الأربعاء، 28 فبراير 2018

French Beret return with force to Paris fashion

Author: 
AFP
Wed, 2018-02-28 20:24
ID: 
1519839024636891200

PARIS: What do Rihanna, Che Guevara nostalgics, and the Kardashian clan all have in common?
They are all bonkers about berets.
The Frenchest of hats is now also the hippest, with makers struggling to keep up with demand from everyone from pop stars to the crowned heads of Europe.
Since Dior’s Maria Grazia Chiuri sent out every one of her 68 models wearing one in her first autumn winter show last March, the humble Pyrenean shepherd’s hat has become the epitome of cool.
“I love berets because they’re the T-shirt of hats,” said Stephen Jones, the British master milliner who helped create the cult Dior line for Chiuri.
“Young, old, rich, poor, male, female — the beret suits everybody,” he said.
The black leather Dior version Rihanna wore to the show with such badass Black Panther attitude flew off the shelves and now sells for $999 (812 euros) on eBay.
Style icons as diverse as the Hadid sisters, the Jenner-Kardashians, the Duchess of Cambridge — a longtime fan — Meghan Markle and Princess Charlene of Monaco have all been photographed sporting berets.
Fashion critics also rejoiced at the beret’s revival with The Guardian declaring that it “may finally free us from our beanies.”
Gucci and Marc Jacobs have also got in on the act, while Laulhere, the last historic French beret maker, has been at full stretch to keep up with demand.

It has even opened a shop in Paris’ ritzy Rue St. Honore between Hermes and Prada, where sales manager Mark Saunders said some of “our bestsellers, which are covered with pearls or finished in extraordinary leathers and satins, retail at between 450 and 500 euros.”
Its more traditional “heritage” felt berets made to protect Basque and Bearnais peasants from winter snow and the summer sun sell for a much more modest 35 euros.
But retailer Sebastien Reveillard said such is the demand from fashionistas that he can never keep enough of them at his Paris est Toujours Paris (Paris is always Paris) boutique in the French capital.
“Many customers buy two and three at a time. They cannot make them fast enough for us to sell them,” he told AFP as Paris fashion week began in earnest Tuesday.
“We have sold out of some colors and if I could get my hands on more I would sell them too. Everybody — young and old — wants them.
“Not only is the beret always chic, but you can wear them for every occasion. And they last forever, the Laulhere ones are made for life,” he added.
Saunders admitted that the modest Laulhere factory, which nestles in the foothills of the Pyrenees at Oloron-Sainte-Marie, is stretched, but insisted that there were no quick fixes to meet demand.
“It takes two days to make a beret and there is an incredible amount of hand work involved. It is a very complicated process, 80 percent of it by hand.

The felting process alone takes between 11 and 18 hours, Irish-born Saunders said, using the “water from the Gave d’Aspe river right next to the factory.
“It is not easy recruiting people in such a rural area but if we moved the factory somewhere else we would not have the water which is full of minerals from the mountains.
“When you touch a finished beret you can feel them, and we would lose that.”
Saunders said the beret’s renaissance is no passing fad, but has been gathering since its present owners, Cargo, rescued Laulhere from the brink of bankruptcy in 2012.
“We realized we had something quite amazing in our hands, something that was both a fantastic fashion and luxury item which also had an incredible history and cultural importance.”
Having more than doubled the workforce to 55, Laulhere last year sold more than 300,000 berets.
With stores in Japan, South Korea, Hong Kong and now China clamouring for its hats, Saunders said this year they will sell even more.
“We have calls every day from shops all over the world,” he said.
Reveillard said the beret’s timeless appeal was because they were “so hugely practical. You can wear it as a kind of cap, like the farmers do, backwards like Rihanna to show the label or sideways” at a rakish angle.
A fact that was confirmed when AFP questioned beret wearers on the freezing streets of the French capital.
Florence, a 33-year-old charity worker, said you “will never look like an idiot in a beret, unlike those people who wear woolly hats in cold weather.”
Twenty-one-year-old Zulu Cecile from Bordeaux said the beret was the quintessential symbol of French style. “It is lovely to wear, goes with almost everything, and is very fashionable at the moment. What is not to like?“

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http://ift.tt/2oun5xZ February 28, 2018 at 07:21PM

Lacoste swaps its crocodile for logos of endangered species

Author: 
AFP
Wed, 2018-02-28 19:41
ID: 
1519836337936620100

PARIS: French fashion brand Lacoste on Wednesday swapped the crocodile logo on its shirts for the first time in its history for 10 of the most endangered species on the planet.
The green Lacoste crocodile — one of the world’s best-known logos — was replaced by the Sumatran tiger, the Javan rhino and the Cao Vit gibbon on the chest of its classic white polo shirts in a limited edition charity tie-in with the Save Our Species conservation group.
All but a handful were sold out within hours of going on sale for 150 euros ($183) immediately after the brand’s Paris fashion week show.
The number of polo shirts put on sale was directly linked to remaining numbers of each threatened species surviving in the wild — with only 30 for vaquita porpoises and 231 for Californian condors.
Designer Felipe Oliveira Baptista also included camouflaged images of each of the endangered animals in the last 10 looks in his autumn-winter collection.
“I think it is a great thing to do, and feels very gratifying if we can do something for these animals,” he told AFP.
“Lacoste is one of the 10 more recognizable logos in the world with Coca-Cola and Apple.”
The Portuguese designer said he had to be careful about using the crocodile logo — which dates from 1933 — “with respect. I don’t like to plaster it everywhere. Either you be very classic with it or very original, and in this case it’s quite original I think.”
Lacoste’s crocodile logo still features on the back of the 1,775 shirts.
Oliveira Baptista said he took his inspiration for the main collection from the 50,000 trees the Lacoste family planted around their golf course at Saint-Jean-de-Luz in southwest France during World War II.
It was also a way of sparing local men from being sent to German forced labor camps, as forestry workers were exempt from conscription, he said.
The designer had Princess Diana and the English upper classes at play in mind when he began creating the collection, with some models wearing wellingtons with hunting ponchos and boonie sun hats on top of hoodies.
“I got inspired particularly by looking back at pictures of Lady Di: how she wore clothes that were high and low at the same time,” he added.
“I was looking for something timeless, something that would last more than six months.”

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http://ift.tt/2GQzgf7 February 28, 2018 at 06:39PM

Book Review: Cash in on a smarter way to think about money

Author: 
Lisa Kaaki
Wed, 2018-02-28 17:05
ID: 
1519815957334474700

As Swedish pop group Abba once informed us: “Money, money, money, must be funny, in the rich man’s world. Money, money, money, always sunny, in the rich man’s world.”
The entertaining book “Dollars And Sense: How We Misthink Money and How to Spend Smarter” does not tell us all the things we could do if we had a little money. Instead, authors Dan Ariely, a professor of psychology and behavioral economics at Duke University in Durham, North Carolina, and Jeff Kreisler, a Princeton-educated lawyer-turned-comedian, shed light on common mistakes we make where money is concerned and why we make them.
This book delves into the complex forces at work behind the money matters that consume our time and control our lives, and reveals how they can improve our financial affairs.
“Why? Because our decisions about money are about more than just money,” the authors write. “The same forces that shape our reality in the domain of money also influence how we value the important things in the rest of our lives: how we spend our time, manage our career, embrace other people, develop relationships, make ourselves happy, and ultimately, how we understand the world around us.”
We all think we know what money is but perhaps do not fully understand the role it plays in our lives. Money has no value in itself but represents the value of the things we can obtain with it. The process seems simple: you decide what you want to buy, you pay for it and it is yours. However, most buyers do not take into consideration the opportunity costs: the alternative benefits that could have been enjoyed but were given up when making a decision.
Ariely recalls visiting to a car dealership and asking potential buyers what they would giving up if they bought a new vehicle. Few of them had an answer because most people are solely focused on what they want to buy.
“We almost always fail to fully appreciate alternatives. And, unfortunately, when we fail to consider these opportunity costs, the odds are that our decisions are not going to be in our best interests,” according to the authors.
Financial tools and services such as credits cards, mortgages, car-leasing agreements and students loans often cloud our understanding of the future effects of spending money.
We often forget that all things are relative. A striking example of this is the case of US department store JCPenney. In 2012, new CEO Ron Johnson ended the chain’s practice of deliberately inflating the initial price of its products, then marking them down so they appeared to be bargains – even though the reduced prices were actually the same as those offered by other retailers.
The new policy of setting this realistic, lower price to start with was fair and transparent – yet customers hated it. They felt cheated and betrayed and sales slumped. In one year, JCPenney lost $985million – and the CEO lost his job.
“Think about that: JCPenney’s customers voted with their wallets and they elected to be manipulated,” the authors write. “They wanted deals, bargains and sales even if it meant bringing back inflated regular prices, which is exactly what JCPenney eventually did.”
As another example of real versus relative value, we often do not mind paying more for a bottle of water on the beach while on holiday, mostly because psychologically we feel the extra cost is nothing compared with the overall cost of the vacation.
How does all this relate to our desire to avoid the pain of paying? This, the authors explain, is the pain we feel not when we spend money, but when we think about spending it. The more we think about it, the more painful it feels. If we consume a product while thinking this way, the pain of paying can deeply affect the entire experience, making it less enjoyable.
There are ways to avoid the pain of paying. One is to pay in advance. Then there is no worrying about our enjoyment being spoiled by paying at the time of consumption. However, advance payment is less economical since the money is gone and no longer accumulating interest.
Paying after consumption hurts less, which is one of the main reasons why credit cards are so popular. They take advantage of our desire to avoid the pain of paying – we are less likely to remember the amount we spend if we pay with a credit card instead of cash.
“Credit cards are like memory erasers from a science fiction movie, but they live in our wallets” write the authors, who point out that studies have found people are more willing to pay when they use credit cards and tend to make bigger purchases.
“In other words, credit cards and even just the suggestion of credit cards, influence us to spend more, more quickly, more carelessly, and more forgetfully than we would otherwise,” they write. “In some ways, they are like a drug that blurs our ability to process information and act rationally…Their effect is deep and worrisome.”
Another common mistake many of us make is that we overvalue the things we own. The true value is a function of the utility and opportunity costs. Throughout their book, Ariely and Kreisler show how we all make many financial decisions but often do not take the time to think them through. When we do not know the true value of something, we are particularly susceptible to suggestion and misleading information, and so make the wrong decisions.
The responsibility, therefore, lies with each of us to become aware of our ignorance and limitations, and to improve our money habits so that we save and spend smarter, allowing us to live better lives.

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http://ift.tt/2FdIyou February 28, 2018 at 12:09PM

India says farewell to Bollywood icon Sridevi

Author: 
AFP
Wed, 2018-02-28 10:25
ID: 
1519812104304079100

MUMBAI: Thousands of heartbroken fans lined the streets of Mumbai Wednesday as India said farewell to Bollywood legend Sridevi Kapoor following her shock death from accidental drowning in a Dubai hotel bathtub aged just 54.
Some carried roses while others held photos of the late screen icon as they queued patiently to pay their final respects at a condolence service in the western Indian city.
“It’s a shock to believe that she is no more. We want to pay her one last visit today and thank her for all her wonderful performances,” Nandini Rao, a 32-year-old teacher, told AFP.
Legends of Hindi cinema, including actresses Aishwarya Rai and Kajol, were among the mourners at the Celebration Sports Club in the Andheri West area of Mumbai — the home of the Bollywood film industry.
Heavy security lined the streets to control the crowds, which included people who had traveled hundreds of kilometers to be there.
Several fans chanted prayers as Sridevi’s body was brought the short distance from her home to the club at 9:00 am (0330 GMT).
“I’m an avid Sridevi fan. I loved her smiling personality. She had such a commanding presence in the Indian film industry. Her death was so sudden and I feel terrible,” 45-year-old Kuldeep Singh told AFP.
Sridevi’s body is due to leave the ground at 2:00pm to embark on its final journey. She will be cremated at a private Hindu ceremony later on Wednesday.
Sridevi was considered to be one of the most influential Bollywood actresses of all time and her sudden death at the weekend sparked an outpouring of grief in India.
Tributes poured in from fans and fellow actors as well as Prime Minister Narendra Modi.
The star of hit films such as “Chandi” and “Mr India” drowned in her bathtub after losing consciousness late Saturday in a hotel in Dubai, where she was attending a wedding.
Police in the emirate said a post-mortem examination found that she had drowned after losing consciousness. On Tuesday they ruled out any foul play and released the body to Sridevi’s family.
It arrived back in Mumbai on a private jet on Tuesday evening, accompanied by her husband, the filmmaker Boney Kapoor, and her stepson, actor Arjun Kapoor.
Sridevi, born Shree Amma Yanger Ayappan in the southern state of Tamil Nadu, appeared in around 300 films and was awarded the Padma Shri, India’s fourth highest civilian award, for services to the movie industry.
She made her acting debut at the age of four and her career spanned more than four decades.
Sridevi worked in India’s regional Tamil, Telugu and Malayalam-language films before making her Bollywood debut in 1979.
She became a national icon with a string of blockbuster films including “Mawali” (“Scoundrel“) and “Tohfa” (“Gift“).
Sridevi took a 15-year break from the silver screen after marrying Kapoor but returned in the 2012 hit comedy-drama “English Vinglish.” Her most recent film was last year’s “Mom.”
Sridevi was set to see Jhanvi, the eldest of her two daughters, make her Bollywood debut in a movie scheduled for release later this year.

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http://ift.tt/2F4UNjT February 28, 2018 at 11:19AM

Dutch-Arab model Imaan lands Vogue Arabia cover with supermodel Iman

‘Disability is a state of mind’ says paralyzed Lebanese man about to walk 100km across North Pole

Author: 
TAREK ALI AHMAD | ARAB NEWS
Wed, 2018-02-28 15:20
ID: 
1519809752253882800

DUBAI: When he was just six-years-old, Michael Haddad, from Lebanon, lost the use of 75 percent of his body in an accident, now, 30 years later, he plans to walk 100 km across the North Pole to raise awareness of climate change.
Despite being paralyzed from the chest down in a jet-ski accident, Haddad has refused to allow his disability to stand in the way of him achieving what most would consider unachievable for a man with the use of just 25 percent of his body.
“Disability is not in my character, disability does not limit my performance, it is not in the body – disability is a state of mind,” Haddad told Arab news.
“All my life I was walking toward something – to deliver a message that nothing is impossible, and to tell people it’s time for us to act now,” he added.
As a man who has lost the use of three quarters of his body, Haddad is determined to prove to the world – for him at least – disability is merely a psychological barrier.
“I chose to walk, because they told me it was impossible for me to walk, and I chose to walk on ice because maybe impossible will become possible and maybe we could start having a change,” he said.
Using crutches to carry his lower body, Haddad places a lot of reliance on his pectoral muscles, which connect the front of the chest with the bones of the upper arm and shoulder.
“I am balancing myself… the small pectoral muscle is fully carrying my body…in each step I take I am carrying around 100 kgs,” he explains.
Haddad, who is Lebanon’s UN Development Programme climate change ambassador, chose the North Pole because “it is the only indicator of how climate change is a catastrophic reality.”
The expedition, called “A Walk for Humanity,” will also involve thorough scientific research.
A team of scientists and engineers monitoring Haddad are working on inventing specialized technology which could potentially provide solutions for other people with disabilities to be able to walk again.
His previous endeavors include taking 60,000 steps (19km) in Lebanon’s mountains to raise awareness of reforestation in 2013, climbing Beirut’s Raouche Rock in 2015 in a push against water pollution and threats to marine life, and a month later, he crossed the Black Summit to highlight climate change in snowshoes.
However, with all these unthinkable feats, Haddad says his greatest achievement was taking the first step – something he describes as the “base of it all.”

Strict training regime
In order to prepare for a walk that would take its toll on anyone, let alone a paralyzed man, Haddad undergoes hours of training every day.
“Swimming six days a week and walking every day, it’s the only aerobics he can do which gives him integration and fluidity and gives him a sort of synergy to keep his mobility high,” Haddad’s personal trainer Joe Ibrahim told Arab News.
Haddad also has to undergo obstacle courses that take him out of his comfort zone in order to get him used to the harsh conditions, as well as a fully-structured gym schedule.
“We start with something called cycle, whenever we have a challenge, the first stage will be an overall circuit on the skeletal muscles with no isolation on specific muscles – we work on the whole upper body for a month, month and a half,” Ibrahim said.
After this, Michael moves onto a split workout which focuses on two muscles – working his way to an isolation workout which is considered high in intensity and tension, the trainer explains.
Haddad’s latest challenge is now just a little over a month away and the world waits to see if he will defy all odds yet again.

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http://ift.tt/2BVvP7O February 28, 2018 at 10:36AM

New study finds diverse audiences drive blockbusters

Author: 
AP
Tue, 2018-02-27 03:00
ID: 
1519804636543676100

NEW YORK: Just as “Black Panther” is setting records at the box office, a new study finds that diverse audiences are driving most of the biggest blockbusters and many of the most-watched hits on television.
UCLA’s Bunche Center released its fifth annual study on diversity in the entertainment industry Tuesday, unveiling an analysis of the top 200 theatrical film releases of 2016 and 1,251 broadcast, cable and digital platform TV shows from the 2015-2016 season. Among its results: minorities accounted for the majority of ticket buyers for five of the top 10 films at the global box office, and half of ticket buyers for two more of the top 10.
Researchers found that minorities remain underrepresented in film leads (13.9 percent), film directors (12.6 percent), film writers (8.1 percent), broadcast scripted leads (18.7 percent), cable scripted leads (20.2 percent) and digital series leads (12.9 percent).
Many of those totals do represent some modest gains, especially when viewed across five years. (Minority leads on broadcast TV shows increased from 5.1 percent to 15.7 over the last five years, according to UCLA’s studies.) But other areas — especially behind the camera — have seen only slight or no improvement.
“There has been some progress, undeniably. Things are not what they were five years ago,” said Darnell Hunt, co-author of the report and director of the center, which focuses on African American studies, at the University of California, Los Angeles. “People are actually talking about diversity today as a bottom-line imperative as opposed to just the right thing to do. We’ve amassed enough evidence now that diversity does, in fact, sell.”
Minorities make up nearly 40 percent of the US population, but Hispanic and African-American moviegoers over-index among moviegoers. According to the Motion Picture Association of America, Latinos make up 18 percent of the US population but account for 23 percent of frequent moviegoers. Though African Americans are 12 percent of the population, they make up 15 percent of frequent moviegoers.
UCLA found that films with casts that were 21 to 30 percent minority regularly performed better at the box office than films with the most racially and ethnically homogenous casts.
Hunt believes that the wealth of data, as well as box-office successes like “Black Panther,” has made obvious the financial benefits of films that better reflect the racial makeup of the American population.
“I think the industry has finally gotten the memo, at least on the screen in most cases, if not behind the camera,” said Hunt. “That’s where there are the most missed opportunities.”
The report, titled “Five Years of Progress and Missed Opportunities,” covers a period of some historic high points for Hollywood, including the release of the best picture-winning “Moonlight,” along with fellow Oscar nominees “Hidden Figures” and “Fences.”
But researchers found the overall statistical portrait of the industry, while slightly improving on many counts, still trails far behind the entertainment audience.
“With each milestone achievement, we chip away at some of the myths about what’s possible and what’s not,” said Hunt. “Every time a film like this does really well, every time we see a TV show like ‘Empire,’ it makes it harder for them to make the argument that you can’t have a viable film with a lead of color. Or you can’t have a universally appealing show with a predominantly minority cast. It’s just not true anymore because the mainstream, itself, is diverse.”
Some of the largest disparities for minorities detailed by the UCLA report were in roles like film writers (8.1 percent of 2016’s top films), creators of broadcast scripted shows (7.1 percent) and creators of cable scripted shows (7.3 percent). Hunt blamed the lag behind the camera on, among other factors, executive ranks that are still overwhelmingly white and male.
“It’s a white-male controlled industry and it hasn’t yet figured out how to incorporate other decision-makers of color and women into the process. So you have these momentary exceptions to the rule,” said Hunt, pointing to “Black Panther,” which has grossed $700 million worldwide in two weeks of release.
Such films, he said, show the considerable economic sense of making movies and television series that don’t ignore nearly half of their potential audience.
“It’s business 101,” Hunt said.

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http://ift.tt/2CO6yZQ February 28, 2018 at 09:00AM

Lebanese fashion star Lana El-Sahely braves the cold for Dior’s Paris show

Author: 
AP
Tue, 2018-02-27 03:00
ID: 
1519803385473637200

PARIS: The subzero temperatures didn’t dampen Paris Fashion Week, which began with dark 80s atmospherics at Saint Laurent and a bright flower-power ode to female empowerment from Dior.
The event even saw Middle Eastern fashion stars brave the cold to see the new collection, with Lebanese fashion blogger Lana El-Sahely posing for photographers before the show.
Gabriella Wilde’s frayed silk Dior skirt was a little too diaphanous for the Paris winter weather. The British actress shivered at the Dior photo call before she quickly ducked inside to join Cara Delevingne and Dylan Penn.
A heaving mass of celebrities, editors and photographers soon thawed guests that had arrived at Paris’ Rodin Museum to see Dior designer Maria Grazia Chiuri’s latest artistic production.
The venue was emblazoned with mantras such as Hillary Clinton’s “Women’s Rights Are Human Rights,” providing a clue that Chiuri — the fashion house’s first female chief — would press ahead with the feminist themes that have proved the best-sellers from her previous collections.
The show — a brightly colored, patchwork-rich ode to flower-power, female empowerment and the ‘60s — didn’t disappoint. Orange shades and peaked dark cap hats mixed with check menswear jackets and assertive black thigh-high biker boots.
Abundant woolen looks — like a thick knit maroon dress with a cinched waist — captured the age of the awakening of women’s lib. And flowers were ubiquitous.
The program notes said Tuesday’s Dior collection marks 50 years since 1968 — the turning point of the civil rights movement — and the way in which Vogue magazine under Diana Vreeland mirrored that shift in a “sartorial revolution.”
The last look — a psychedelic column dress with embroidered tulle blooms in traffic-stopping reds, blues and yellow — took the concept of flower power into a whole new gear.

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http://ift.tt/2oulXdE February 28, 2018 at 08:44AM

Twice as nice: Barbra Streisand cloned beloved dog

Author: 
Reuters
Wed, 2018-02-28 03:44
ID: 
1519802641043608400

LOS ANGELES: “If we had the chance to do it all again, tell me would we, could we?” Barbra Streisand had a hit singing this question in “The Way We Were,” but when it comes to getting a new pet she does not have to wonder.
The “Funny Girl” singer and actress had her beloved 14- year-old Coton de Tulear dog Samantha cloned after her death in 2017, and now has two new pups.
Streisand told Hollywood trade publication Variety in an interview published on Tuesday that cells were taken from the mouth and stomach of Samantha.
“They have different personalities,” Streisand said. “I’m waiting for them to get older so I can see if they have her brown eyes and her seriousness.”
Streisand said that when the cloned dogs arrived, she dressed them in red and lavender to tell them apart, which is how they got their names — Miss Scarlett and Miss Violet.
The Oscar and Tony winning actress, 75, said that while waiting for their arrival, she became smitten with another dog who was a distant relation of Samantha.
The Coton de Tulear dog was called Funny Girl, but Streisand adopted her and gave her the name Miss Fanny, which is how Fanny Brice’s dresser refers to Streisand’s character in the 1968 movie musical that launched her career.
Streisand followed up “Funny Girl,” for which she won an Oscar, with “Hello Dolly!” but said she had never much liked the movie.
“I thought I was totally miscast. I tried to get out of it,” she told Variety. “I think it’s so silly. It’s so old-time musical.”

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http://ift.tt/2CO6vNE February 28, 2018 at 08:29AM

BAFTA-winning ‘Captain Phillips’ actor to star in UAE film

Author: 
ROB GARRATT
Wed, 2018-02-28 10:27
ID: 
1519792089603197800

DUBAI: How do you get an Oscar-nominated Hollywood star to act in your on-a-shoestring, independent GCC-produced movie? Quite simple – just ask.

In April, cameras will roll on set in the UAE filming “Beneath a Sea of Lights,” and leading the cast is Barkhad Abdi, a face familiar to millions for his turn alongside Tom Hanks in “Captain Phillips,” a BAFTA-winning performance which also earned nominations from the Academy Awards and Golden Globes.

First-time feature director Neel Kumar remembers tracking down the actor’s agent on website IMDB, and fancifully sending over a screenplay. “It was a complete shot in the dark,” he recalls. Within a week there was a reply in his inbox: Abdi was on board. “He said he had never read a story like this before,” adds Kumar.

Also newly signed for the project is Jim Sarbh, an overnight Bollywood sensation who last year won a string of awards – and picked up a Filmfare nomination for Best Supporting Actor – with his breakout role in tense thriller “Neerja.”

Such a cast is unmistakably a big deal for a regional film production, and a major vote of confidence in Middle Eastern moviemaking, so often overlooked by the Hollywood establishment. On March 4, Lebanon competes for the Academy Award for Best Foreign Language Film for the first time, with Ziad Doueiri’s “The Insult.” No GCC country has ever been nominated for the award – shockingly, and neither has traditional regional cinema powerhouse Egypt.

Kumar ranks among an emerging generation of GCC-based filmmakers who might one day change that. The Dubai-raised director already has plans to submit “Beneath a Sea of Lights” for consideration at the world’s biggest festivals, including Cannes, Venice, Berlin, and Sundance.

“We’re working with people of a caliber that deserve to be at those festivals, and I think we’re going to get performances which deserve to be there,” adds the 32-year-old filmmaker, who also serves as the project’s co-producer. “So, the very least we can do, as thanks, is aim for that level.”

The production follows the breakout success of Kumar’s 2016 short film “Security,” a directional debut which screened at festivals on four continents, picking up a string of award nominations – including Best Foreign Short from the Canada Shorts Film Festival – as well as a Special Festival Mention honor at the Mumbai Shorts International Film Festival.

“Security” tells the story of two security guards – one Indian, the other Pakistani – sharing lonesome sentry duties at a remote desert compound. Days go by with nothing but the desert winds, and their prejudices, for company. The concept was inspired by long nights that the insomniac Kumar spent drinking tea with the security guards at his own compound, after first buying them a kettle.

“Everyone has an opinion about Dubai – people expected to see skyscrapers and concrete, and they saw sand,” says Kumar, a Canadian citizen of Indian heritage. “There’s no other place this story could be told. Here you have Indians and Pakistanis together all the time – you go back to India and people’s [prejudiced] perception is just what the media tells them.”

“Beneath a Sea of Lights” will continue that look into the world of migrant workers embarking on a new life in the Gulf. Originally, the plan had again been to shoot in Hindi – a language Kumar, raised between the UAE, Canada, and Sri Lanka, speaks “very, very poorly” – with an Indian name actor playing the lead. But Bollywood proved too pricey for the film’s $650,000 budget. “There are Bollywood stereotypes for a reason,” laughs Kumar. “The first question we got was normally ‘how many songs are there?’”

Disenfranchised, Kumar suddenly hit upon an idea – switching the protagonist to an English-speaking African migrant. And he had just the actor in mind for the role. “I said ‘if money were no object, who would be the perfect actor?’,” he remembers, “and the first name we came up with was Barkhad’s.”

Abdi will play Caweys, a former Somalian farmer recently arrived in Dubai to work as a billboard repairman, who becomes overwhelmed by his new home and life. The role mirrors, to a certain extent, Abdi’s sudden overnight fame: The Somali-American actor was plucked out from hundreds of amateur actors for the part of pirate leader Abduwali Muse in Paul Greengrass’ “Captain Phillips,” and following the movie’s 2013 release, his life would never be the same again.

“The reason we cast Abdi was not ‘Captain Phillips’ – it was the interviews he gave afterwards on shows like Conan,” adds Kumar. “He just seemed like a fish out of water – but very happy to be there – which is exactly how I see this character just arrived in Dubai – that awed look just spoke to me.”

Penned by Kumar and co-writer Marina Litvinova, the 113-page screenplay develops as Caweys becomes increasingly fixated by the glamorous products his billboards promote and sets out to experience the firsthand reality of each image he works on: Taking a perfume sampler from the mall, trying an exotic ice cream flavor. “We’re trained to filter what adverts are for us, and which are not,” adds Kumar. “I’m not going to even look at the Ferrari advert.” Caweys lacks a filter, but instead possesses a dangerous curiosity.

The idea was sparked by Kumar’s early experience working as a copywriter in an advertising agency. When tasked with selling a luxury car he knew he could never afford, Kumar was still moved to visit the showroom for a closer look. The film pushes the concept further as Caweys descends a “slippery slope,” this urban drama develops the criminal elements of a heist movie.

“I don’t always agree with everything he does,” adds Kumar, who shares story credits with co-producer Umran Shaikh. “But every step of the way we asked ourselves: Do we understand why he’s doing this? The answer was always, yes.”

The project is a coproduction between Dubai’s Akela Films and Dejavu, in association with Alkatraz Media Services & Action Filmz. Kumar founded Akela eight years ago after walking away from a lucrative job at advertising behemoths Saatchi & Saatchi, and today balances commercial work alongside personal projects.

“As jobs go, advertising is probably the most fun you can have – but it’s still a job,” he adds. “I wanted to tell stories. The urge was always in me to make a movie – I just didn’t know it would take this long.”

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http://ift.tt/2EZ5gkG February 28, 2018 at 05:30AM

Miracle of Dunkirk: one story, two films, 14 Oscar nominations

Author: 
AFP
Wed, 2018-02-28 05:23
ID: 
1519790691033125700

LOS ANGELES: With the cream of the British army cornered by a lightning German advance into northern France, Winston Churchill is told they will be lucky to get 30,000 men out alive.
Yet over nine days in May 1940, more than 10 times that number of British, French and Canadian troops are rescued, many plucked from the beaches by a flotilla of “little ships” crewed by civilian volunteers who set out from England.
The audacious rescue, codenamed Operation Dynamo but immortalized as the “Miracle of Dunkirk,” is the subject of two movies vying for best picture at the Oscars on Sunday.
Christopher Nolan’s “Dunkirk” sees events through the Allies’ eyes as they face what looks like certain death in France, while Joe Wright’s “Darkest Hour” follows the travails of Britain’s newly-anointed prime minister back in London.
Despite its relentless high-octane score and action scenes, “Dunkirk” isn’t really a war film, according to Nolan, who told AFP he wanted to make a “survival story” unlike anything “seen or experienced before in a cinema.”
For Wright, “Darkest Hour” is a nuanced portrait of a man berated as the irresponsible and reckless architect of the disastrous Gallipoli campaign from the previous world war, who nevertheless stepped up to become a national hero.
“He kicked and he screamed and got a lot of things wrong in his career, and in his personal life, but one thing he got right was he resisted the tide of fascism, bigotry and hate,” the director told Britain’s Guardian newspaper.
The movies have amassed 14 Oscar nominations — eight for “Dunkirk,” including best film and directing, and six for “Darkest Hour,” of which best actor is looking like a shoo-in for Gary Oldman, who is unrecognizable as Churchill.
Historians including the British novelist and journalist Michael Korda have argued that Operation Dynamo should be seen as a military defeat with a happy ending, rather than something to be jingoistic about.
Churchill himself echoed the sentiment in a lesser-known section of his famous “we shall fight them on the beaches” speech on the last day of the operation on June 4, 1940.
“We must be very careful not to assign to this deliverance the attributes of a victory. Wars are not won by evacuations,” he said.
No war movie gets a free pass from the history scholars, of course, and experts have found faults with the accuracy of both movies.
“The German army scarcely interfered with the evacuation. There was no ground fighting in the town or port, so Nolan’s opening scene is spurious,” huffed British journalist and historian Max Hastings in The New York Review of Books.
Meanwhile, British military historian Antony Beevor said neither director has been particularly faithful to a monumental week or so when the direction of the entire war could have turned in Nazi Germany’s favor.
“I am afraid that British movie directors do not have much respect for historical truth. They feel compelled to ‘improve’ it even when it is not necessary,” he complained.
Among Beevor’s bugbears is what he sees as Nolan’s downplaying of the role of Britain’s own naval destroyers, which actually did most of the evacuating.
But it was this romantic notion of an armada of civilians leading the rescue effort — the movie’s dramatic center of gravity — that provided the inspiration for Nolan.
He and his wife, producer Emma Thomas, had crossed the same stretch of water in a small boat a decade earlier, in what he described as “one of the most difficult and frankly dangerous experiences of my life.”
“It drove home to us how heroic this was,” Thomas said in an interview. “And no one was shooting or dropping bombs on us.”
The English-born director of the “Batman” movies — known for his technical and narrative daring — shot on, above and off the very beaches where the evacuation took place with real World War II planes and warships.
Some of the original “little ships” that picked up the soldiers were also pressed back into service for “Dunkirk,” which stars Cillian Murphy, Kenneth Branagh and Mark Rylance.
Beevor is as harsh on Wright as Nolan, dismissing as “ludicrous and totally fictitious” a scene in “Darkest Hour” in which Churchill takes a London Underground train and engages passengers on the rights and wrongs of conflict.
As filming reached its climax last year, the Brexit bombshell hit and the prospect of another retreat from Europe gave the film an unexpected and unwanted political resonance.
With the idea of Britain alone against the world again in the air, Nolan warned against “the Dunkirk spirit” being abused.
“Dunkirk is always being used by politicians as a symbol of something,” he said.
“But whenever anyone tries to link it with contemporary politics, they are flying in the face of the fact that it happened in 1940.”

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http://ift.tt/2F2JcSn February 28, 2018 at 05:10AM

Doe-eyed superhero picked for Tokyo 2020 mascot

Author: 
AFP
Wed, 2018-02-28 06:37
ID: 
1519789471603066200

TOKYO: Tokyo Wednesday unveiled its long-awaited mascot for the 2020 Olympic Games: a futuristic blue-checked, doe-eyed character with pointy ears and “special powers” that was picked by schoolchildren across mascot-mad Japan.
The mascot, which has yet to be named, was selected by elementary school kids across the country from a shortlist of three competitors instantly recognizable as “made in Japan.”
The kids picked option “A,” which, according to the Tokyo 2020 organizers, has a “strong sense of justice and is very athletic.”
Helpfully, it has a magical power that enables it “to move anywhere instantaneously.”
Its Paralympic counterpart sports pink checks derived from Japan’s famous cherry blossom and is “usually calm, however, it gets very powerful when needed.”
Its magic power: “It can talk with stones and the wind. It can also move things by just looking at them.”
The pair received over 100,000 votes, more than the other two design sets combined.
Mascots are massive in Japan, the land of Hello Kitty and Pokemon, and there are literally thousands representing everything from small communities to prisons.
Known locally as “yuru-kyara” or “laid-back characters,” mascots can also be major money-spinners.
The pot-bellied, red-cheeked bear known as Kumamon — created in 2010 to promote Japan’s southern Kumamoto region — raked in $8.8 million last year for local businesses selling branded products.
The Tokyo 2020 mascot will hope to replicate the success of Soohorang, the cuddly stuffed tiger from the Winter Olympics in Pyeongchang handed out to athletes on the podium.
More than 100,000 stuffed dolls (Soohorang and Paralympic mascot Banbdabi) were sold over the past year, Pyeongchang organizers said.
Soohorang sparked an inadvertant social media frenzy after a volunteer dressed up as the tiger got stuck in a doorway, needing a helper to push him through.
The 2016 Rio Olympics had a yellow feline animal representing Brazil’s rich fauna and wildlife named Vinicius after music great Vinicius de Moraes.
The Paralympic mascot, a predominantly blue and green figure whose head was covered with leaves to represent Brazil’s rich vegetation, was named Tom after musician Tom Jobim.
Brazil netted $300 million in profits from licensing intellectual property from the 2016 Games, according to the International Olympic Committee (IOC).
But Wenlock and Mandeville, the widely mocked mascots of the 2012 London Games, proved far from Olympic gold.
The one-eyed characters were dubbed “bizarre” and “creepy” by some, reportedly sending shares in their manufacturer down by more than a third.
The Rugby World Cup, which takes place in Japan next year, has already unveiled a pair of pot-bellied lions as its mascots.
With luxurious manes, short horns and faces that appear to be shaped like rugby balls, mascots “Ren” and “G” are inspired by “shishi,” the mythical lion-like figure that features in Japan’s new year celebrations and kabuki theater.
Organizers turned to children to select the mascot, hoping to avoid a repeat of the bungled roll-out of the official Olympic logo, which ended up having to be scrapped following accusations of plagiarism.
It was deemed to be too similar to the logo of a Belgian theater and a separate Spanish design.

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http://ift.tt/2EZSbba February 28, 2018 at 04:48AM

US-Russian crew returns from space station: NASA TV

Author: 
REUTERS
Wed, 2018-02-28 06:06
ID: 
1519788688213019000

WASHINGTON: A capsule carrying two US astronauts and a Russian cosmonaut from the International Space Station landed in snowy Kazakhstan on Wednesday after a five-and-a-half month mission, a NASA TV live broadcast showed.
The Soyuz spacecraft brought back Joe Acaba and Mark Vande Hei, from the US National Aeronautics and Space Administration, and Alexander Misurkin, from Russian space agency Roscosmos.
The capsule landed in the snow covered steppe some 90 miles southeast of the central city of Zhezkazgan at 8.31 a.m. (0231 GMT).
Misurkin was the first to emerge from the spacecraft, assisted by members of the Russian search and recovery team, and he was followed by Acaba who smiled and made a thumbs-up gesture.
The trio had spent five-and-a-half months at the ISS, a $100 billion lab that flies about 250 miles (400 km) above Earth.
The are due to be replaced by NASA’s Andrew Feustel and Richard Arnold, and Oleg Artemyev of Roscosmos, whose spacecraft will blast off from the Baikonur cosmodrome, also in Kazakhstan, on March 21.

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http://ift.tt/2CO6rxo February 28, 2018 at 04:34AM

الثلاثاء، 27 فبراير 2018

Ford and Miami to form test bed for self-driving cars

Author: 
AP
Tue, 2018-02-27 03:00
ID: 
1519748696357300800

DETROIT: Ford Motor Co. is making Miami-Dade County its biggest test bed yet for self-driving vehicles.
The automaker and its partners — including Domino’s Pizza and ride-hailing company Lyft — are starting pilot programs now to see how consumers react to autonomous vehicles.
Ford is also setting up its first-ever autonomous vehicle terminal where it will learn how to manage its test fleet.
It’s all part of Ford’s effort to find viable business models for fully autonomous vehicles and get them on the road by 2021.
Ford isn’t the first automaker to run autonomous test fleets. But the partnership with a specific metropolitan area is less common.
Miami-Dade Mayor Carlos Gimenez says the area wants to be at the forefront of new technology.

http://ift.tt/2HMugtf February 27, 2018 at 09:57PM

Saudi-Lebanese style star Alanoud Badr raises awareness for international Rare Disease Day

Author: 
ARAB NEWS
Wed, 2018-02-28 03:00
ID: 
1519759535798431200

DUBAI: Saudi-Lebanese fashion blogger Alanoud Badr is calling for support on international Rare Disease Day, which lands on Feb. 28.
The style-savvy social media star is calling on her more than 550,000 Instagram followers to join a Feb. 28 walk-a-thon in Dubai to raise awareness for rare diseases, encourage diagnosis and improve access to treatment and medical representation for individuals with rare diseases and their families.
The walk was organized by High Hopes Dubai, a pediatric therapy center for children with special needs.
“In line with the Year of Zayed and Dubai's vision of tolerance and inclusion, we are thrilled to be heading a united walk in Dubai,” the center posted on its social media pages.
“What a day. One great event and collaboration and another fantastic cause ahead! Walking toward the week with so much hope, faith and love,” Badr posted on her Instagram account, @fozaza.
“I will be proudly walking for
rare disease day with
@highhopesdubai… alongside all those amazing warrior moms and angelic kids with rare genetic disorders who are incredible human beings fighting to live a close to normal life… This walk is open to the public and is part of an international movement all over the world. Be part of it,” she added.
The event in Dubai is just one of 400 events in 80 countries organized as part of the 11th international Rare Disease Day.
Based in Dubai, Badr is a regular fixture on the UAE’s fashion scene and even has her own brand called Lady Fozaza, which she launched in 2011.

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http://ift.tt/2GPkOnV February 27, 2018 at 08:25PM

Jordan underwater survey finds parts of ancient port

Author: 
AP
Tue, 2018-02-27 03:00
ID: 
1519755655568051700

AMMAN, Jordan: Officials say Jordan’s first underwater archaeological survey has detected the outlines of a stone barrier, believed to be part of the centuries-old Red Sea port of Ayla, near the modern city of Aqaba.
Ehab Eid, head of the Royal Marine Conservation Society of Jordan, said Tuesday that the survey spotted an underwater barrier with an L-shape that is about 50 meters long and eight meters wide. He says experts expect to find other port facilities in the future.
The port of Ayla was active from the 7th to the 12th century, part of a trade route linking the Levant with other parts of the Middle East, Asia and Africa. Initial excavations in search of Ayla’s ruins were conducted along the beach of Aqaba from 1986-1997.

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http://ift.tt/2HROv8U February 27, 2018 at 07:45PM

Disneyland Paris to add Star Wars zone in $2.5bn upgrade

Author: 
AFP
Tue, 2018-02-27 19:07
ID: 
1519752478327730200

PARIS: The Walt Disney Company on Tuesday announced a two-billion-euro ($2.5-billion) expansion of its Paris amusement park which will add a new Star Wars-themed zone to the huge site.
Disneyland Paris will also build new areas devoted to its hit animated film “Frozen” and the Marvel comics franchise (Spider-Man, The Hulk, X-Men) as part of the makeover, which will take several years.
The work will start in 2021 and significantly expand the park, which is Europe’s most popular private tourism destination with 320 million visits since it opened in 1992.
A new artificial lake at the site in Marne-la-Vallee, in the eastern Paris suburbs, will become a hub for live entertainment shows.
French President Emmanuel Macron hailed the investment as a “very strong commitment” to France after talks at his office with Disney chairman and CEO Bob Iger.
“Your confidence shows that France is back!” tweeted the business-friendly president, who has made reinvigorating the economy a top priority.
Disneyland Paris accounts for 6.2 percent of France’s tourism income alone, according to the Walt Disney Company, which described the expansion plan as “one of the most ambitious development projects” in the park’s history.
The US entertainment giant took back full control of the park last year after buying the 14 percent of shares it did not already own.
Despite its popularity, Disneyland Paris is burdened by heavy debts that surpassed a billion euros in the financial year to September 2016, and has made a loss almost every year.
It managed to reduce its losses in the first half of 2016-17 thanks to a boost in visitor numbers, which had dropped after a string of jihadist attacks in France.

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http://ift.tt/2GQkTay February 27, 2018 at 06:28PM

Parts of Ramses II statue found in southern Egypt

Author: 
AP
Tue, 2018-02-27 03:00
ID: 
1519750233837493600

CAIRO: Egypt says archaeologists have discovered parts of a statue of one of its most famous pharaohs in the southern city of Aswan.
The Antiquities Ministry said Tuesday the head and chest of the statue of Ramses II were found in the Temple of Kom Ombo during a project to protect the site from groundwater.
Egypt hopes the find, along with other recent discoveries, will help revive its tourism sector, which has been battered by years of unrest since the 2011 uprising.
Ramses II, also known as Ramses the Great, ruled Egypt from 1279 B.C. to 1213 B.C. He is credited with expanding Egypt’s reach as far as modern Syria to the east and Sudan to the south.

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http://ift.tt/2HSukrE February 27, 2018 at 05:55PM

Alien life in our Solar System? Study hints at Saturn’s moon

Author: 
AFP
Tue, 2018-02-27 19:01
ID: 
1519750415947516400

PARIS: Humanity may need look no further than our own Solar System in the search for alien life, researchers probing one of Saturn’s moons said Tuesday.
The icy orb known as Enceladus may boast ideal living conditions for single-celled microorganisms known as archaeans found in some of the most extreme environments on Earth, they reported in the science journal Nature Communications.
A methanogenic (methane-producing) archaean called Methanothermococcus okinawensis thrived in laboratory conditions mimicking those thought to exist on Saturn’s satellite, the team said.
On Earth, this type of archaean is found at very hot temperatures near deep-sea hydrothermal vents, and converts carbon dioxide and hydrogen gas into methane.
Traces of methane were previously detected in vapor emanating from cracks in Enceladus’ surface.
“We conclude that some of the CH4 (methane) detected in the plume of Enceladus might, in principle, be produced by methanogens,” the researchers in Germany and Austria wrote.
They also calculated that sufficient hydrogen to support such microbes could be produced by geochemical processes in Enceladus’ rocky core.
The authors had set out to test the hypothesis that conditions on the satellite may be good for hosting methanogenic archaea.
The data, based purely on laboratory study, showed this “could be” so, said Simon Rittmann of the University of Vienna who co-authored the scientific paper.
But the results provide “no evidence for possible extraterrestrial life,” he underlined to AFP.
“Our study only concerns microorganisms. I would like to avoid any speculation about intelligent life,” he said.
Saturn is the sixth planet from the Sun, separated from Earth only by Mars and Jupiter.
It has dozens of moons.
Previous research suggested that Enceladus sports an ocean of liquid water — a key ingredient for life — beneath its icy surface.
The moon is also thought to contain compounds such as methane, carbon dioxide, and ammonia, and its south pole sports hydrothermal activity — a combination of traits that makes it a key target in the search for extra-terrestrial life.
Further research is needed to exclude the possibility that Enceladus’ methane may come from non-biological, geochemical processes, the authors said.

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http://ift.tt/2GNOSjw February 27, 2018 at 05:54PM

Dormant desert life hints at possibilities on Mars

Author: 
AFP
Tue, 2018-02-27 22:44
ID: 
1519749925147453900

MIAMI: It may rain once a decade or less in South America’s Atacama Desert, but tiny bacteria and microorganisms survive there, hinting at the possibility of similar life on Mars, researchers said Monday.
The desert, which spans parts of Chile and Peru, is the driest non-polar desert on Earth and may contain the environment most like that of the Red Planet, said the report in the Proceedings of the National Academy of Sciences.
Lead researcher Dirk Schulze-Makuch, a professor and planetary scientist at the Technical University of Berlin, and colleagues took a trip to the desert in 2015 to learn more about what kind of life might exist there. Then, unexpectedly, it rained.
Scientists detected an explosion of biological activity in the soil, and quickly began using sterile spoons to scoop up samples.
Genomic analyzes helped identify the several apparently indigenous species of microbial life — mostly bacteria — that had somehow adapted to live in the harsh environment by lying dormant for years, then re-animating and reproducing once it rained.
“In the past, researchers have found dying organisms near the surface and remnants of DNA, but this is really the first time that anyone has been able to identify a persistent form of life living in the soil of the Atacama Desert,” Schulze-Makuch said.
“We believe these microbial communities can lay dormant for hundreds or even thousands of years in conditions very similar to what you would find on a planet like Mars and then come back to life when it rains.”
Scientists returned to the Atacama in 2016 and 2017 for follow-up visits and discovered that the same microbial communities in the soil were gradually reverting to their dormant state.
But they did not completely die off. Single-celled organisms, found mainly in the deeper layers of the desert, “have formed active communities for millions of years and have evolved to cope with the harsh conditions,” said the PNAS report.
Since Mars had oceans and lakes billions of years ago, researchers say early life forms may have thrived there, too.
The world’s space agencies are sending robotic vehicles to Mars in a bid to uncover signs of life, but any attempt to return samples to Earth will be costly and complicated.
Schulze-Makuch said the research may help scientists home in on ways to study Martian microbes, which might have evolved to the planet’s colder, drier climate over time, much like the Atacama microbes.
“We know there is water frozen in the Martian soil and recent research strongly suggests nightly snowfalls and other increased moisture events near the surface,” he said.
“If life ever evolved on Mars, our research suggests it could have found a subsurface niche beneath today’s severely hyper-arid surface.”

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http://ift.tt/2HROtxO February 27, 2018 at 05:50PM

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