s Black Widow has evolved with the times.

“The character started as sort of a sexy secretary with a skillset on the side. We didn’t know, or certainly I didn’t know, how the audience would react to the character, my interpretation of the character, who was obviously a beloved character for a long time. I feel the next time we saw her in ‘Avengers’ (2012) she was sort of one of the boys, for better or for worse, and that made sense then,” Johansson says.

“As the fans and the audiences have pushed Marvel and all the studios and filmmakers to really throw up on the screen what represents what’s going on in the zeitgeist, and wanting to see diverse films and casts that represent their own aspirations and how they feel, the character has sort of grown in reaction to that,” she continues. “And the movies have grown in reaction to that fan encouragement.”

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Stan Lee’s work was introduced to the Arab World in the 70s — and his fanbase has grown ever since‘Avengers: Infinity War’ sets Marvel record on opening night http://bit.ly/2Xs1nd0 April 22, 2019 at 10:23AM

Ahmad Samer Al-Adl named ‘King of Drift’ in UAE qualifier

Mon, 2019-04-22 11:54

DUBAI: The UAE qualifiers for Red Bull Car Park Drift 2019 took place on April 12 on a circular course in the rooftop car park of Dubai Marina Mall.

UAE-based Egyptian driver Ahmad Samer Al-Adl came first out of 17 participants with an overall score of 342 points — an impressive total on the technically challenging course designed by pro drifter and Red Bull athlete Ahmad Daham, who won the event’s regional finals two years in succession in 2014 and 2015.

“It’s the first time we’ve done this on a rooftop,” Daham told Arab News. “It was inspired by Tokyo Drift — the way they do it in Japan. It was very tight, very technical. There was no margin for error. Anyone who made a mistake, crashed.

“So it didn’t depend on the car; mostly it was dependent on the skill of the driver,” he continued. “Which is the way we wanted it, to give people who don’t have money to build good cars a chance to be able to win it.”

Al-Adl’s closest challengers included Lebanese drivers Mohammad Chehab (283 points) and Ayman Bou Fakhreldine (333 points), and Jordanian drifter Fadi Abu Shehadeh (301 points). Al-Adl will now go on to represent the UAE at the 2019 Red Bull Car Park Drift finals in Istanbul on September 1.

Daham said Al-Adl is “one of the best drivers in the region.”

“His car was perfect for the track — it’s not a very high horsepower car. It’s small and short. But he was technically very good too,” Daham explained. “He’s getting better every year.”

Daham is well-aware of what it takes to win such contests, having won four Middle East drift championships himself. Indeed, later this year he is one of just five drifters worldwide to be invited to take part in this year’s Goodwood Festival of Speed in the UK. And next month he’s heading to Europe to compete in the Drift Masters European Championship — regarded as one of the toughest competitions around.

Before Red Bull Car Park Drift’s September final, the Middle East will host more qualifying rounds, including Lebanon (May 4 and 5), Jordan (August 16), and Saudi Arabia — although a date has yet to be announced for the latter.

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‘Camaro King’ Al-Jarba crowned Saudi drifting championAl-Jarba wins Saudi Star Drifting Championship http://bit.ly/2IAsvmy April 22, 2019 at 10:00AM

The Atassi Foundation offers a different perspective on Syria

Mon, 2019-04-22 11:42

DUBAI: “We need to tell the story of Syria in a very different way,” says Shireen Atassi, the Dubai-based director of the Atassi Foundation. “A way far from the destruction, which is not us and does not represent us.”

A family-run, independent, non-profit initiative, the Atassi Foundation was established in 2015 with the core objective of promoting Syrian art through the expansive collection of Atassi’s parents, Mouna and Soudki.

Encompassing a wide spectrum of narratives and themes, the breadth of the foundation’s collection is remarkable; comprising nearly 500 artworks produced by over 80 modern and contemporary artists, including Fateh Moudarres, Mahmoud Hammad, Louay Kayyali, and Tammam Azzam. The Atassis began their collection of paintings, sculptures, and photographs — which is predominantly from Syria, but includes works from neighboring Lebanon, Palestine, and Iraq — in the 1980s.

They relocated to Dubai in 2012, following the outbreak of civil war in Syria in 2011, and managed to ship the entire collection out of their homeland — a “painful process,” according to Atassi.

Her own appreciation of art began at an early age. “During the 1980s, my mother was a gallerist and bookshop owner in Homs,” she explains. “I was a pre-teen then and so, I lived with all this art. Painters and poets like Fateh Moudarres and Adonis visited us at home and I enjoyed listening to their conversations.”

So it made sense that, despite spending more than two decades working in the corporate world, Atassi would head up the foundation. “It was not an easy move from the corporate to the art world, but I made the leap and I have never been happier,” she says.

Since 2015, the foundation has organized four exhibitions, commencing with its inaugural debut at Art Dubai in 2016 when a selection of vibrant, folklore-inspired glass paintings by Damascus-born Abu Subhi Al Tinawi (1888-1973) was showcased in “A Syrian Chronology.” The next two exhibitions were hosted by Dubai’s contemporary arts hub AlSerkal Avenue: “Syria: Into The Light” (2017), focusing on portraiture and “In the Age of New Media” (2018), displaying emotionally charged works that provide insight into how contemporary Syrian artists portray classical themes in a modern manner.

The Atassi Foundation’s most recent exhibition, “Personal Revolutions: Women Artists from Syria,” which ran at AlSerkal until April 8, was timed to coincide with Women’s History Month and pays homage to Syria’s unsung female artists, with works that date from 1950 until today. It depicts the evolution of how female artists have expressed themselves and the ever-changing world around them. Inspiring, diverse, and often confrontational, the artworks start with charming traditional portraiture by 20th-century painters including Hala Kouatly, Asma Fayyoumi, and Dorrieh Fakhoury Hammad and end with bold, contemporary works by multidisciplinary artists Alina Amer, Laila Muraywid, and Randa Maddah, among others, tackling the complexities of war, memory, and the female body.

“The inspiration behind this show was to celebrate Syria’s female artists, many of whom were not celebrated during their lifetime. Usually, in the modernist era, their male counterparts — like Fateh Moudarres and Elias Zayat — took the lead. We were asking ourselves, ‘Where are the female artists?’ They were as productive as their male contemporaries. We also wanted to tell the story of how today’s young generation of female artists managed to revolt through their powerful works,” Atassi explains.

Aside from educating audiences on Syrian art and history through exhibitions, the pursuit of research remains another major focus of the Atassi Foundation, commissioning professional scholarship and archiving rare, endangered documents and materials related to Syrian art.

“As a foundation, whatever we do needs to tick a number of boxes,” Atassi says. “We need to preserve, and we need to tell stories that have not been told. The world has just discovered Syrian art, thanks to Christie’s Dubai and Arab-focused galleries like Ayyam Gallery, who have done a wonderful job bringing Syrian art into the light. But more can be done, and so what we do is dig deeper through long-term research as the basis of our exhibitions.”

It is a delicate process to promote Syrian art and culture after all the tragedy the country has endured since 2011. But Atassi believes that visual art can allow Syria to be (re)observed in a more hopeful and refreshing way. “I think it was a way for us to resist what was going on in Syria,” she says. “It was our refusal to be sucked into that cycle of hatred and violence of the war. We felt the responsibility because we had the resources, the artworks, the knowledge and the network to tell the story of Syria in another way. Syria is not entirely about the war, (Daesh), or Bashar Al Assad; we also have a variety of narratives that can be told through art history.”

A number of exciting projects are in the pipeline too, she says: A potential show in Europe, and the upcoming online launch of MASA (Modern Art of Syria Archive).

Atassi simply hopes that the foundation’s ongoing endeavors will encourage enquiry into Syrian art and culture.

“The most beautiful encounter I can have as director is when a curator or an enthusiast visits our exhibitions and asks to get in touch with our exhibiting artists,” she says. “Building connections is important to me, and since I don’t sell any of our artworks, my role is to work as a (conduit) for researching and showcasing the essence of this nation and its history.”

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Samir Rafi show puts surrealism in the spotlightHIGHLIGHTS from ‘Personal Revolutions’ http://bit.ly/2Xs1gy6 April 22, 2019 at 09:49AM

Inside Jeddah’s newest creative hub

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Mon, 2019-04-22 11:33

DUBAI: Saudi Arabia is undergoing a well-documented cultural progression, part of which is championing up-and-coming artists. Contemporary and traditional designers now have a new creative space in Jeddah, thanks to Art Jameel — the Saudi foundation that has patronized artistic and educational initiatives in the Arab world since 2003.

Project Space Art Jameel, nestled in the heart of Jeddah’s historic Al-Balad district, is a dedicated workshop where artists can connect and collaborate. It provides traditional arts activities, houses a makerspace and will host a broader contemporary arts program of workshops, exhibitions, talks and events curated by Art Jameel and its partners.

Fatima Mazeh, programs manager at Art Jameel Jeddah, told Arab News that Project Space Art Jameel will focus on traditional arts and contemporary projects.

“The area is deprived of workshops that can help artists in making their projects,” explained Mazeh. “This maker space will make it easier for them to execute their projects.”

Mazeh expects Project Space to be busy. “Saudi Arabia’s art scene is growing and opening up more and more thanks to the support of the Ministry of Culture,” she said.

While the creative hub officially launches on April 29, Project Space is currently open to Art Jameel students. Many of them are already utilizing the workshops to create their artistic offerings, with a particular focus on woodwork and ceramics.

Located on the ground floor of a contemporary building next to the famous Jamjoom House, and a stone’s throw from fellow Art Jameel venue Jameel House of Traditional Arts / Jeddah, Project Space underwent a six-month renovation and fit-out with machinery and equipment for makers and craftspeople.

“We do a lot of traditional art at our center and part of the teaching of creative skills is to learn woodwork and ceramics,” said Mazeh. “Project Space gives artists a new space to use their mediums and a dedicated space solely for woodwork to allow them to work on their own in a traditional space without disturbing other classes we have going on in the center. The space has a really relaxed feel and is also a place to bond.

“Artists want — and need — new spaces to do arts and our location in the heart of Al-Balad is a very creatively inspiring area, because it is surrounded by old houses. It’s a traditional setting,” she continued. “It really is an ideal space for any artists who want a place — and a fresh location — to do their work.”

Project Space, like other Art Jameel activities across the Gulf, will feature regular exhibitions from local, emerging and established artists. Mazeh stressed that artists are welcome to approach Art Jameel personally about using any of the organization’s venues, including Project Space and the Jameel House of Traditional Arts.

Project Space had a ‘trial run’ in the UAE in 2018, before the opening of the Jameel Arts Center in Dubai. A temporary Project Space was set up in the city’s artistic hub, Alserkal Avenue, with a wide-ranging program of art exhibitions, studios, workshops and events. While some shows featured works from the Jameel Art Collection, others were developed in collaboration with partner institutions; research studios and educational initiatives aiming to bring together creative communities of all ages and nurture experimentation, dialogue and a discursive approach to art and art-making.

And Mazeh hopes that the first permanent Project Space in Jeddah will lead to the establishment of similar centers. “I would like to see Art Jameel centers like this all around the Kingdom,” she said. “Right now, this is just based in Jeddah but we would like this to be for people in all parts of Saudi.”

Project Space complements the Jameel House of Traditional Arts / Jeddah — a key pillar of Art Jameel’s pioneering work to preserve cultural heritage. The center for artisanship, architectural discourse and heritage preservation was established in 2015, in cooperation with the Saudi Arabian Society for Culture and the Arts and with a one-year craft and design program designed and delivered by the Prince’s Foundation School of Traditional Arts.

Craft modules from that program, including gypsum-carving and woodworking, will now take place in Project Space and constitute its core activities.

As well as Project Space and the Jameel House of Traditional Arts, other major Art Jameel activities in Jeddah are the Jeddah Sculpture Museum, and the upcoming Hayy: Creative Hub, a new 17,000-square- meter development. Located in a mixed-use area in the north of Jeddah, Hayy — derived from the Arabic word for neighborhood, thus reflecting the community oriented nature of the complex and the ways in which the partner organizations, which include art galleries, digital entrepreneurs, comedy clubs, cafés and more, are working together to present the full diversity of the arts — is currently under construction and is due to open some time next year.

The three-story contemporary development, which will bring together and nurture Saudi artists, playwrights, photographers, filmmakers, entrepreneurs and others, will act as a major new destination for Jeddah, bringing together a range of cultural experiences in one neighborhood. Programming will include exhibitions of modern and contemporary works from local and international artists; a digital hub for upcoming Saudi producers and directors; a professional theater plus performance spaces; and a rolling program of educational events for all ages.

Mazeh said these latest offerings in Saudi’s burgeoning art movement are testament to the Kingdom’s growing creative, entertainment and culture scenes.

“Everyone in the arts scene in Saudi is very excited about all the changes that are going on and happening around us. We call it a ’new Saudi’ now,” she said. “For example, I had never attended a concert anywhere in the world until two months ago in Saudi Arabia, when I went to a Sean Paul concert. All the changes that are happening around us... it is very exciting in terms of arts and culture.”

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Three generations of artists come together at Jeddah art fair Saudi gallery celebrates 10th anniversary with new art exhibition http://bit.ly/2IyufNi April 22, 2019 at 09:38AM

Irresistible Istanbul: Turkey’s cultural capital

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Mon, 2019-04-22 11:22

DUBAI: Although the bulk of Istanbul’s historic sites lie across the Golden Horn in Sultanahmet, there’s something magnetic about Beyoğlu. It personifies Istanbul’s confidence and economic energy, is at the heart of the city’s most exciting nightlife, and has acted as a battleground for Istanbul’s modern cultural identity.

It is also home to the city’s main commercial artery — Istiklal Avenue, a wide pedestrianized thoroughfare that stretches from the steep cobbled gradients of Galata to the vast open space of Taksim Square. For most of the year it is populated by an endless sea of people either wrapped up against the onset of winter or basking in the glory of spring and summer.

Beyoğlu is where you’ll find much that relates to the world of art and culture. Orhan Pamuk, the Turkish Nobel laureate and author of novels including “My Name Is Red” and “Snow,” lives and breathes the district’s neighborhoods. You can follow in his footsteps if you like, tracing your way from Sahaflar Carsisi, the used-book bazaar that he used to frequent as a child, to the The Museum of Innocence and its quirky minutiae of 20th-century Istanbul life. The latter was created by the author as a companion to his novel of the same name and is located in a 19th-century timber house in Cukurcuma.

Then there’s the food. Take Ficcin as an example. Spread across a number of venues on either side of Kallavi Street, this wonderful restaurant serves both classic Turkish cuisine and Circassian specialties. That means kofta, artichokes, grilled chicken and an aubergine salad with yoghurt and garlic, and specials such as manti (Turkish dumplings) and the dish that the restaurant is named after — a meat-filled savory pastry baked like a pizza.

If you’re looking to stay in the Beyoğlu area, not far from Ficcin is the Pera Palace Hotel, a late 19th-century masterpiece designed by the French-Ottoman architect Alexandre Vallaury. Renovated and refurbished just under a decade ago, its grand, high-ceilinged interiors are awash with dark reds, velvet and gold, while the colors of the lobby, tea lounge and library are deeper and richer than when Agatha Christie and a cavalcade of early 20th-century celebrities made it their hotel of choice.

A short stroll from the Pera Palace is the former medieval Genoese citadel of Galata, now known as Karaköy and lying at the southern end of Istiklal. Its central, striking feature is the Galata Tower, built by the Genoese in 1348 and a reminder of the wonder of Istanbul’s pre-Ottoman past. Karaköy’s steep cobblestone streets are sprinkled generously with cafés and boutiques selling everything from Orientalist soap tins to Turkish towels and there’s a relaxed, laid-back kind of vibe.

From Galata you can walk down to the shores of the Golden Horn, crossing the Galata Bridge towards Sultanahmet and the district of Fatih (once the Byzantine city of Constantinople). It is here that you’ll realize the full impact of Istanbul’s allure. In peak holiday seasons it will be almost impossible to move within the maze of alleys that make up the Grand Bazaar, a colossal covered market that covers 64 streets and has 22 separate entrances. It’s easy to get lost, which is part of the appeal, but with up to half a million people visiting every day it can get extremely claustrophobic.

For a more sedate experience (although expect queues), Sultanahmet is a UNESCO world heritage site and home to both the Hagia Sophia and The Blue Mosque. At the latter you can sit beneath the continuous vaulted arcade that surrounds the mosque’s great courtyard, or marvel at the grandeur of its interiors, while the former’s magnificent giant dome and stunning mosaics remind you of Istanbul’s Byzantine past.

All of Sultanahmet’s main historic attractions are within easy walking distance of each other, including the Topkapi Palace, with its lavish courts and holy relics, and the underground delights of the Basilica Cistern. The sites are also within 10 minutes’ walk or so of the Ajwa Hotel Sultanahmet, a fully halal luxury boutique hotel that first opened just under two years ago.

If you find the time, head to Pandeli. First opened in 1901, the restaurant is reached via a steep set of stairs near the entrance to the Spice Bazaar and is defined as much by its shimmering blue iznik tiles as it is by its traditional Turkish food. Expect views of Eminonu Square and delights such as lamb stew served on a bed of mashed roasted aubergine.

One thing’s for sure, visitors to Istanbul will not be bored. The many delights of this city straddling two continents could keep anyone busy for months. As the French poet and politician Alphonse de Lamartine wrote in the 19th Century, “If one had but a single glance to give the world, one should gaze on Istanbul.”

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Power and beauty: Foreigners snap up Istanbul’s iconic waterfront mansionsFairmont Quasar Istanbul scoops national, regional awards http://bit.ly/2XrWoZI April 22, 2019 at 09:27AM

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